The Greatest Works of E. F. Benson (Illustrated Edition). E. F. Benson

without appearing to see Lucia at all, called out to Georgie in a high cheerful voice, using baby-language.

      ' 'Oo is very naughty boy, Georgie!' she cried. 'Never ring Elizabeth's belly-pelly. 'Oo walk straight in always, and sing out for her. There's no chain up.'

      Georgie looked round in amazement. Never had Elizabeth called him Georgie before, or talked to him in the language consecrated for his use and Lucia's. And there was Lucia's car close to him. She must have heard this affectionate welcome, and what would she think? But there was nothing to do but to go in.

      Still without seeing (far less cutting) Lucia, Elizabeth closed the window again, positively dazzled by her own brilliance. An hour's concentrated thought could not have suggested to her anything that Lucia would dislike more thoroughly than hearing that gay little speech, which parodied her and revealed such playful intimacy with Georgie. Georgie came straight out to the garden-room, saying 'Elizabeth, Elizabeth' to himself below his breath, in order to get used to it, for he must return this token of friendship in kind.

      'Good-morning, Elizabeth,' he said firmly (and the worst was over until such time as he had to say it again in Lucia's presence).

      'Good-morning, Georgie,' she said by way of confirmation. 'What a lovely light for your painting this morning. Here it is ready for you, and Withers will bring you out your glass of water. How you've caught the feel of my dear little room!'

      Another glance out of the window as she brought him his sketch was necessary, and she gasped. There was Cadman on the doorstep just handing Withers a note. In another minute she came into the garden-room.

      'From Mrs Lucas,' she said. 'She forgot to leave it when she went by before.'

      'That's about the house-warming, I'm sure,' said Georgie, getting his paintbox ready.

      What was done, was done, and there was no use in thinking about that. Elizabeth tore the note open.

      'A house-warming?' she said. 'Dear Lucia! What a treat that will be. Yes, you're quite right.'

      'She's sending her car up for the Padre and his wife and Irene and Mrs Plaistow,' said Georgie, 'and asked me just now if I would bring you and Major Benjy. Naturally I will.'

      Elizabeth's brilliant speech out of the window had assumed the aspect of a gratuitous act of war. But she could not have guessed that Lucia had merely forgotten to leave her invitation. The most charitable would have assumed that there was no invitation to leave.

      'How kind of you!' she said. 'Tomorrow night, isn't it? Rather short notice. I must see if I'm disengaged.'

      As Lucia had asked the whole of the élite of Tilling, this proved to be the case. But Elizabeth still pondered as to whether she should accept or not. She had committed one unfriendly act in talking baby-language to Georgie, with a pointed allusion to the door-chain, literally over Lucia's head, and it was a question whether, having done that, it would not be wise to commit another (while Lucia, it might be guessed, was still staggering) by refusing to go to the house-warming. She did not doubt that there would be war before long: the only question was if she was ready now.

      As she was pondering Withers came in to say that Major Benjy had called. He would not come out into the garden-room, but he would like to speak to her a minute.

      'Evidently he has heard that Georgie is here,' thought Elizabeth to herself as she hurried into the house. 'Dear me, how men quarrel with each other, and I only want to be on good terms with everybody. No doubt he wants to know if I'm going to the house-warming — Good-morning, Major Benjy.'

      'Thought I wouldn't come out,' said this bluff fellow, 'as I heard your Miss Milliner Michael-Angelo, ha, was with you — '

      'Oh Major Benjy, fie!' said Elizabeth. 'Cruel of you.'

      'Well, leave it at that. Now about this party tomorrow. I think I shall make a stand straight away, for I'm not going to spend the whole of the winter evenings tramping through the mud to Grebe. To be sure it's dinner this time, which makes a difference.'

      Elizabeth found that she longed to see what Lucia had made of Grebe, and what she had made of her speech from the window.

      'I quite agree in principle,' she said, 'but a house-warming, you know. Perhaps it wouldn't be kind to refuse. Besides, Georgie — '

      'Eh?' said the Major.

      'Mr Pillson, I mean,' said Elizabeth, hastily correcting herself, 'has offered to drive us both down.'

      'And back?' asked he suspiciously.

      'Of course. So just for once, shall we?'

      'Very good. But none of those after-dinner musicals, or lessons in bridge for me.'

      'Oh, Major Benjy!' said Elizabeth. 'How can you talk so? As if poor Lucia would attempt to teach you bridge.'

      This could be taken in two ways, one interpretation would read that he was incapable of learning, the other that Lucia was incapable of teaching. He took the more obvious one.

      'Upon my soul she did, at the last game I had with her,' said he. 'Laid out the last three tricks and told me how to play them. Beyond a joke. Well, I won't keep you from your dressmaker.'

      'O fie!' said Elizabeth again. 'Au reservoir.'

      * * *

      Lucia, meantime, had driven back to Grebe with that mocking voice still ringing in her ears, and a series of most unpleasant images, like some diabolical film, displaying themselves before her inward eye. Most probably Elizabeth had seen her when she called out to Georgie like that, and was intentionally insulting her. Such conduct called for immediate reprisals and she must presently begin to think these out. But the alternative, possible though not probable, that Elizabeth had not seen her, was infinitely more wounding, for it implied that Georgie was guilty of treacheries too black to bear looking at. Privately, when she herself was not present, he was on Christian-name terms with that woman, and permitted and enjoyed her obvious mimicry of herself. And what was Georgie doing popping in to Mallards like this, and being scolded in baby-voice for ringing the bell instead of letting himself in, with allusions of an absolutely unmistakable kind to that episode about the chain? Did they laugh over that together: did Georgie poke fun at his oldest friend behind her back? Lucia positively writhed at the thought. In any case, whether or not he was guilty of this monstrous infidelity, he must be in the habit of going into Mallards, and now she remembered that he had his paintbox in his hand. Clearly then he was going there to paint, and in all their talks when he so constantly told her what he had been doing, he had never breathed a word of that. Perhaps he was painting Elizabeth, for in this winter weather he could never be painting in the garden. Just now too, when she called at Mallards Cottage, and they had had a talk together, he had refused to go out and drive with her, because he had some little jobs to do indoors, and the moment he had got rid of her — no less than that — he had hurried off to Mallards with his paintbox. With all this evidence, things looked very dark indeed, and the worst and most wounding of these two alternatives began to assume probability.

      Georgie was coming to tea with her that afternoon, and she must find out what the truth of the matter was. But she could not imagine herself saying to him: 'Does she really call you Georgie, and does she imitate me behind my back, and are you painting her?' Pride absolutely forbade that: such humiliating inquiries would choke her. Should she show him an icy aloof demeanour, until he asked her if anything was the matter? But that wouldn't do, for either she must say that nothing was the matter, which would not help, or she must tell him what the matter was, which was impossible. She must behave to him exactly as usual, and he would probably do the same. 'So how am I to find out?' said the bewildered Lucia quite aloud.

      Another extremely uncomfortable person in tranquil Tilling that morning was Georgie himself. As he painted this sketch of the garden-room for Lucia, with Elizabeth busying herself with dusting her piano and bringing in chrysanthemums from her greenhouse, and making bright little sarcasms about Diva who was in ill odour just now, there painted itself in his mind, in colours growing ever more vivid, a most ominous picture of Lucia. If he knew her at all, and he was sure he did, she would say nothing whatever about that disconcerting