Indian Tales. Rudyard 1865-1936 Kipling

and mounds and mounds of roses, and the body, under sacking, was carried out to the place where the anthrax cases were cremated; two-thirds of the Regiment following. There was no Band, but they all sang "The Place where the old Horse died" as something respectful and appropriate to the occasion. When the corpse was dumped into the grave and the men began throwing down armfuls of roses to cover it, the Farrier-Sergeant ripped out an oath and said aloud, "Why, it ain't the Drum-Horse any more than it's me!" The Troop Sergeant-Majors asked him whether he had left his head in the Canteen. The Farrier-Sergeant said that he knew the Drum-Horse's feet as well as he knew his own; but he was silenced when he saw the regimental number burned in on the poor stiff, upturned near-fore.

      Thus was the Drum-Horse of the White Hussars buried; the Farrier-Sergeant grumbling. The sacking that covered the corpse was smeared In places with black paint; and the Farrier-Sergeant drew attention to this fact. But the Troop Sergeant-Major of E Troop kicked him severely on the shin, and told him that he was undoubtedly drunk.

      On the Monday following the burial, the Colonel sought revenge on the White Hussars. Unfortunately, being at that time temporarily in Command of the Station, he ordered a Brigade field-day. He said that he wished to make the Regiment "sweat for their damned insolence," and he carried out his notion thoroughly. That Monday was one of the hardest days in the memory of the White Hussars. They were thrown against a skeleton-enemy, and pushed forward, and withdrawn, and dismounted, and "scientifically handled" in every possible fashion over dusty country, till they sweated profusely. Their only amusement came late in the day when they fell upon the battery of Horse Artillery and chased it for two miles. This was a personal question, and most of the troopers had money on the event; the Gunners saying openly that they had the legs of the White Hussars. They were wrong. A march-past concluded the campaign, and when the Regiment got back to their Lines, the men were coated with dirt from spur to chin-strap.

      The White Hussars have one great and peculiar privilege. They won it at Fontenoy, I think.

      Many Regiments possess special rights such as wearing collars with undress uniform, or a bow of riband between the shoulders, or red and white roses in their helmets on certain days of the year. Some rights are connected with regimental saints, and some with regimental successes. All are valued highly; but none so highly as the right of the White Hussars to have the Band playing when their horses are being watered in the Lines. Only one tune is played, and that tune never varies. I don't know its real name, but the White Hussars call it, "Take me to London again." It sounds very pretty. The Regiment would sooner be struck off the roster than forego their distinction.

      After the "dismiss" was sounded, the officers rode off home to prepare for stables; and the men filed into the lines riding easy. That is to say, they opened their tight buttons, shifted their helmets, and began to joke or to swear as the humor took them; the more careful slipping off and easing girths and curbs. A good trooper values his mount exactly as much as he values himself, and believes, or should believe, that the two together are irresistible where women or men, girls or guns, are concerned.

      Then the Orderly-Officer gave the order, "Water horses," and the Regiment loafed off to the squadron-troughs which were in rear of the stables and between these and the barracks. There were four huge troughs, one for each squadron, arranged en èchelon, so that the whole Regiment could water in ten minutes if it liked. But it lingered for seventeen, as a rule, while the Band played.

      The Band struck up as the squadrons filed off to the troughs, and the men slipped their feet out of the stirrups and chaffed each other. The sun was just setting in a big, hot bed of red cloud, and the road to the Civil Lines seemed to run straight into the sun's eye. There was a little dot on the road. It grew and grew till it showed as a horse, with a sort of gridiron-thing on his back. The red cloud glared through the bars of the gridiron. Some of the troopers shaded their eyes with their hands and said—"What the mischief 'as that there 'orse got on 'im?"

      In another minute they heard a neigh that every soul—horse and man—in the Regiment knew, and saw, heading straight toward the Band, the dead Drum-Horse of the White Hussars!

      On his withers banged and bumped the kettledrums draped in crape, and on his back, very stiff and soldierly, sat a bareheaded skeleton.

