The Greatest Works of Anna Katharine Green. Анна Грин

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      “It out-herods Herod.”

      —Hamlet.

       “A thing devised by the enemy.”

      —Richard III

      A half-hour had passed. The train upon which I had every reason to expect Mr. Gryce had arrived, and I stood in the doorway awaiting with indescribable agitation the slow and labored approach of the motley group of men and women whom I had observed leave the depot at the departure of the cars. Would he be among them? Was the telegram of a nature peremptory enough to make his presence here, sick as he was, an absolute certainty? The written confession of Hannah throbbing against my heart, a heart all elation now, as but a short half-hour before it had been all doubt and struggle, seemed to rustle distrust, and the prospect of a long afternoon spent in impatience was rising before me, when a portion of the advancing crowd turned off into a side street, and I saw the form of Mr. Gryce hobbling, not on two sticks, but very painfully on one, coming slowly down the street.

      His face, as he approached, was a study.

      “Well, well, well,” he exclaimed, as we met at the gate; “this is a pretty how-dye-do, I must say. Hannah dead, eh? and everything turned topsy-turvy! Humph, and what do you think of Mary Leavenworth now?”

      It would therefore seem natural, in the conversation which followed his introduction into the house and installment in Mrs. Belden’s parlor, that I should begin my narration by showing him Hannah’s confession; but it was not so. Whether it was that I felt anxious to have him go through the same alternations of hope and fear it had been my lot to experience since I came to R——; or whether, in the depravity of human nature, there lingered within me sufficient resentment for the persistent disregard he had always paid to my suspicions of Henry Clavering to make it a matter of moment to me to spring this knowledge upon him just at the instant his own convictions seemed to have reached the point of absolute certainty, I cannot say. Enough that it was not till I had given him a full account of every other matter connected with my stay in this house; not till I saw his eye beaming, and his lip quivering with the excitement incident upon the perusal of the letter from Mary, found in Mrs. Belden’s pocket; not, indeed, until I became assured from such expressions as “Tremendous! The deepest game of the season! Nothing like it since the Lafarge affair!” that in another moment he would be uttering some theory or belief that once heard would forever stand like a barrier between us, did I allow myself to hand him the letter I had taken from under the dead body of Hannah.

      I shall never forget his expression as he received it; “Good heavens!” cried he, “what’s this?”

      “A dying confession of the girl Hannah. I found it lying in her bed when I went up, a half-hour ago, to take a second look at her.”

      Opening it, he glanced over it with an incredulous air that speedily, however, turned to one of the utmost astonishment, as he hastily perused it, and then stood turning it over and over in his hand, examining it.

      “A remarkable piece of evidence,” I observed, not without a certain feeling of triumph; “quite changes the aspect of affairs!”

      “Think so?” he sharply retorted; then, whilst I stood staring at him in amazement, his manner was so different from what I expected, looked up and said: “You tell me that you found this in her bed. Whereabouts in her bed?”

      “Under the body of the girl herself,” I returned. “I saw one corner of it protruding from beneath her shoulders, and drew it out.”

      He came and stood before me. “Was it folded or open, when you first looked at it?”

      “Folded; fastened up in this envelope,” showing it to him.

      He took it, looked at it for a moment, and went on with his questions.

      “This envelope has a very crumpled appearance, as well as the letter itself. Were they so when you found them?”

      “Yes, not only so, but doubled up as you see.”

      “Doubled up? You are sure of that? Folded, sealed, and then doubled up as if her body had rolled across it while alive?”

      “Yes.”

      “No trickery about it? No look as if the thing had been insinuated there since her death?”

      “Not at all. I should rather say that to every appearance she held it in her hand when she lay down, but turning over, dropped it and then laid upon it.”

      Mr. Gryce’s eyes, which had been very bright, ominously clouded; evidently he had been disappointed in my answers, paying the letter down, he stood musing, but suddenly lifted it again, scrutinized the edges of the paper on which it was written, and, darting me a quick look, vanished with it into the shade of the window curtain. His manner was so peculiar, I involuntarily rose to follow; but he waved me back, saying:

      “Amuse yourself with that box on the table, which you had such an ado over; see if it contains all we have a right to expect to find in it. I want to be by myself for a moment.”

      Subduing my astonishment, I proceeded to comply with his request, but scarcely had I lifted the lid of the box before me when he came hurrying back, flung the letter down on the table with an air of the greatest excitement, and cried:

      “Did I say there had never been anything like it since the Lafarge affair? I tell you there has never been anything like it in any affair. It is the rummest case on record! Mr. Raymond,” and his eyes, in his excitement, actually met mine for the first time in my experience of him, “prepare yourself for a disappointment. This pretended confession of Hannah’s is a fraud!”

      “A fraud?”

      “Yes; fraud, forgery, what you will; the girl never wrote it.”

      Amazed, outraged almost, I bounded from my chair. “How do you know that?” I cried.

      Bending forward, he put the letter into my hand. “Look at it,” said he; “examine it closely. Now tell me what is the first thing you notice in regard to it?”

      “Why, the first thing that strikes me, is that the words are printed, instead of written; something which might be expected from this girl, according to all accounts.”

      “Well?”

      “That they are printed on the inside of a sheet of ordinary paper——”

      “Ordinary paper?”

      “Yes.”

      “That is, a sheet of commercial note of the ordinary quality.”

      “Of course.”

      “But is it?”

      “Why, yes; I should say so.”

      “Look at the lines.”

      “What of them? Oh, I see, they run up close to the top of the page; evidently the scissors have been used here.”

      “In short, it is a large sheet, trimmed down to the size of commercial note?”

      “Yes.”

      “And is that all you see?”

      “All but the words.”

      “Don’t you perceive what has been lost by means of this trimming down?”

      “No, unless you mean the manufacturer’s stamp in the corner.” Mr. Gryce’s glance took meaning. “But I don’t see why the loss of that should be deemed a matter of any importance.”

      “Don’t you? Not when you consider that by it we seem to be deprived of all opportunity of tracing this sheet back to the quire of paper from which it was taken?”

      “No.”

      “Humph!