At the Gate of Samaria. William John Locke

the time seemed out of joint, and she did not in the least seem called upon to set it right. The restraints of strict draughtsmanship, academic modelling and grouping, chafed her as her simple arithmetic had done at school. She longed to throw them off and to plunge back into her old artistic wilfulnesses. But these occasions generally coincided with fresh sensations of restraint in her home life, and she was wise enough to appreciate the fact.

      During this period an incident occurred in her life, giving it fresh colour and helping her to realise herself more fully. Her girlhood had been far removed from the lax sphere of idle flirtation in which many girls are brought up. The young men of Durdleham, who might have been attracted towards her by her beauty, were frozen by her scarcely veiled impatience at their society.

      The dominant impulse towards active search after life had swayed her to the exclusion of any less powerful motive, and it had scarcely yet occurred to her that her personality might interest and possibly influence others. She was too absorbed in her work, in her dimly shadowed yet ever-haunting plans for the future, in the individualities round her, in the foretaste of that full sense of living, in the stirring objectivity of London life, to dwell at all earnestly on subjective matters and to devote much attention to self-analysis. It is only when the question, “How do others affect me?” ceases to interest that the other question, “How does my personality affect others?” begins to assume a paramount importance. The possibility of a man falling in love with her was a factor as yet absent from her scheme of practical life.

      She learned that such an event had occurred from Mrs. Farquharson. She had gone to her one Monday morning, depressed, out of tune, to seek consolation.

      “Oh, why am I not a man?” she exclaimed petulantly. “Why can't I live by myself, go where I like, and see what I want to see?”

      Her friend laughed good-humouredly.

      “You want to do too much at once, my dear. The world's your oyster, as ancient Pistol said, and you would force it open with one wrench. As for wishing to be a man, you are by no means original. Lots of girls say that, but when they grow older they think it's just as well for them that they are women.”

      “What on earth's the good of being a woman?” asked Clytie, with rather unnecessary emphasis.

      One of her studio companions had asked her to join a party at a theatre, and her aunt had demurred on the ground that ladies ought not to go to that particular house. It showed a certain knowledge of the world on the old lady's part, but Clytie did not realise it, and although she accepted the decision with good grace, it fretted her. These trivial things fret even the wisest amongst us quite as much as the important ones do.

      Mrs. Farquharson did not reply, but continued placidly her usual Monday morning's occupation of putting her music in order, while Clytie watched her from the long rocking-chair where she was sitting, her hands clasped behind her head.

      “What's the good of being a woman when one has to pass half one's life shut up in darkness? It's bad enough being a human being as it is, and having to sleep the other half.”

      “How old are you, my dear?” asked Mrs. Farquharson, looking at a song.

      “You know,” replied Clytie. “Twenty.”

      “Then how would you like to be a young man of twenty—or even two-and-twenty? How would you like to be young Beaumont, for instance? Do you think he knows so very much more than you do?”

      “He's such a boy,” said Clytie.

      “And you, my dear, are such a girl,” said Mrs. Farquharson, coming up behind her chair and smoothing her cheeks. “But you are many years older than he is—and likely to remain so. Do you know why we women like to be women? Because we see so many things that men would give the eyes of their heads to know. Hasn't it ever struck you that we are familiar with a side of life that is almost forever hidden from men? And as for that particular side that men have exclusively to themselves, it is neither very pretty nor comfortful.”

      “I suppose that is why men stop talking when one goes into the smoking-room,” said Clytie. “You hear shouts of laughter outside the door, and you think they must be having an awfully good time, and when you appear in the doorway they seem to pull themselves together, and one or two always look red and sheepish.”

      “I should advise you to read the story of Bluebeard,” said Mrs. Farquharson.

      “You are just as bad as the rest,” cried Clytie, half laughing and half vexed. “I never thought it of you. That's what I have always been told: Never try to find out what you don't know. Always remain in a state of blissful ignorance. Men are superior beings, and a good little girl ought to accept her position with meekness.”

      “I could a tale unfold,” said her friend, “but I won't. It is too early for you. If you want to make experiments on your own account there is young Beaumont for you. He will tell you the sum total of his knowledge in ten minutes.”

      “Do you know, I like him,” said Clytie, leaving the main track of the conversation. “He always looks so clean, and his clothes fit him so well, and he is so serviceable. He always seems to be trying to make the best of himself, since God has done so little for him. And it's very plucky of him to try to improve on the Almighty.”

      “I would not like him too much.”

      “Why?”

      “My poor Clytie! You haven't even got the elements of woman's knowledge yet. Can't you see why Beaumont wears those very chaste ties and those wonderfully shiny boots, and does errands all over London for you? Oh, dear!”

      “Do you mean that he——?”

      Mrs. Farquharson looked at her quizzically and nodded.

      “Therefore I would not like him too much.”

      Obeying a first impulse, Clytie burst out laughing. It seemed so ridiculous. Beaumont was a good-looking, fresh-faced young fellow of two-and-twenty, a distant relation of the Farquharsons, and a habitué of the house. She had met him there many times and had begun to feel quite friendly towards him. Besides, he had fetched and carried for her in the most useful way. She had never thought of his falling in love with her. As he was the last man she herself would have thought of falling in love with, she found the event ludicrous.

      She stopped laughing suddenly, and crimsoned to her hair; then rushed impulsively up to Mrs. Farquharson, and put her arm round her waist.

      “I am sorry; forgive me. What must you think of me! I could not help it, indeed I couldn't. You put me in such a new light before myself. And, dear Mrs. Farquharson, I do so want you to see the best side of me.”

      “My dear girl,” said her friend, “you don't suppose that with your face and your nature you are going to pass through life without having men falling in love with you! You see what a lot you have to learn. You want to have a man's experiences before you have passed through the elementary ones of a woman.”

      “And Mr. Beaumont—what shall I do?”

      “Oh! don't fret yourself about him. He will get over it. He has no end of this sort of thing to go through before his life is up. It will do him good.” Clytie had not much time to map out any fixed plan of treatment of her would-be lover, for he met her an afternoon or two afterwards outside University College, where he had been waiting for her, and pleaded that she would walk a little way up towards the Regent's Park, as the afternoon was fine.

      Clytie looked at him and hesitated.

      “Only just a little way. I have something I must tell you.”

      “Perhaps you had best never tell it,” said Clytie.

      The red-waistcoated gate porter behind them beamed on them smilingly. He had seen something of youthful love in his professional career.

      “I must, whatever happens,” replied the young fellow. “I know it's wrong to ask you to walk in the street with me, but I don't know when I shall get another chance.”