      The Band stopped playing, and, for a moment, there was a hush.

      Then some one in E Troop—men said it was the Troop-Sergeant-Major—swung his horse round and yelled. No one can account exactly for what happened afterward; but it seems that, at least, one man in each troop set an example of panic, and the rest followed like sheep. The horses that had barely put their muzzles into the troughs reared and capered; but as soon as the Band broke, which it did when the ghost of the Drum-Horse was about a furlong distant, all hooves followed suit, and the clatter of the stampede—quite different from the orderly throb and roar of a movement on parade, or the rough horse-play of watering in camp—made them only more terrified. They felt that the men on their backs were afraid of something. When horses once know that, all is over except the butchery.

      Troop after troop turned from the troughs and ran—anywhere and everywhere—like spilled quicksilver. It was a most extraordinary spectacle, for men and horses were in all stages of easiness, and the carbine-buckets flopping against their sides urged the horses on. Men were shouting and cursing, and trying to pull clear of the Band which was being chased by the Drum-Horse whose rider had fallen forward and seemed to be spurring for a wager.

      The Colonel had gone over to the Mess for a drink. Most of the officers were with him, and the Subaltern of the Day was preparing to go down to the lines, and receive the watering reports from the Troop-Sergeant-Majors. When "Take me to London again" stopped, after twenty bars, every one in the Mess said, "What on earth has happened?" A minute later, they heard unmilitary noises, and saw, far across the plain, the White Hussars scattered, and broken, and flying.

      The Colonel was speechless with rage, for he thought that the Regiment had risen against him or was unanimously drunk. The Band, a disorganized mob, tore past, and at its heels labored the Drum-Horse—the dead and buried Drum-Horse—with the jolting, clattering skeleton, Hogan-Yale whispered softly to Martyn—"No wire will stand that treatment," and the Band, which had doubled like a hare, came back again. But the rest of the Regiment was gone, was rioting all over the Province, for the dusk had shut in and each man was howling to his neighbor that the Drum-Horse was on his flank. Troop-horses are far too tenderly treated as a rule. They can, on emergencies, do a great deal, even with seventeen stone on their backs. As the troopers found out.

      How long this panic lasted I cannot say. I believe that when the moon rose the men saw they had nothing to fear, and, by twos and threes and half-troops, crept back into Cantonments very much ashamed of themselves. Meantime, the Drum-Horse, disgusted at his treatment by old friends, pulled up, wheeled round, and trotted up to the Mess veranda-steps for bread. No one liked to run; but no one cared to go forward till the Colonel made a movement and laid hold of the skeleton's foot. The Band had halted some distance away, and now came back slowly. The Colonel called it, individually and collectively, every evil name that occurred to him at the time; for he had set his hand on the bosom of the Drum-Horse and found flesh and blood. Then he beat the kettle-drums with his clenched fist, and discovered that they were but made of silvered paper and bamboo. Next, still swearing, he tried to drag the skeleton out of the saddle, but found that it had been wired into the cantle. The sight of the Colonel, with his arms round the skeleton's pelvis and his knee in the old Drum-Horse's stomach, was striking. Not to say amusing. He worried the thing off in a minute or two, and threw it down on the ground, saying to the Band—"Here, you curs, that's what you're afraid of." The skeleton did not look pretty in the twilight The Band-Sergeant seemed to recognize it, for he began to chuckle and choke. "Shall I take it away, sir?" said the Band-Sergeant. "Yes," said the Colonel, "take it to Hell, and ride there yourselves!"

      The Band-Sergeant saluted, hoisted the skeleton across his saddle-bow, and led off to the stables. Then the Colonel began to make inquiries for the rest of the Regiment, and the language he used was wonderful, He would disband the Regiment—he would court-martial every soul in it—he would not command such a set of rabble, and so on, and so on. As the men dropped in, his language grew wilder, until at last it exceeded the utmost limits of free speech