Buried Alive: A Tale of These Days. Bennett Arnold

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Название Buried Alive: A Tale of These Days
Автор произведения Bennett Arnold
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4057664616807



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don't mean to say you didn't see those posters?" she demanded.

      "I didn't," he said simply.

      "That shows how you must have been thinking!" said she. "Was he a good master?"

      "Yes, very good," said Priam Farll with conviction.

      "I see you're not in mourning."

      "No. That is----"

      "I don't hold with mourning myself," she proceeded. "They say it's to show respect. But it seems to me that if you can't show your respect without a pair of black gloves that the dye's always coming off … I don't know what you think, but I never did hold with mourning. It's grumbling against Providence, too! Not but what I think there's a good deal too much talk about Providence. I don't know what you think, but----"

      "I quite agree with you," he said, with a warm generous smile which sometimes rushed up and transformed his face before he was aware of the occurrence.

      And she smiled also, gazing at him half confidentially. She was a little woman, stoutish--indeed, stout; puffy red cheeks; a too remarkable white cotton blouse; and a crimson skirt that hung unevenly; grey cotton gloves; a green sunshade; on the top of all this the black hat with red roses. The photograph in Leek's pocket-book must have been taken in the past. She looked quite forty-five, whereas the photograph indicated thirty-nine and a fraction. He gazed down at her protectively, with a good-natured appreciative condescension.

      "I suppose you'll have to be going back again soon, to arrange things like," she said. It was always she who kept the conversation afloat.

      "No," he said. "I've finished there. They've dismissed me."

      "Who have?"

      "The relatives."

      "Why?"

      He shook his head.

      "I hope you made them pay you your month," said she firmly.

      He was glad to be able to give a satisfactory answer.

      After a pause she resumed bravely:

      "So Mr. Farll was one of these artists? At least so I see according to the paper."

      He nodded.

      "It's a very funny business," she said. "But I suppose there's some of them make quite a nice income out of it. You ought to know about that, being in it, as it were."

      Never in his life had he conversed on such terms with such a person as Mrs. Alice Challice. She was in every way a novelty for him--in clothes, manners, accent, deportment, outlook on the world and on paint. He had heard and read of such beings as Mrs. Alice Challice, and now he was in direct contact with one of them. The whole affair struck him as excessively odd, as a mad escapade on his part. Wisdom in him deemed it ridiculous to prolong the encounter, but shy folly could not break loose. Moreover she possessed the charm of her novelty; and there was that in her which challenged the male in him.

      "Well," she said, "I suppose we can't stand here for ever!"

      The crowd had frittered itself away, and an attendant was closing and locking the doors of St. George's Hall. He coughed.

      "It's a pity it's Saturday and all the shops closed. But anyhow suppose we walk along Oxford Street all the same? Shall we?" This from her.

      "By all means."

      "Now there's one thing I should like to say," she murmured with a calm smile as they moved off. "You've no occasion to be shy with me. There's no call for it. I'm just as you see me."

      "Shy!" he exclaimed, genuinely surprised. "Do I seem shy to you?" He thought he had been magnificently doggish.

      "Oh, well," she said. "That's all right, then, if you aren't. I should take it as a poor compliment, being shy with me. Where do you think we can have a good talk? I'm free for the evening. I don't know about you."

      Her eyes questioned his.

       Table of Contents

      At a late hour, they were entering, side by side, a glittering establishment whose interior seemed to be walled chiefly in bevelled glass, so that everywhere the curious observer saw himself and twisted fractions of himself. The glass was relieved at frequent intervals by elaborate enamelled signs which repeated, 'No gratuities.' It seemed that the directors of the establishment wished to make perfectly clear to visitors that, whatever else they might find, they must on no account expect gratuities.

      "I've always wanted to come here," said Mrs. Alice Challice vivaciously, glancing up at Priam Farll's modest, middle-aged face.

      Then, after they had successfully passed through a preliminary pair of bevelled portals, a huge man dressed like a policeman, and achieving a very successful imitation of a policeman, stretched out his hand, and stopped them.

      "In line, please," he said.

      "I thought it was a restaurant, not a theatre," Priam whispered to Mrs. Challice.

      "So it is a restaurant," said his companion. "But I hear they're obliged to do like this because there's always such a crowd. It's very 'andsome, isn't it?"

      He agreed that it was. He felt that London had got a long way in front of him and that he would have to hurry a great deal before he could catch it up.

      At length another imitation of a policeman opened more doors and, with other sinners, they were released from purgatory into a clattering paradise, which again offered everything save gratuities. They were conducted to a small table full of dirty plates and empty glasses in a corner of the vast and lofty saloon. A man in evening dress whose eye said, "Now mind, no insulting gratuities!" rushed past the table and in one deft amazing gesture swept off the whole of its contents and was gone with them. It was an astounding feat, and when Priam recovered from his amazement he fell into another amazement on discovering that by some magic means the man in evening dress had insinuated a gold-charactered menu into his hands. This menu was exceedingly long--it comprised everything except gratuities--and, evidently knowing from experience that it was not a document to be perused and exhausted in five minutes, the man in evening dress took care not to interrupt the studies of Priam Farll and Alice Challice during a full quarter of an hour. Then he returned like a bolt, put them through an examination in the menu, and fled, and when he was gone they saw that the table was set with a clean cloth and instruments and empty glasses. A band thereupon burst into gay strains, like the band at a music-hall after something very difficult on the horizontal bar. And it played louder and louder; and as it played louder, so the people talked louder. And the crash of cymbals mingled with the crash of plates, and the altercations of knives and forks with the shrill accents of chatterers determined to be heard. And men in evening dress (a costume which seemed to be forbidden to sitters at tables) flitted to and fro with inconceivable rapidity, austere, preoccupied conjurers. And from every marble wall, bevelled mirror, and Doric column, there spoke silently but insistently the haunting legend, 'No gratuities.'

      Thus Priam Farll began his first public meal in modern London. He knew the hotels; he knew the restaurants, of half-a-dozen countries, but he had never been so overwhelmed as he was here. Remembering London as a city of wooden chop-houses, he could scarcely eat for the thoughts that surged through his brain.

      "Isn't it amusing?" said Mrs. Challice benignantly, over a glass of lager. "I'm so glad you brought me here. I've always wanted to come."

      And then, a few minutes afterwards, she was saying, against the immense din--

      "You know, I've been thinking for years of getting married again. And if you really are thinking of getting married, what are you to do? You may sit in a chair and wait till eggs are sixpence a dozen, and you'll be no nearer. You must do something. And what is there except a matrimonial agency? I say--what's the matter with a matrimonial agency, anyhow? If you want to get married,