The Greatest Works of E. F. Benson (Illustrated Edition). E. F. Benson

you mean is that you're afraid she may want to be the Queen,' observed Georgie acutely.

      'I won't give it up,' said Daisy very firmly, not troubling to confirm so obvious an interpretation. 'I've had all the trouble of it, and very nearly learnt the speech to the troops, and made my ruff and bought a rope of pearls. It wouldn't be fair, Georgie. So don't encourage her, will you? I know you're dining with her tonight.'

      'No, I won't encourage her,' said he. 'But you know what Lucia is, when she's in working order. If she wants a thing, she gets it somehow. It happens. That's all you can say about it.'

      'Well, this one shan't happen,' said Daisy, dismounting from her basket-chair which was beginning to sag. 'It would be too mean. And I wish you would come across now and let us practise that scene where I knight you. We must get it very slick.'

      'Not this morning,' said Georgie. 'I know my bit: I've only got to kneel down. You can practise on the end of a sofa. Besides, if Lucia is really waking up, I shall take some duets across this evening, and I must have a go at some of them. I've not touched my piano for weeks. And my shoulder's sore where you knighted me so hard the other day. Quite a bruise.'

      Daisy suddenly remembered something more.

      'And Lucia repeated me several lines out of one of Peppino's last poems,' she said. 'She couldn't possibly have done that a month ago without breaking down. And I believe she would have read one to me when I asked her to, but I'm pretty sure she couldn't undo one of those tapes that the book is tied up with. A hard knot. She was picking at it . . .'

      'Oh, she must be better,' said he. 'Ever so much.'

      So Georgie went in to practise some of the old duets in case Lucia felt equal to evoking the memories of happier days at the piano, and Daisy hit the end of her sofa some half-dozen times with her umbrella bidding it rise Sir Francis Drake. She still wondered if Lucia had some foul scheme in her head, but though there had ticked by some minutes, directly after their talk in Perdita's garden, which might have proved exceedingly dangerous to her own chance of being the Queen, these, by the time that she was knighting the sofa, had passed. For Lucia, still meditating whether she should not lay plots for ousting Daisy, had, in default of getting that knotted tape undone, turned to her unread Times, and scanned its columns with a rather absent eye. There was no news that could interest anybody, and her glance wandered up and down the lists of situations vacant and wanted, of the sailings of steamers, and finally of houses to be let for summer months. There was a picture of one with a plain pleasant Queen Anne front looking on to a cobbled street. It was highly attractive, and below it she read that Miss Mapp sought a tenant for her house in Tilling, called Mallards, for the months of August and September. Seven bedrooms, four sitting-rooms, h. & c. and an old-world garden. At that precise psychological moment Daisy's prospects of being Queen Elizabeth became vastly rosier, for this house to let started an idea in Lucia's mind which instantly took precedence of other schemes. She must talk to Georgie about it this evening: till then it should simmer. Surely also the name of Miss Mapp aroused faint echoes of memory in her mind: she seemed to remember a large woman with a wide smile who had stayed at the Ambermere Arms a few years ago, and had been very agreeable but slightly superior. Georgie would probably remember her . . . But the sun had become extremely powerful, and Lucia picked up her Times and her book of poems and went indoors to the cool lattice-paned parlour where her piano stood. By it was a book-case with volumes of bound-up music, and she drew from it one which contained the duets over which Georgie and she used to be so gay and so industrious. These were Mozart quartets arranged for four hands, delicious, rippling airs: it was months since she had touched them, or since the music-room had resounded to anything but the most sombre and pensive strains. Now she opened the book and put it on the music-rest. 'Uno, due, tre,' she said to herself and began practising the treble part which was the more amusing to play.

      * * *

      Georgie saw the difference in her at once when he arrived for dinner that evening. She was sitting outside in Perdita's garden and for the first time hailed him as of old in brilliant Italian.

      'Buona sera, caro,' she said. 'Come sta?'

      'Molto bene,' he answered, 'and what a caldo day. I've brought a little music across with me in case you felt inclined. Mozartino.'

      'What a good idea! We will have un po' di musica afterwards, but I've got tanto, tanto to talk to you about. Come in: dinner will be ready. Any news?'

      'Let me think,' he said. 'No, I don't think there's much. I've got rather a bruised shoulder where Daisy knighted me the other day — '

      'Dear Daisy!' said Lucia. 'A little heavy-handed sometimes, don't you find? Not a light touch. She was in here this morning talking about the fête. She urged me to take part in it. What part do you think she suggested, Georgie? You'll never guess.'

      'I never should have, if she hadn't told me,' he said. 'The most ludicrous thing I ever heard.'

      Lucia sighed.

      'I'm afraid not much more ludicrous than her being Queen Elizabeth,' she said. 'Daisy on a palfrey addressing her troops! Georgie dear, think of it! It sounds like that rather vulgar game called "Consequences". Daisy, I am afraid, has got tipsy with excitement at the thought of being a queen. She is running amok, and she will make a deplorable exhibition of herself, and Riseholme will become the laughing-stock of all those American tourists who come here in August to see our lovely Elizabethan village. The village will be all right, but what of Elizabeth? Tacete un momento, Georgie. Le domestiche.'

      Georgie's Italian was rusty after so much disuse, but he managed to translate this sentence to himself, and unerringly inferred that Lucia did not want to pursue the subject while Grosvenor, the parlour-maid, and her colleague were in the room.

      'Sicuro,' he said, and made haste to help himself to his fish. The domestiche thereupon left the room again, to be summoned back by the stroke of a silver bell in the shape of a pomander which nestled among pepper- and mustard-pots beside Lucia. Almost before the door had closed on their exit, Lucia began to speak again.

      'Of course after poor Daisy's suggestion I shall take no part myself in this fête,' she said; 'and even if she besought me on her knees to play Queen Elizabeth, I could not dream of doing so. She cannot deprive me of what I may call a proper pride, and since she has thought good to offer me the role of Drake's wife, who, she hastened to explain, only came on for one moment and curtsied to her, and then retired into the ranks of men-at-arms and ladies-in-waiting again, my sense of dignity, of which I have still some small fragments left, would naturally prevent me from taking any part in the performance, even at the end of a barge-pole. But I am sorry for Daisy, since she knows her own deficiencies so little, and I shall mourn for Riseholme if the poor thing makes such a mess of the whole affair as she most indubitably will if she is left to organize it herself. That's all.'

      It appeared, however, that there was a little more, for Lucia quickly finished her fish, and continued at once.

      'So after what she said to me this morning, I cannot myself offer to help her, but if you like to do so, Georgie, you can tell her — not from me, mind, but from your own impression — that you think I should be perfectly willing to coach her and make the best I can of her as the embodiment of great Queen Bess. Something might be done with her. She is short, but so was the Queen. She has rather bad teeth, but that doesn't matter, for the Queen had the same. Again she is not quite a lady, but the Queen also had a marked strain of vulgarity and bourgeoisie. There was a coarse fibre in the Tudors, as I have always maintained. All this, dear Georgie, is to the good. If dear Daisy will only not try to look tall, and if she will smile a good deal, and behave naturally, these are advantages, real advantages. But in spite of them Daisy will merely make herself and Riseholme silly if she does not manage to get hold of some semblance of dignity and queenship. Little gestures, little turnings of the head, little graciousnesses; all that acting means. I thought it out in those dear old days when we began to plan it, and, as I say, I shall be happy to give poor Daisy all the hints I can, if she will come and ask me to do so. But mind, Georgie, the suggestion must not come from me. You are at liberty to say that you think I possibly might help her, but nothing more than that. Capite?

      This Italian