The Greatest Works of E. F. Benson (Illustrated Edition). E. F. Benson

Mrs Quantock again, and told her all sorts of political secrets (so she said) which she would not divulge for anything in the world. There must never be a repetition of so fatal an error.

      Another thing inclined the wavering balance. She distinctly wanted some fresh element at her court, that should make Riseholme know that she was in residence again. August would soon be here with its languors and absence of stimulus, when it was really rather difficult in the drowsy windless weather to keep the flag of culture flying strongly from her own palace. The guru had already said that he felt sure she had a beautiful soul, and — The outline of the scheme flashed upon her. She would have Yoga evenings in the hot August weather, at which, as the heat of the day abated, graceful groups should assemble among the mottos in the garden and listen to high talk on spiritual subjects. They would adjourn to delicious moonlit suppers in the pergola, or if the moon was indisposed — she could not be expected to regulate the affairs of the moon as well as of Riseholme — there would be dim séances and sandwiches In the smoking-parlour. The humorous furniture should be put in cupboards, and as they drifted towards the front hall again, when the clocks struck an unexpectedly late hour, little whispered colloquies of "How wonderful he was tonight" would be heard, and there would be faraway looks and sighs, and the notings down of the titles of books that conducted the pilgrim on the Way. Perhaps as they softly assembled for departure, a little music would be suggested to round off the evening, and she saw herself putting down the soft pedal as people rustled into their places, for the first movement of the "Moonlight Sonata." Then at the end there would be silence, and she would get up with a sigh, and someone would say "Lucia mia!" and somebody else "Heavenly Music," and perhaps the guru would say "Beloved lady," as he had apparently said to poor Daisy Quantock. Flowers, music, addresses from the guru, soft partings, sense of refreshment . . . With the memory of the Welsh attorney in her mind, it seemed clearly wiser to annex rather than to repudiate the guru. She seized a pen and drew a pile of postcards towards her, on the top of which was printed her name and address.

      Too wonderful [she wrote]. Pray bring him yourself to my little garden-party on Friday. There will be only a few. Let me know if he wants a quiet room ready for him.

      All this had taken time, and she had but scribbled a dozen postcards to friends bidding them come to her garden-party on Friday, when tea was announced. These invitations had the mystic word "Hightum" written at the bottom left hand corner, which conveyed to the enlightened recipient what sort of party it was to be, and denoted the standard of dress. For one of Lucia's quaint ideas was to divide dresses into three classes, "Hightum," "Tightum" and "Scrub." "Hightum" was your very best dress, the smartest and newest of all, and when "Hightum" was written on a card of invitation, it implied that the party was a very resplendent one. "Tightum" similarly indicated a moderately smart party, "Scrub" carried its own significance on the surface. These terms applied to men's dress as well and as regards evening parties: a dinner-party "Hightum" would indicate a white tie and a tail coat; a dinner-party "Tightum" a black tie and a short coat, and a dinner "Scrub" would mean morning clothes.

      With tea was announced also the advent of Georgie Pillson, who was her gentleman-in-waiting when she was at home, and her watch-dog when she was not. In order to save subsequent disappointment, it may be at once stated that there never has been, was, or ever would be the smallest approach to a flirtation between them. Neither of them, she with her forty respectable years and he with his blameless forty-five years, had ever flirted, with anybody at all. But it was one of the polite and pleasant fictions of Riseholme that Georgie was passionately attached to her and that it was for her sake that he had settled in Riseholme now some seven years ago, and that for her sake he remained still unmarried. She never, to do her justice, had affirmed anything of the sort, but it is a fact that sometimes when Georgie's name came up in conversation, her eyes wore that "faraway" look that only the masterpieces of art could otherwise call up, and she would sigh and murmur "Dear Georgie!" and change the subject, with the tact that characterized her. In fact their mutual relations were among the most Beautiful Things of Riseholme, and hardly less beautiful was Peppino's attitude towards it all. That large-hearted man trusted them both, and his trust was perfectly justified. Georgie was in and out of the house all day, chiefly in; and not only did scandal never rear its hissing head, but it positively had not a head to hiss with, or a foot to stand on. On his side again Georgie had never said that he was in love with her (nor would it have been true if he had), but by his complete silence on the subject coupled with his constancy he seemed to admit the truth of this bloodless idyll. They talked and walked and read the masterpieces of literature and played duets on the piano together. Sometimes (for he was the more brilliant performer, though as he said "terribly lazy about practising," for which she scolded him) he would gently slap the back of her hand, if she played a wrong note, and say "Naughty!" And she would reply in baby language "Me vewy sowwy! Oo naughty too to hurt Lucia!" That was the utmost extent of their carnal familiarities, and with bright eyes fixed on the music they would break into peals of girlish laughter, until the beauty of the music sobered them again.

