Pharos, the Egyptian (Horror Classic). Guy Boothby

I am not familiar," he replied, somewhat conceitedly, but still watching me and speaking with the same peculiar gravity. "Some day I shall hope to offer you conclusive evidence on that point. In the meantime the hour grows late. I thank you and bid you farewell."

      Then, with a bow, he passed on, and a moment later I, too, had quitted the house and was making my way homeward, trying to collect my impressions of the evening as I went.

      Chapter III.

       Table of Contents

      To infer that my introduction that evening to the beautiful violinist and her diabolical companion, Monsieur Pharos, produced no effect upon me, would be as idle as it would misleading. On leaving Medenham House I was conscious of a variety of sensations, among which attraction for the woman, repugnance for the man, and curiosity as to the history and relationship of both could be most easily distinguished. What was perhaps still more perplexing, considering the small, but none the less genuine, antagonism that existed between us, by the time I reached my own abode I had lost my first intense hatred for the man, and was beginning to look forward, with a degree of interest which a few hours before would have surprised me, to that next meeting which he had prophesied would so soon come to pass. Lightly as I proposed to myself to treat it, his extraordinary individuality must have taken a greater hold upon me than I imagined, for, as in the afternoon, I soon discovered that, try to divert my thoughts from it how I would, I could not dispel his sinister image from my mind. Every detail of the evening's entertainment was vividly photographed upon my brain, and without even the formality of shutting my eyes, I could see the crowded room, the beautiful violinist standing, instrument in hand, beside the piano, and in the chair at her feet her strange companion, huddled up beneath his rug.

      By the time I reached home it was considerably past midnight; I was not, however, the least tired, so, exchanging my dress coat for an old velvet painting jacket, for which I entertained a lasting affection, I lit a cigar and began to promenade the room. It had been a fancy of mine when I first took the studio, which, you must understand, was of more than the usual size, to have it decorated in the Egyptian fashion, and, after my meeting with Pharos, this seemed to have a singular appropriateness. It was as if the quaint images of the gods, which decorated the walls, were watching me with almost human interest, and even the gilded countenance upon the mummy-case, in the alcove at the farther end, wore an expression I had never noticed on it before. It might have been saying: "Ah, my nineteenth century friend, your father stole me from the land of my birth, and from the resting-place the gods decreed for me; but beware, for retribution is pursuing you and is even now close upon your heels."

      Cigar in hand, I stopped in my walk and looked at it, thinking as I did so of the country from which it had hailed, and of the changes that had taken place in the world during the time it had lain in its Theban tomb, whence it had emerged in the middle of the nineteenth century, with colouring as fresh, and detail as perfect, as on the day when the hieroglyphs had first left the artist's hand. It was an unusually fine specimen—one of the most perfect, indeed, of its kind ever brought to England, and, under the influence of the interest it now inspired in me, I went to an ancient cabinet on the other side of the room, and, opening a small drawer, took from it a bulky pocketbook, once the property of my father. He it was, as I have already said, who had discovered the mummy in question, and it was from him, at his death, in company with many other Egyptian treasures, that I received it.

      As I turned the yellow, time-stained pages in search of the information I wanted, the clock of St. Jude's, in the street behind, struck one, solemnly and deliberately, as though it were conscious of the part it played in the passage of time into eternity. To my surprise the reference was more difficult to find than I had anticipated. Entries there were in hundreds; records of distances travelled, of measurements taken, evidence as to the supposed whereabouts of tombs, translations of hieroglyphics, paintings, and inscriptions, memoranda of amounts paid to Arab sheiks, details of stores and equipments, but for some time no trace of the information for which I was searching. At last, however, it struck me to look in the pocket contained in the cover of the book. My diligence was immediately rewarded, for there, carefully folded and hidden away, was the small square of parchment upon which my father had written the name once borne by the dead man, with a complete translation of the record upon the cartonnage itself. According to the statement here set forth, the coffin contained the mortal remains of a certain Ptahmes, Chief of the King's Magicians—an individual who flourished during the reign of Menptah (Amenepthes of the Greeks, but better known to the nineteenth century as the Pharaoh of the Exodus). For all I knew to the contrary, my silent property might have been one of that band of conjurors who pitted their wits against Moses, and by so doing had caused Pharaoh's heart to be hardened so that he would not let the Children go. Once more I stood looking at the stolid representation of a face before me, guessing at the history of the man within, and wondering whether his success in life had equalled his ambition, or was commensurate with his merits, and whether in that age, so long since dead, his heart had ever been thrilled by thoughts of love.

      While wrapped in this brown study, my ears, which on that particular occasion were for some reason abnormally acute, detected the sound of a soft footfall on the polished boards at the farther end of the room. I wheeled sharply round, and a moment later almost fell back against the mummy-case under the influence of my surprise. (How he had got there I could not tell, for I was certain I had locked the door behind me when I entered the house.) It is sufficient, however, that, standing before me, scarcely a dozen feet away, breathing heavily as though he had been running, and with what struck me as a frightened look in his eyes, was no less a person than Monsieur Pharos, the man I had met at the foot of Cleopatra's Needle some weeks before, at the Academy that afternoon, and at Medenham House only a couple of hours since. Upward of a minute must have elapsed before I could find sufficient voice to inquire the reason of his presence in my room.

      "My dear Mr. Forrester," he said in a conciliatory tone, "while offering you ten thousand apologies for my intrusion, I must explain that it is quite by accident I am here. On reaching home this evening I pined for a breath of fresh air. Accordingly I went for a stroll, lost my way, and eventually found myself in this street, where, seeing an open door, I took the liberty of entering for the purpose of inquiring the way to my hotel. It was not until you turned round that I realised my good fortune in having chanced upon a friend. It is plain, however, that my presence is not as welcome as I could have desired."

      From the way he spoke I gathered that for some purpose of his own he had taken, or was pretending to take, offence at my reception of him. Knowing, therefore, that if I desired to see anything further of his beautiful companion, an idea which I will confess had more than once occurred to me, I must exert myself to conciliate him, I hastened to apologise for the welcome I had given him, explaining that any momentary hesitation I might have shown was due more to my surprise than to any intended discourtesy toward himself.

      "In that case let us agree to say no more about it," he answered politely, but with the same expression of cunning upon his face to which I have referred elsewhere. "You were quite within your rights. I should have remembered that in England an impromptu visit at one in the morning, on the part of an acquaintance of a few hours' standing, is scarcely likely to be well received."

      "If you will carry your memory back a few weeks," I said, as I wheeled a chair up for him, "you will remember that our acquaintance is not of such a recent date."

      "I am rejoiced to hear it," he replied, with a sharp glance at me as he seated himself. "Nevertheless, I must confess that I fail for the moment to remember where I had the pleasure of meeting you on that occasion. It is not a complimentary admission, I will admit; but, as you know, age is proverbially forgetful, and my memory is far from being what it once was."

      Could the man be pretending, or had the incident really escaped his memory? It was just possible, of course, that on that occasion my face had failed to impress itself upon his recollection; but after the hard things I had said to him on that memorable occasion, I had to confess it seemed unlikely. Then the remembrance of the drowning man's piteous cry for help, and the other's demoniacal conduct on the steps returned to me, and I resolved to show no mercy.