All Things Considered. Гилберт Кит Честертон

would be the reformer; that the man who thought that everything was wrong would be the man to put everything right. In historical practice the thing is quite the other way; curiously enough, it is the man who likes things as they are who really makes them better. The optimist Dickens has achieved more reforms than the pessimist Gissing. A man like Rousseau has far too rosy a theory of human nature; but he produces a revolution. A man like David Hume thinks that almost all things are depressing; but he is a Conservative, and wishes to keep them as they are. A man like Godwin believes existence to be kindly; but he is a rebel. A man like Carlyle believes existence to be cruel; but he is a Tory. Everywhere the man who alters things begins by liking things. And the real explanation of this success of the optimistic reformer, of this failure of the pessimistic reformer, is, after all, an explanation of sufficient simplicity. It is because the optimist can look at wrong not only with indignation, but with a startled indignation. When the pessimist looks at any infamy, it is to him, after all, only a repetition of the infamy of existence. The Court of Chancery is indefensible—like mankind. The Inquisition is abominable—like the universe. But the optimist sees injustice as something discordant and unexpected, and it stings him into action. The pessimist can be enraged at wrong; but only the optimist can be surprised at it.

      And it is the same with the relations of an anomaly to the logical mind. The pessimist resents evil (like Lord Macaulay) solely because it is a grievance. The optimist resents it also, because it is an anomaly; a contradiction to his conception of the course of things. And it is not at all unimportant, but on the contrary most important, that this course of things in politics and elsewhere should be lucid, explicable and defensible. When people have got used to unreason they can no longer be startled at injustice. When people have grown familiar with an anomaly, they are prepared to that extent for a grievance; they may think the grievance grievous, but they can no longer think it strange. Take, if only as an excellent example, the very matter alluded to before; I mean the seats, or rather the lack of seats, in the House of Commons. Perhaps it is true that under the best conditions it would never happen that every member turned up. Perhaps a complete attendance would never actually be. But who can tell how much influence in keeping members away may have been exerted by this calm assumption that they would stop away? How can any man be expected to help to make a full attendance when he knows that a full attendance is actually forbidden? How can the men who make up the Chamber do their duty reasonably when the very men who built the House have not done theirs reasonably? If the trumpet give an uncertain sound, who shall prepare himself for the battle? And what if the remarks of the trumpet take this form, "I charge you as you love your King and country to come to this Council. And I know you won't."

CONCEIT AND CARICATURE

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      If a man must needs be conceited, it is certainly better that he should be conceited about some merits or talents that he does not really possess. For then his vanity remains more or less superficial; it remains a mere mistake of fact, like that of a man who thinks he inherits the royal blood or thinks he has an infallible system for Monte Carlo. Because the merit is an unreal merit, it does not corrupt or sophisticate his real merits. He is vain about the virtue he has not got; but he may be humble about the virtues that he has got. His truly honourable qualities remain in their primordial innocence; he cannot see them and he cannot spoil them. If a man's mind is erroneously possessed with the idea that he is a great violinist, that need not prevent his being a gentleman and an honest man. But if once his mind is possessed in any strong degree with the knowledge that he is a gentleman, he will soon cease to be one.

      But there is a third kind of satisfaction of which I have noticed one or two examples lately—another kind of satisfaction which is neither a pleasure in the virtues that we do possess nor a pleasure in the virtues we do not possess. It is the pleasure which a man takes in the presence or absence of certain things in himself without ever adequately asking himself whether in his case they constitute virtues at all. A man will plume himself because he is not bad in some particular way, when the truth is that he is not good enough to be bad in that particular way. Some priggish little clerk will say, "I have reason to congratulate myself that I am a civilised person, and not so bloodthirsty as the Mad Mullah." Somebody ought to say to him, "A really good man would be less bloodthirsty than the Mullah. But you are less bloodthirsty, not because you are more of a good man, but because you are a great deal less of a man. You are not bloodthirsty, not because you would spare your enemy, but because you would run away from him." Or again, some Puritan with a sullen type of piety would say, "I have reason to congratulate myself that I do not worship graven images like the old heathen Greeks." And again somebody ought to say to him, "The best religion may not worship graven images, because it may see beyond them. But if you do not worship graven images, it is only because you are mentally and morally quite incapable of graving them. True religion, perhaps, is above idolatry. But you are below idolatry. You are not holy enough yet to worship a lump of stone."

      Mr. F. C. Gould, the brilliant and felicitous caricaturist, recently delivered a most interesting speech upon the nature and atmosphere of our modern English caricature. I think there is really very little to congratulate oneself about in the condition of English caricature. There are few causes for pride; probably the greatest cause for pride is Mr. F. C. Gould. But Mr. F. C. Gould, forbidden by modesty to adduce this excellent ground for optimism, fell back upon saying a thing which is said by numbers of other people, but has not perhaps been said lately with the full authority of an eminent cartoonist. He said that he thought "that they might congratulate themselves that the style of caricature which found acceptation nowadays was very different from the lampoon of the old days." Continuing, he said, according to the newspaper report, "On looking back to the political lampoons of Rowlandson's and Gilray's time they would find them coarse and brutal. In some countries abroad still, 'even in America,' the method of political caricature was of the bludgeon kind. The fact was we had passed the bludgeon stage. If they were brutal in attacking a man, even for political reasons, they roused sympathy for the man who was attacked. What they had to do was to rub in the point they wanted to emphasise as gently as they could." (Laughter and applause.)

      Anybody reading these words, and anybody who heard them, will certainly feel that there is in them a great deal of truth, as well as a great deal of geniality. But along with that truth and with that geniality there is a streak of that erroneous type of optimism which is founded on the fallacy of which I have spoken above. Before we congratulate ourselves upon the absence of certain faults from our nation or society, we ought to ask ourselves why it is that these faults are absent. Are we without the fault because we have the opposite virtue? Or are we without the fault because we have the opposite fault? It is a good thing assuredly, to be innocent of any excess; but let us be sure that we are not innocent of excess merely by being guilty of defect. Is it really true that our English political satire is so moderate because it is so magnanimous, so forgiving, so saintly? Is it penetrated through and through with a mystical charity, with a psychological tenderness? Do we spare the feelings of the Cabinet Minister because we pierce through all his apparent crimes and follies down to the dark virtues of which his own soul is unaware? Do we temper the wind to the Leader of the Opposition because in our all-embracing heart we pity and cherish the struggling spirit of the Leader of the Opposition? Briefly, have we left off being brutal because we are too grand and generous to be brutal? Is it really true that we are better than brutality? Is it really true that we have passed the bludgeon stage?

      I fear that there is, to say the least of it, another side to the matter. Is it not only too probable that the mildness of our political satire, when compared with the political satire of our fathers, arises simply from the profound unreality of our current politics? Rowlandson and Gilray did not fight merely because they were naturally pothouse pugilists; they fought because they had something to fight about. It is easy enough to be refined about things that do not matter; but men kicked and plunged a little in that portentous wrestle in which swung to and fro, alike dizzy with danger, the independence of England, the independence of Ireland, the independence of France. If we wish for a proof of this fact that the lack of refinement did not come from mere brutality, the proof is easy. The proof is that in that struggle no personalities were more brutal than the really refined personalities.