      Georgie (he was Georgie or Mr Georgie, never Pillson to the whole of Riseholme) was not an obtrusively masculine sort of person. Such masculinity as he was possessed of was boyish rather than adult, and the most important ingredients in his nature were womanish. He had, in common with the rest of Riseholme, strong artistic tastes, and in addition to playing the piano, made charming little watercolour sketches, many of which he framed at his own expense and gave to friends, with slightly sentimental titles, neatly printed in gilt letters on the mount. "Golden Autumn Woodland," "Bleak December," "Yellow Daffodils," "Roses of Summer" were perhaps his most notable series, and these he had given to Lucia, on the occasion of four successive birthdays. He did portraits as well in pastel; these were of two types, elderly ladies in lace caps with a row of pearls, and boys in cricket shirts with their sleeves rolled up. He was not very good at eyes, so his sitters always were looking down, but he was excellent at smiles, and the old ladies smiled patiently and sweetly, and the boys gaily. But his finest accomplishment was needlework and his house was full of the creations of his needle, wool-work curtains, petit-point chair seats, and silk embroideries framed and glazed. Next to Lucia he was the hardest-worked inhabitant of Riseholme, but not being so strong as the Queen, he had often to go away for little rests by the seaside. Travelling by train fussed him a good deal, for he might not be able to get a corner seat, or somebody with a pipe or a baby might get into his carriage, or the porter might be rough with his luggage, so he always went in his car to some neighbouring watering-place where they knew him. Dicky, his handsome young chauffeur, drove him, and by Dicky's side sat Foljambe, his very pretty parlour-maid who valetted him. If Dicky took the wrong turn his master called "Naughty boy" through the tube, and Foljambe smiled respectfully. For the month of August, his two plain strapping sisters (Hermione and Ursula alas!) always came to stay with him. They liked pigs and dogs and otter-hunting and mutton-chops, and were rather a discordant element in Riseholme. But Georgie had a kind heart, and never even debated whether he should ask Hermy and Ursy or not, though he had to do a great deal of tidying up after they had gone.

      There was always a playful touch between the meetings of these two when either of them had been away from Riseholme that very prettily concealed the depth of Georgie's supposed devotion, and when she came out into the garden where her Cavalier and her husband were waiting for their tea under the pergola, Georgie jumped up very nimbly and took a few chassée-ing steps towards her with both hands outstretched in welcome. She caught at his humour, made him a curtsey, and next moment they were treading a little improvised minuet together with hands held high, and pointed toes. Georgie had very small feet, and it was a really elegant toe that he pointed, encased in cloth-topped boots. He had on a suit of fresh white flannels and over his shoulders, for fear of the evening air being chilly after this hot day, he had a little cape of a military cut, like those in which young ladies at music-halls enact the part of colonels. He had a straw-hat on, with a blue riband, a pink shirt and a red tie, rather loose and billowy. His face was pink and round, with blue eyes, a short nose and very red lips. An almost complete absence of eyebrow was made up for by a firm little brown moustache clipped very short, and brushed upwards at its extremities. Contrary to expectation he was quite tall and fitted very neatly into his clothes.

      The dance came to an end with a low curtsey on Lucia's part, an obeisance hat in hand from Georgie (this exposure showing a crop of hair grown on one side of his head and brushed smoothly over the top until it