PUDD'NHEAD WILSON. Марк Твен

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Название PUDD'NHEAD WILSON
Автор произведения Марк Твен
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 9788027245369



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burst into storms of devilish temper without notice, and let go scream after scream and squall after squall, then climax the thing with "holding his breath"—that frightful specialty of the teething nursling, in the throes of which the creature exhausts its lungs, then is convulsed with noiseless squirmings and twistings and kickings in the effort to get its breath, while the lips turn blue and the mouth stands wide and rigid, offering for inspection one wee tooth set in the lower rim of a hoop of red gums; and when the appalling stillness has endured until one is sure the lost breath will never return, a nurse comes flying, and dashes water in the child's face, and—presto! the lungs fill, and instantly discharge a shriek, or a yell, or a howl which bursts the listening ear and surprises the owner of it into saying words which would not go well with a halo if he had one. The baby Tom would claw anybody who came within reach of his nails, and pound anybody he could reach with his rattle. He would scream for water until he got it, and then throw cup and all on the floor and scream for more. He was indulged in all his caprices, howsoever troublesome and exasperating they might be; he was allowed to eat anything he wanted, particularly things that would give him the stomach-ache.

      When he got to be old enough to begin to toddle about and say broken words and get an idea of what his hands were for, he was a more consummate pest than ever. Roxy got no rest while he was awake. He would call for anything and everything he saw, simply saying, "Awnt it!" (want it), which was a command. When it was brought, he said in a frenzy, and motioning it away with his hands, "Don't awnt it! don't awnt it!" and the moment it was gone he set up frantic yells of "Awnt it! awnt it!" and Roxy had to give wings to her heels to get that thing back to him again before he could get time to carry out his intention of going into convulsions about it.

      What he preferred above all other things was the tongs. This was because his "father" had forbidden him to have them lest he break windows and furniture with them. The moment Roxy's back was turned he would toddle to the presence of the tongs and say, "Like it!" and cock his eye to one side or see if Roxy was observed; then, "Awnt it!" and cock his eye again; then, "Hab it!" with another furtive glance; and finally, "Take it!"—and the prize was his. The next moment the heavy implement was raised aloft; the next, there was a crash and a squall, and the cat was off on three legs to meet an engagement; Roxy would arrive just as the lamp or a window went to irremediable smash.

      Tom got all the petting, Chambers got none. Tom got all the delicacies, Chambers got mush and milk, and clabber without sugar. In consequence Tom was a sickly child and Chambers wasn't. Tom was "fractious," as Roxy called it, and overbearing; Chambers was meek and docile.

      With all her splendid common sense and practical everyday ability, Roxy was a doting fool of a mother. She was this toward her child—and she was also more than this: by the fiction created by herself, he was become her master; the necessity of recognizing this relation outwardly and of perfecting herself in the forms required to express the recognition, had moved her to such diligence and faithfulness in practicing these forms that this exercise soon concreted itself into habit; it became automatic and unconscious; then a natural result followed: deceptions intended solely for others gradually grew practically into self-deceptions as well; the mock reverence became real reverence, the mock homage real homage; the little counterfeit rift of separation between imitation-slave and imitation-master widened and widened, and became an abyss, and a very real one—and on one side of it stood Roxy, the dupe of her own deceptions, and on the other stood her child, no longer a usurper to her, but her accepted and recognized master. He was her darling, her master, and her deity all in one, and in her worship of him she forgot who she was and what he had been.

      In babyhood Tom cuffed and banged and scratched Chambers unrebuked, and Chambers early learned that between meekly bearing it and resenting it, the advantage all lay with the former policy. The few times that his persecutions had moved him beyond control and made him fight back had cost him very dear at headquarters; not at the hands of Roxy, for if she ever went beyond scolding him sharply for "forgett'n' who his young marster was," she at least never extended her punishment beyond a box on the ear. No, Percy Driscoll was the person. He told Chambers that under no provocation whatever was he privileged to lift his hand against his little master. Chambers overstepped the line three times, and got three such convincing canings from the man who was his father and didn't know it, that he took Tom's cruelties in all humility after that, and made no more experiments.

