A Voyage to Arcturus. David Lindsay

material for your autobiography,” remarked Faull.

      “Ah, you should not have mentioned my unfortunate book. An old public servant is merely amusing himself in his retirement, Mr. Backhouse. You have no cause for alarm—I have studied in the school of discretion.”

      “I am not alarmed. There can be no possible objection to your publishing whatever you please.”

      “You are most kind,” said the old man, with a cunning smile.

      “Trent is not coming tonight,” remarked Mrs. Jameson, throwing a curious little glance at her brother.

      “I never thought he would. It’s not in his line.”

      “Mrs. Trent, you must understand,” she went on, addressing the ex-magistrate, “has placed us all under a debt of gratitude. She has decorated the old lounge hall upstairs most beautifully, and has secured the services of the sweetest little orchestra.”

      “But this is Roman magnificence.”

      “Backhouse thinks the spirits should be treated with more deference,” laughed Faull.

      “Surely, Mr. Backhouse—a poetic environment …”

      “Pardon me. I am a simple man, and always prefer to reduce things to elemental simplicity. I raise no opposition, but I express my opinion. Nature is one thing, and art is another.”

      “And I am not sure that I don’t agree with you,” said the ex-magistrate. “An occasion like this ought to be simple, to guard against the possibility of deception—if you will forgive my bluntness, Mr. Backhouse.”

      “We shall sit in full light,” replied Backhouse, “and every opportunity will be given to all to inspect the room. I shall also ask you to submit me to a personal examination.”

      A rather embarrassed silence followed. It was broken by the arrival of two more guests, who entered together. These were Prior, the prosperous City coffee importer, and Lang, the stockjobber, well known in his own circle as an amateur prestidigitator. Backhouse was slightly acquainted with the latter. Prior, perfuming the room with the faint odour of wine and tobacco smoke, tried to introduce an atmosphere of joviality into the proceedings. Finding that no one seconded his efforts, however, he shortly subsided and fell to examining the water colours on the walls. Lang, tall, thin, and growing bald, said little, but stared at Backhouse a good deal.

      Coffee, liqueurs, and cigarettes were now brought in. Everyone partook, except Lang and the medium. At the same moment, Professor Halbart was announced. He was the eminent psychologist, the author and lecturer on crime, insanity, genius, and so forth, considered in their mental aspects. His presence at such a gathering somewhat mystified the other guests, but all felt as if the object of their meeting had immediately acquired additional solemnity. He was small, meagre-looking, and mild in manner, but was probably the most stubborn-brained of all that mixed company. Completely ignoring the medium, he at once sat down beside Kent-Smith, with whom he began to exchange remarks.

      At a few minutes past the appointed hour Mrs. Trent entered, unannounced. She was a woman of about twenty-eight. She had a white, demure, saintlike face, smooth black hair, and lips so crimson and full that they seemed to be bursting with blood. Her tall, graceful body was most expensively attired. Kisses were exchanged between her and Mrs. Jameson. She bowed to the rest of the assembly, and stole a half glance and a smile at Faull. The latter gave her a queer look, and Backhouse, who lost nothing, saw the concealed barbarian in the complacent gleam of his eye. She refused the refreshment that was offered her, and Faull proposed that, as everyone had now arrived, they should adjourn to the lounge hall.

      Mrs. Trent held up a slender palm. “Did you, or did you not, give me carte blanche, Montague?”

      “Of course I did,” said Faull, laughing. “But what’s the matter?”

      “Perhaps I have been rather presumptuous. I don’t know. I have invited a couple of friends to join us. No, no one knows them. … The two most extraordinary individuals you ever saw. And mediums, I am sure.”

      “It sounds very mysterious. Who are these conspirators?”

      “At least tell us their names, you provoking girl,” put in Mrs. Jameson.

      “One rejoices in the name of Maskull, and the other in that of Nightspore. That’s nearly all that I know about them, so don’t overwhelm me with any more questions.”

      “But where did you pick them up? You must have picked them up somewhere.”

      “But this is a cross-examination. Have I sinned against convention? I swear I will tell you not another word about them. They will be here directly, and then I will deliver them to your tender mercy.”

      “I don’t know them,” said Faull, “and nobody else seems to, but, of course, we will all be very pleased to have them. … Shall we wait, or what?”

      “I said nine, and it’s past that now. It’s quite possible they may not turn up after all. … Anyway, don’t wait.”

      “I would prefer to start at once,” said Backhouse.

      The lounge, a lofty room, forty feet long by twenty wide, had been divided for the occasion into two equal parts by a heavy brocade curtain drawn across the middle. The far end was thus concealed. The nearer half had been converted into an auditorium by a crescent of armchairs. There was no other furniture. A large fire was burning halfway along the wall, between the chairbacks and the door. The room was brilliantly lighted by electric bracket lamps. A sumptuous carpet covered the floor.

      Having settled his guests in their seats, Faull stepped up to the curtain and flung it aside. A replica, or nearly so, of the Drury Lane presentation of the temple scene in The Magic Flute was then exposed to view: the gloomy, massive architecture of the interior, the glowing sky above it in the background, and, silhouetted against the latter, the gigantic seated statue of the Pharaoh. A fantastically carved wooden couch lay before the pedestal of the statue. Near the curtain, obliquely placed to the auditorium, was a plain oak armchair, for the use of the medium.

      Many of those present felt privately that the setting was quite inappropriate to the occasion and savoured rather unpleasantly of ostentation. Backhouse in particular seemed put out. The usual compliments, however, were showered on Mrs. Trent as the deviser of so remarkable a theatre. Faull invited his friends to step forward and examine the apartment as minutely as they might desire. Prior and Lang were the only ones to accept. The former wandered about among the pasteboard scenery, whistling to himself and occasionally tapping a part of it with his knuckles. Lang, who was in his element, ignored the rest of his party and commenced a patient, systematic search, on his own account, for secret apparatus. Faull and Mrs. Trent stood in a corner of the temple, talking together in low tones; while Mrs. Jameson, pretending to hold Backhouse in conversation, watched them as only a deeply interested woman knows how to watch.

      Lang, to his own disgust, having failed to find anything of a suspicious nature, the medium now requested that his own clothing should be searched.

      “All these precautions are quite needless and beside the matter in hand, as you will immediately see for yourselves. My reputation demands, however, that other people who are not present would not be able to say afterward that trickery has been resorted to.”

      To Lang again fell the ungrateful task of investigating pockets and sleeves. Within a few minutes he expressed himself satisfied that nothing mechanical was in Backhouse’s possession. The guests reseated themselves. Faull ordered two more chairs to be brought for Mrs. Trent’s friends, who, however, had not yet arrived. He then pressed an electric bell, and took his own seat.

      The signal was for the hidden orchestra to begin playing. A murmur of surprise passed through the audience as, without previous warning, the beautiful and solemn strains of Mozart’s “temple” music pulsated through the air. The expectation of everyone was raised, while, beneath her pallor and composure, it could be seen that Mrs. Trent was deeply moved. It was evident that aesthetically