The House of Mirth (Romance Classic). Edith Wharton

said calmly, “cost two dollars a dozen at this season.”

      Lily was not impressed. She knew very little of the value of money.

      “It would not take more than six dozen to fill that bowl,” she argued.

      “Six dozen what?” asked her father’s voice in the doorway.

      The two women looked up in surprise; though it was a Saturday, the sight of Mr. Bart at luncheon was an unwonted one. But neither his wife nor his daughter was sufficiently interested to ask an explanation.

      Mr. Bart dropped into a chair, and sat gazing absently at the fragment of jellied salmon which the butler had placed before him.

      “I was only saying,” Lily began, “that I hate to see faded flowers at luncheon; and mother says a bunch of lilies-of-the-valley would not cost more than twelve dollars. Mayn’t I tell the florist to send a few every day?”

      She leaned confidently toward her father: he seldom refused her anything, and Mrs. Bart had taught her to plead with him when her own entreaties failed.

      Mr. Bart sat motionless, his gaze still fixed on the salmon, and his lower jaw dropped; he looked even paler than usual, and his thin hair lay in untidy streaks on his forehead. Suddenly he looked at his daughter and laughed. The laugh was so strange that Lily coloured under it: she disliked being ridiculed, and her father seemed to see something ridiculous in the request. Perhaps he thought it foolish that she should trouble him about such a trifle.

      “Twelve dollars—twelve dollars a day for flowers? Oh, certainly, my dear—give him an order for twelve hundred.” He continued to laugh.

      Mrs. Bart gave him a quick glance.

      “You needn’t wait, Poleworth—I will ring for you,” she said to the butler.

      The butler withdrew with an air of silent disapproval, leaving the remains of the CHAUFROIX on the sideboard.

      “What is the matter, Hudson? Are you ill?” said Mrs. Bart severely.

      She had no tolerance for scenes which were not of her own making, and it was odious to her that her husband should make a show of himself before the servants.

      “Are you ill?” she repeated.

      “Ill?–No, I’m ruined,” he said.

      Lily made a frightened sound, and Mrs. Bart rose to her feet.

      “Ruined–?” she cried; but controlling herself instantly, she turned a calm face to Lily.

      “Shut the pantry door,” she said.

      Lily obeyed, and when she turned back into the room her father was sitting with both elbows on the table, the plate of salmon between them, and his head bowed on his hands.

      Mrs. Bart stood over him with a white face which made her hair unnaturally yellow. She looked at Lily as the latter approached: her look was terrible, but her voice was modulated to a ghastly cheerfulness.

      “Your father is not well—he doesn’t know what he is saying. It is nothing—but you had better go upstairs; and don’t talk to the servants,” she added.

      Lily obeyed; she always obeyed when her mother spoke in that voice. She had not been deceived by Mrs. Bart’s words: she knew at once that they were ruined. In the dark hours which followed, that awful fact overshadowed even her father’s slow and difficult dying. To his wife he no longer counted: he had become extinct when he ceased to fulfil his purpose, and she sat at his side with the provisional air of a traveller who waits for a belated train to start. Lily’s feelings were softer: she pitied him in a frightened ineffectual way. But the fact that he was for the most part unconscious, and that his attention, when she stole into the room, drifted away from her after a moment, made him even more of a stranger than in the nursery days when he had never come home till after dark. She seemed always to have seen him through a blur—first of sleepiness, then of distance and indifference— and now the fog had thickened till he was almost indistinguishable. If she could have performed any little services for him, or have exchanged with him a few of those affecting words which an extensive perusal of fiction had led her to connect with such occasions, the filial instinct might have stirred in her; but her pity, finding no active expression, remained in a state of spectatorship, overshadowed by her mother’s grim unflagging resentment. Every look and act of Mrs. Bart’s seemed to say: “You are sorry for him now—but you will feel differently when you see what he has done to us.”

      It was a relief to Lily when her father died.

      Then a long winter set in. There was a little money left, but to Mrs. Bart it seemed worse than nothing—the mere mockery of what she was entitled to. What was the use of living if one had to live like a pig? She sank into a kind of furious apathy, a state of inert anger against fate. Her faculty for “managing” deserted her, or she no longer took sufficient pride in it to exert it. It was well enough to “manage” when by so doing one could keep one’s own carriage; but when one’s best contrivance did not conceal the fact that one had to go on foot, the effort was no longer worth making.

      Lily and her mother wandered from place to place, now paying long visits to relations whose housekeeping Mrs. Bart criticized, and who deplored the fact that she let Lily breakfast in bed when the girl had no prospects before her, and now vegetating in cheap continental refuges, where Mrs. Bart held herself fiercely aloof from the frugal tea-tables of her companions in misfortune. She was especially careful to avoid her old friends and the scenes of her former successes. To be poor seemed to her such a confession of failure that it amounted to disgrace; and she detected a note of condescension in the friendliest advances.

      Only one thought consoled her, and that was the contemplation of Lily’s beauty. She studied it with a kind of passion, as though it were some weapon she had slowly fashioned for her vengeance. It was the last asset in their fortunes, the nucleus around which their life was to be rebuilt. She watched it jealously, as though it were her own property and Lily its mere custodian; and she tried to instil into the latter a sense of the responsibility that such a charge involved. She followed in imagination the career of other beauties, pointing out to her daughter what might be achieved through such a gift, and dwelling on the awful warning of those who, in spite of it, had failed to get what they wanted: to Mrs. Bart, only stupidity could explain the lamentable denouement of some of her examples. She was not above the inconsistency of charging fate, rather than herself, with her own misfortunes; but she inveighed so acrimoniously against love-matches that Lily would have fancied her own marriage had been of that nature, had not Mrs. Bart frequently assured her that she had been “talked into it”—by whom, she never made clear.

      Lily was duly impressed by the magnitude of her opportunities. The dinginess of her present life threw into enchanting relief the existence to which she felt herself entitled. To a less illuminated intelligence Mrs. Bart’s counsels might have been dangerous; but Lily understood that beauty is only the raw material of conquest, and that to convert it into success other arts are required. She knew that to betray any sense of superiority was a subtler form of the stupidity her mother denounced, and it did not take her long to learn that a beauty needs more tact than the possessor of an average set of features.

      Her ambitions were not as crude as Mrs. Bart’s. It had been among that lady’s grievances that her husband—in the early days, before he was too tired—had wasted his evenings in what she vaguely described as “reading poetry”; and among the effects packed off to auction after his death were a score or two of dingy volumes which had struggled for existence among the boots and medicine bottles of his dressing-room shelves. There was in Lily a vein of sentiment, perhaps transmitted from this source, which gave an idealizing touch to her most prosaic purposes. She liked to think of her beauty as a power for good, as giving her the opportunity to attain a position where she should make her influence felt in the vague diffusion of refinement and good taste. She was fond of pictures and flowers, and of sentimental fiction, and she could not help thinking that the possession of such tastes ennobled her desire for worldly advantages. She would not indeed have cared to marry a man who was merely rich: she was secretly ashamed of her mother’s crude passion for money.