The Complete Novellas & Short Stories. Bennett Arnold

in the space between the front pews and the Communion-rail. He felt strange there, and uneasy, apprehensive.

      The usual discreet somnolence of the chapel had been disturbed as by some indecorous but formidable awakener; the air was electric; anything might occur. Ezra was astounded by the mere volume of the singing; never had he heard such singing. At the end of the hymn the congregation sat down, hiding their faces in expectation. The revivalist stood erect and terrible in the pulpit, no longer a shrewd, cheery man of the world, but the very mouthpiece of the wrath and mercy of God. Ezra's self-importance dwindled before that gaze, till, from a renowned magnate of the Five Towns, he became an item in the multitude of suppliants. He profoundly wished he had never come.

      'Remember the hymn,' said the revivalist, with austere emphasis:

      '"My richest gain I count but loss,

       And pour contempt on all my pride."'

      The admirable histrionic art with which he intensified the consonants in the last line produced a tremendous effect. Not for nothing was this man cerebrated throughout Methodism as a saver of souls. When, after a pause, he raised his hand and ejaculated, 'Let us pray,' sobs could be heard throughout the chapel. The Revival had begun.

      At the end of a quarter of an hour Ezra Brunt would have given fifty pounds to be outside, but he could not stir; he was magnetized. Soon the revivalist came down from the pulpit and stood within the Communion-rail, whence he addressed the nearmost part of the people in low, soothing tones of persuasion. Apparently he ignored Ezra Brunt, but the man was convicted of sin, and felt himself melting like an icicle in front of a fire. He recalled the days of his youth, the piety of his father and mother, and the long traditions of a stern Dissenting family. He had backslidden, slackened in the use of the means of grace, run after the things of this world. It is true that none of his chiefest iniquities presented themselves to him; he was quite unconscious of them even then; but the lesser ones were more than sufficient to overwhelm him. Class-leaders were now reasoning with stricken sinners, and Ezra, who could not take his eyes off the revivalist, heard the footsteps of those who were going to the 'inquiry-room' for more private counsel. In vain he argued that he was about to be ridiculous; that the idea of him, Ezra Brunt, a professed Wesleyan for half a century, being publicly 'saved' at the age of fifty-seven was not to be entertained; that the town would talk; that his business might suffer if for any reason he should be morally bound to apply to it too strictly the principles of the New Testament. He was under the spell. The tears coursed down his long cheeks, and he forgot to care, but sat entranced by the revivalist's marvellous voice. Suddenly, with an awful sob, he bent and hid his face in his hands. The spectacle of the old, proud man helpless in the grasp of profound emotion was a sight to rend the heart-strings.

      'Brother, be of good cheer,' said a tremulous and benign voice above him. 'The love of God compasseth all things. Only believe.'

      He looked up and saw the venerable face and long white beard of George Christopher Timmis.

      Ezra Brunt shrank away, embittered and ashamed.

      'I cannot,' he murmured with difficulty.

      'The love of God is all-powerful.'

      'Will it make you part with that bit o' property, think you?' said Ezra Brunt, with a kind of despairing ferocity.

      'Brother,' replied the aged servant of God, unmoved, 'if my shop is in truth a stumbling-block in this solemn hour, you shall have it.'

      Ezra Brunt was staggered.

      'I believe! I believe!' he cried.

      'Praise God!' said the chemist, with majestic joy.

      * * * * *

      Three months afterwards Eva Brunt and Clive Timmis were married. It is characteristic of the fine sentimentality which underlies the surface harshness of the inhabitants of the Five Towns that, though No. 54 Machin Street was duly transferred to Ezra Brunt, the chemist retiring from business, he has never rebuilt it to accord with the rest of his premises. In all its shabbiness it stands between the other big dazzling shops as a reminding monument.

      Phantom

       Table of Contents

      I

      The heart of the Five Towns—that undulating patch of England covered with mean streets, and dominated by tall smoking chimneys, whence are derived your cups and saucers and plates, some of your coal, and a portion of your iron—is Hanbridge, a borough larger and busier than its four sisters, and even more grimy and commonplace than they. And the heart of Hanbridge is probably the offices of the Five Towns Banking Company, where the last trace of magic and romance is beaten out of human existence, and the meaning of life is expressed in balances, deposits, percentages, and overdrafts—especially overdrafts. In a fine suite of rooms on the first floor of the bank building resides Mr. Lionel Woolley, the manager, with his wife May and their chil>dren.

      Yet Mr. Woolley was once brought into contact with the things which cannot be defined and assessed; once he stood face to face with some strange visible resultant of those secret forces that lie beyond the human ken. And, moreover, the adventure affected the whole of his domestic life. The wonder and the pathos of the story lie in the fact that Nature, prodigal though she is known to be, should have wasted the rare and beautiful visitation on just Mr. Woolley. Mr. Woolley was bathed in romance of the most singular kind, and the precious fluid ran off him like water off a duck's back.

      II

      Ten years ago on a Thursday afternoon in July, Lionel Woolley, as he walked up through the new park at Bursley to his celibate rooms in Park Terrace, was making addition sums out of various items connected with the institution of marriage. Bursley is next door to Hanbridge, and Lionel happened then to be cashier of the Bursley branch of the bank. He had in mind two possible wives, each of whom possessed advantages which appealed to him, and he was unable to decide between them by any mathematical process. Suddenly, from a glazed shelter near the empty bandstand, there emerged in front of him one of the delectable creatures who had excited his fancy. May Lawton was twenty-eight, an orphan, and a schoolmistress. She, too, had celibate rooms in Park Terrace, and it was owing to this coincidence that Lionel had made her acquaintance six months previously. She was not pretty, but she was tall, straight, well dressed, well educated, and not lacking in experience; and she had a little money of her own.

      'Well, Mr. Woolley,' she said easily, stopping for him as she raised her sunshade, 'how satisfied you look!'

      'It's the sight of you,' he replied, without a moment's hesitation.

      He had a fine assured way with women (he need not have envied a curate accustomed to sewing meetings), and May Lawton belonged to the type of girl whose demeanour always challenges the masculine in a man. Gazing at her, Lionel was swiftly conscious of several things: the piquancy of her snub nose, the brightness of her smile, at once defiant and wistful, the lingering softness of her gloved hand, and the extraordinary charm of her sunshade, which matched her dress and formed a sort of canopy and frame for that intelligent, tantalizing face. He remembered that of late he and she had grown very intimate; and it came upon him with a shock, as though he had just opened a telegram which said so, that May, and not the other girl, was his destined mate. And he thought of her fortune, tiny but nevertheless useful, and how clever she was, and how inexplicably different from the rest of her sex, and how she would adorn his house, and set him off, and help him in his career. He heard himself saying negligently to friends: 'My wife speaks French like a native. Of course, my wife has travelled a great deal. My wife has thoroughly studied the management of children. Now, my wife does understand the art of dress. I put my wife's bit of money into so-and-so.' In short, Lionel was as near being in love as his character permitted.

      And while he walked by May's side past the bowling-greens at the summit of the hill, she lightly quizzing the raw newness of the park and its appurtenances, he wondered, he honestly wondered, that he could ever have hesitated