The Greatest Works of E. F. Benson (Illustrated Edition). E. F. Benson

should call it push," said Daisy. "Come back and tell me exactly what's happened."

      "Any message?" asked Georgie.

      "Certainly not," said Daisy again, and began untying the string of the parcel that held the instruments of divination.

      Georgie went quickly down the road (for he saw Lucia's motor already at the door) and up the paved walk that led past the sundial, round which was the circular flower-border known as Perdita's border, for it contained only the flowers that Perdita gathered. Today it was all a-bloom with daffodils and violets and primroses, and it was strange to think that Lucia would not go gassing on about Perdita's border, as she always did at this time of the year, but would have to be content with whatever flowers there happened to be in Brompton Square: a few sooty crocuses perhaps and a periwinkle . . . She was waiting for him, kissed her hand through the window, and opened the door.

      "Now for little chat," she said, adjusting a very smart hat, which Georgie was sure he had never seen before. There was no trace of mourning about it: it looked in the highest spirits. So, too, did Lucia.

      "Sit down, Georgie," she said, "and cheer me up. Poor Lucia feels ever so sad at going away."

      "It is rather sudden," he said. "Nobody dreamed you were off today, at least until they saw The Times this morning."

      Lucia gave a little sigh.

      "I know," she said, "but Peppino thought that was the best plan. He said that if Riseholme knew when I was going, you'd all have had little dinners and lunches for us, and I should have been completely worn out with your kindness and hospitality. And there was so much to do, and we weren't feeling much like gaiety. Seen anybody this morning? Any news?"

      "I saw Daisy," said Georgie.

      "And told her?"

      "No, it was she who saw it in The Times first, and sent it round to me," said Georgie. "She's got a ouija board, by the way. It came this morning."

      "That's nice," said Lucia. "I shall think of Riseholme as being ever so busy. And everybody must come up and stay with me, and you first of all. When will you be able to come?"

      "Whenever you ask me," said Georgie.

      "Then you must give me a day or two to settle down, and I'll write to you. You'll be popping across though every moment of the day to see Olga."

      "She's in Paris," said Georgie.

      "No! What a disappointment! I had already written her a card, asking her to dine with us the day after tomorrow, which I was taking up to London to post there."

      "She may be back by then," said Georgie.

      Lucia rose and went to her writing table, on which, as Georgie was thrilled to observe, was a whole pile of stamped and directed envelopes.

      "I think I won't chance it," said Lucia, "for I had enclosed another card for Signor Cortese which I wanted her to forward, asking him for the same night. He composed Lucrezia you know, which I see is coming out in London in the first week of the Opera Season, with her, of course, in the name-part. But it will be safer to ask them when I know she is back."

      Georgie longed to know to whom all the other invitations were addressed. He saw that the top one was directed to an M.P., and guessed that it was for the member for the Riseholme district, who had lunched at The Hurst during the last election.

      "And what are you going to do tonight?" he asked.

      "Dining with dear Aggie Sandeman. I threw myself on her mercy, for the servants won't have settled in, and I hoped we should have just a little quiet evening with her. But it seems that she's got a large dinner party on. Not what I should have chosen, but there's no help for it now. Oh, Georgie, to think of you in dear old quiet Riseholme and poor Peppino and me gabbling and gobbling at a huge dinner party."

      She looked wistfully round the room.

      "Goodbye, dear music-room," she said, kissing her hand in all directions. "How glad I shall be to get back! Oh, Georgie, your manual on auction bridge got packed by mistake. So sorry. I'll send it back. Come in and play the piano sometimes, and then it won't feel lonely. We must be off, or Peppino will get fussing. Say goodbye to everyone for us, and explain. And Perdita's border! Will sweet Perdita forgive me for leaving all her lovely flowers and running away to London? After all, Georgie, Shakespeare wrote The Winter's Tale in London, did he not? Lovely daffies! And violets dim. Let me give you 'ickle violet, Georgie, to remind you of poor Lucia tramping about in long unlovely streets, as Tennyson said."

      Lucia, so Georgie felt, wanted no more comments or questions about her departure, and went on drivelling like this till she was safely in the motor. She had expected Peppino to be waiting for her and beginning to fuss, but so far from his fussing he was not there at all. So she got in a fuss instead.

      "Georgino, will you run back and shout for Peppino?" she said. "We shall be so late, and tell him that I am sitting in the motor waiting. Ah, there he is! Peppino, where have you been? Do get in and let us start, for there are Piggie and Goosie running across the green, and we shall never get off if we have to begin kissing everybody. Give them my love, Georgie, and say how sorry we were just to miss them. Shut the door quickly, Peppino, and tell him to drive on."

      The motor purred and started. Lucia was gone. "She had a bad conscience too," thought Georgie, as Piggy and Goosie gambolled up rather out of breath with pretty playful cries, "and I'm sure I don't wonder."

      The news that she had gone of course now spread rapidly, and by lunchtime Riseholme had made up its mind what to do, and that was hermetically to close its lips for ever on the subject of Lucia. You might think what you pleased, for it was a free country, but silence was best. But this counsel of perfection was not easy to practise next day when the evening paper came. There, for all the world to read were two quite long paragraphs, in "Five o'clock Chit-Chat," over the renowned signature of Hermione, entirely about Lucia and 25 Brompton Square, and there for all the world to see was the reproduction of one of her most elegant photographs, in which she gazed dreamily outwards and a little upwards, with her fingers still pressed on the last chord of (probably) the "Moonlight Sonata" . . . She had come up, so Hermione told countless readers, from her Elizabethan country seat at Riseholme (where she was a neighbour of Miss Olga Bracely) and was settling for the season in the beautiful little house in Brompton Square, which was the freehold property of her husband, and had just come to him on the death of his aunt. It was a veritable treasure house of exquisite furniture, with a charming music-room where Lucia had given Hermione a cup of tea from her marvellous Worcester tea service . . . (At this point Daisy, whose hands were trembling with passion, exclaimed in a loud and injured voice, "The very day she arrived!") Mrs Lucas (one of the Warwickshire Smythes by birth) was, as all the world knew, a most accomplished musician and Shakespearean scholar, and had made Riseholme a centre of culture and art. But nobody would suspect the bluestocking in the brilliant, beautiful and witty hostess whose presence would lend an added gaiety to the London season.

      Daisy was beginning to feel physically unwell. She hurried over the few remaining lines, and then ejaculating "Witty! Beautiful!" sent de Vere across to Georgie's with the paper, bidding him to return it, as she hadn't finished with it. But she thought he ought to know . . . Georgie read it through, and with admirable self-restraint, sent Foljambe back with it and a message of thanks — nothing more — to Mrs Quantock for the loan of it. Daisy, by this time feeling better, memorised the whole of it.

      Life under the new conditions was not easy, for a mere glance at the paper might send any true Riseholmite into a paroxysm of chattering rage or a deep disgusted melancholy. The Times again recorded the fact that Mr and Mrs Philip Lucas had arrived at 25 Brompton Square, there was another terrible paragraph headed 'Dinner,' stating that Mrs Sandeman entertained the following to dinner. There was an Ambassador, a Marquis, a Countess (dowager), two Viscounts with wives, a Baronet, a quantity of Honourables and Knights, and Mr and Mrs Philip Lucas. Every single person except Mr and Mrs Philip Lucas had a title. The list was too much for Mrs Boucher, who, reading it at breakfast, suddenly exclaimed: "I didn't think it of them. And it's a poor consolation to know that they must have gone in last."

      Then she