The Complete Novellas & Short Stories. Bennett Arnold

several times that Bostock's really ought to use better straw. He was frequently to be seen in the hall, gloating over his cigar-cabinet. Once he urged Vera to have it opened and so get rid of the straw, but she refused, and found the nerve to tell him that he was exaggerating the odour.

      She was at a loss what to do. She could not get up in the middle of the night and unpack the package and hide its guilty secret. Indeed, to unpack the package would bring about her ruin instantly; for, the package unpacked, Stephen would naturally expect to see the cigar-cabinet. And so the hours crept on to Christmas and Vera's undoing. She gave herself a headache.

      It was just thirty hours after the arrival of the package when Mr Woodruff dropped in for tea. Stephen was asleep in the dining-room, which apartment he particularly affected during his colds. Woodruff was shown into the drawing-room, where Vera was having her headache. Vera brightened. In fact, she suddenly grew very bright. And she gave Woodruff tea, and took some herself, and Woodruff passed an enjoyable twenty minutes.

      The two Venetian vases were on the mantelpiece. Vera rose into ecstasies about them, and called upon Charlie Woodruff to rise too. He got up from his chair to examine the vases, which Vera had placed close together side by side at the corner of the mantelpiece nearest to him. Vera and Woodruff also stood close together side by side. And just as Woodruff was about to handle the vases, Vera knocked his arm; his arm collided with one vase; that vase collided with the next, and both fell to earth—to the hard, unfeeling, unyielding tiles of the hearth.

      IV

      They were smashed to atoms.

      Vera screamed. She screamed twice, and ran out of the room.

      'Stephen, Stephen!' she cried hysterically. 'Charlie has broken my vases, both of them. It IS too bad of him. He's really too clumsy!'

      There was a terrific pother. Stephen wakened violently, and in a moment all three were staring ineffectually at the thousand crystal fragments on the hearth.

      'But—' began Charlie Woodruff.

      And that was all he did say.

      He and Vera and Stephen had been friends since infancy, so she had the right not to conceal her feelings before him; Stephen had the same right. They both exercised it.

      'But—' began Charlie again.

      'Oh, never mind,' Stephen stopped him curtly. 'Accidents can't be helped.'

      'I shall get another pair,' said Woodruff.

      'No, you won't,' replied Stephen. 'You can't. There isn't another pair in the world. See?'

      The two men simultaneously perceived that Vera was weeping. She was very pretty in tears, but that did not prevent the masculine world from feeling awkward and self-conscious. Charlie had notions about going out and burying himself.

      'Come, Vera, come,' her husband enjoined, blowing his nose with unnecessary energy, bad as his cold was.

      'I—I liked those vases more than anything you've—you've ever given me,' Vera blubbered, charmingly, patting her eyes.

      Stephen glanced at Woodruff, as who should say: 'Well, my boy, you uncorked those tears, I'll leave you to deal with 'em. You see, I'm an invalid in a dressing-gown. I leave you.'

      And went.

      'No-but-look-here-I-say,' Charlie Woodruff expostulated to Vera when he was alone with her—he often started an expostulation with that singular phrase. 'I'm awfully sorry. I don't know how it happened. You must let me give you something else.'

      Vera shook her head.

      'No,' she said. 'I wanted Stephen awfully to give me that music-stool that I told you about a fortnight ago. But he gave me the vases instead, and I liked them ever so much better.'

      'I shall give you the music-stool. If you wanted it a fortnight ago, you want it now. It won't make up for the vases, of course, but—'

      'No, no,' said Vera, positively.

      'Why not?'

      'I do not wish you to give me anything. It wouldn't be quite nice,' Vera insisted.

      'But I give you something every Christmas.'

      'Do you?' asked Vera, innocently.

      'Yes, and you and Stephen give me something.'

      'Besides, Stephen doesn't quite like the music-stool.'

      'What's that got to do with it? You like it. I'm giving it to you, not to him. I shall go over to Bostock's tomorrow morning and get it.'

      'I forbid you to.'

      'I shall.'

      Woodruff departed.

      Within five minutes the Cheswardine coachman was driving off in the dogcart to Hanbridge, with the packing-case in the back of the cart, and a note. He brought back the cigar-cabinet. Stephen had not stirred from the dining-room, afraid to encounter a tearful wife. Presently his wife came into the dining-room bearing the vast load of the cigar-cabinet in her delicate arms.

      'I thought it might amuse you to fill it with your cigars—just to pass the time,' she said.

      Stephen's thought was: 'Well, women take the cake.' It was a thought that occurs frequently to the husbands of Veras.

      There was ripe Gorgonzola at dinner. Stephen met it as one meets a person whom one fancies one has met somewhere but cannot remember where.

      The next afternoon the music-stool came, for the second time, into the house. Charlie brought it in HIS dogcart. It was unpacked ostentatiously by the radiant Vera. What could Stephen say in depreciation of this gift from their oldest and best friend? As a fact he could and did say a great deal. But he said it when he happened to be all alone in the drawing-room, and had observed the appalling way in which the music-stool did not 'go' with the Chippendale.

      'Look at the d—thing!' he exclaimed to himself. 'Look at it!'

      However, the Christmas dinner-party was a brilliant success, and after it Vera sat on the art nouveau music-stool and twittered songs, and what with her being so attractive and birdlike, and what with the Christmas feeling in the air... well, Stephen resigned himself to the music-stool.

      The Murder of the Mandarin

       Table of Contents

      I

      'What's that you're saying about murder?' asked Mrs Cheswardine as she came into the large drawing-room, carrying the supper-tray.

      'Put it down here,' said her husband, referring to the supper-tray, and pointing to a little table which stood two legs off and two legs on the hearth-rug.

      'That apron suits you immensely,' murmured Woodruff, the friend of the family, as he stretched his long limbs into the fender towards the fire, farther even than the long limbs of Cheswardine. Each man occupied an easy-chair on either side of the hearth; each was very tall, and each was forty.

      Mrs Cheswardine, with a whisk infinitely graceful, set the tray on the table, took a seat behind it on a chair that looked like a toddling grand-nephew of the arm-chairs, and nervously smoothed out the apron.

      As a matter of fact, the apron did suit her immensely. It is astounding, delicious, adorable, the effect of a natty little domestic apron suddenly put on over an elaborate and costly frock, especially when you can hear the rustle of a silk petticoat beneath, and more especially when the apron is smoothed out by jewelled fingers. Every man knows this. Every woman knows it. Mrs Cheswardine knew it. In such matters Mrs Cheswardine knew exactly what she was about. She delighted, when her husband brought Woodruff in late of a night, as he frequently did after a turn at the club, to prepare with her own hands—the