Anne of Green Gables (Anne Shirley Series #1). Lucy Maud Montgomery

pretty near home now. That's Green Gables over-"

      "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right."

      She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise.

      "That's it, isn't it?" she said, pointing.

      Matthew slapped the reins on the sorrel's back delightedly.

      "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell."

      "No, she didn't-really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real-until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it IS real and we're nearly home."

      With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something-much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature.

      The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it.

      "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!"

      Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house.

      3

      Marilla Cuthbert is Surprised

      Marilla came briskly forward as Matthew opened the door. But when her eyes fell of the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement.

      "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?"

      "There wasn't any boy," said Matthew wretchedly. "There was only HER."

      He nodded at the child, remembering that he had never even asked her name.

      "No boy! But there MUST have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy."

      "Well, she didn't. She brought HER. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in."

      "Well, this is a pretty piece of business!" ejaculated Marilla.

      During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands.

      "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!"

      Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach.

      "Well, well, there's no need to cry so about it."

      "Yes, there IS need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "YOU would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most TRAGICAL thing that ever happened to me!"

      Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression.

      "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?"

      The child hesitated for a moment.

      "Will you please call me Cordelia?" she said eagerly.

      "CALL you Cordelia? Is that your name?"

      "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name."

      "I don't know what on earth you mean. If Cordelia isn't your name, what is?"

      "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name."

      "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it."

      "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia—at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E."

      "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot.

      "Oh, it makes SUCH a difference. It LOOKS so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia."

      "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?"

      "Oh, yes, there was an abundance of them. But Mrs. Spencer said DISTINCTLY that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard."

      "What on earth does she mean?" demanded Marilla, staring at Matthew.

      "She—she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back."

      "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when