      Outside the house the two boys were together all through their boyhood. Chambers was strong beyond his years, and a good fighter; strong because he was coarsely fed and hard worked about the house, and a good fighter because Tom furnished him plenty of practice—on white boys whom he hated and was afraid of. Chambers was his constant bodyguard, to and from school; he was present on the playground at recess to protect his charge. He fought himself into such a formidable reputation, by and by, that Tom could have changed clothes with him, and "ridden in peace," like Sir Kay in Launcelot's armor.

      He was good at games of skill, too. Tom staked him with marbles to play "keeps" with, and then took all the winnings away from him. In the winter season Chambers was on hand, in Tom's worn-out clothes, with "holy" red mittens, and "holy" shoes, and pants "holy" at the knees and seat, to drag a sled up the hill for Tom, warmly clad, to ride down on; but he never got a ride himself. He built snowmen and snow fortifications under Tom's directions. He was Tom's patient target when Tom wanted to do some snowballing, but the target couldn't fire back. Chambers carried Tom's skates to the river and strapped them on him, then trotted around after him on the ice, so as to be on hand when he wanted; but he wasn't ever asked to try the skates himself.

      In summer the pet pastime of the boys of Dawson's Landing was to steal apples, peaches, and melons from the farmer's fruit wagons—mainly on account of the risk they ran of getting their heads laid open with the butt of the farmer's whip. Tom was a distinguished adept at these thefts—by proxy. Chambers did his stealing, and got the peach stones, apple cores, and melon rinds for his share.

      Tom always made Chambers go in swimming with him, and stay by him as a protection. When Tom had had enough, he would slip out and tie knots in Chamber's shirt, dip the knots in the water and make them hard to undo, then dress himself and sit by and laugh while the naked shiverer tugged at the stubborn knots with his teeth.

      Tom did his humble comrade these various ill turns partly out of native viciousness, and partly because he hated him for his superiorities of physique and pluck, and for his manifold cleverness. Tom couldn't dive, for it gave him splitting headaches. Chambers could dive without inconvenience, and was fond of doing it. He excited so much admiration, one day, among a crowd of white boys, by throwing back somersaults from the stern of a canoe, that it wearied Tom's spirit, and at last he shoved the canoe underneath Chambers while he was in the air—so he came down on his head in the canoe bottom; and while he lay unconscious, several of Tom's ancient adversaries saw that their long-desired opportunity was come, and they gave the false heir such a drubbing that with Chamber's best help he was hardly able to drag himself home afterward.

      When the boys was fifteen and upward, Tom was "showing off" in the river one day, when he was taken with a cramp, and shouted for help. It was a common trick with the boys—particularly if a stranger was present—to pretend a cramp and howl for help; then when the stranger came tearing hand over hand to the rescue, the howler would go on struggling and howling till he was close at hand, then replace the howl with a sarcastic smile and swim blandly away, while the town boys assailed the dupe with a volley of jeers and laughter. Tom had never tried this joke as yet, but was supposed to be trying it now, so the boys held warily back; but Chambers believed his master was in earnest; therefore, he swam out, and arrived in time, unfortunately, and saved his life.

      This was the last feather. Tom had managed to endure everything else, but to have to remain publicly and permanently under such an obligation as this to a nigger, and to this nigger of all niggers—this was too much. He heaped insults upon Chambers for "pretending" to think he was in earnest in calling for help, and said that anybody but a blockheaded nigger would have known he was funning and left him alone.

      Tom's enemies were in strong force here, so they came out with their opinions quite freely. They laughed at him, and called him coward, liar, sneak, and other sorts of pet names, and told him they meant to call Chambers by a new name after this, and make it common in the town—"Tom Driscoll's nigger