The Famous Cases of Dr. Thorndyke (Illustrated). R. Austin Freeman

over the baluster rail.

      "You are Mr. Percy Haldean, I think," said the inspector.

      At the mention of this name, the head was withdrawn, and a quick tread was heard, accompanied by the tapping of a stick on the floor. We started to ascend the stairs, the inspector leading, as the authorized official; but we had only gone up a few steps, when a fierce, wiry little man danced out on to the landing, with a thick stick in one hand and a very large revolver in the other.

      "Move another step, either of you," he shouted, pointing the weapon at the inspector, "and I let fly; and mind you, when I shoot I hit."

      He looked as if he meant it, and we accordingly halted with remarkable suddenness, while the inspector proceeded to parley.

      "Now, what's the good of this, Mr. Haldean?" said he. "The game's up, and you know it."

      "You clear out of my house, and clear out sharp," was the inhospitable rejoinder, "or you'll give me the trouble of burying you in the garden."

      I looked round to consult with Thorndyke, when, to my amazement, I found that he had vanished—apparently through the open hall-door. I was admiring his discretion when the inspector endeavoured to reopen negotiations, but was cut short abruptly.

      "I am going to count fifty," said Mr. Haldean, "and if you aren't gone then, I shall shoot."

      He began to count deliberately, and the inspector looked round at me in complete bewilderment. The flight of stairs was a long one, and well lighted by gas, so that to rush it was an impossibility. Suddenly my heart gave a bound and I held my breath, for out of an open door behind our quarry, a figure emerged slowly and noiselessly on to the landing. It was Thorndyke, shoeless, and in his shirt-sleeves.

      Slowly and with cat-like stealthiness, he crept across the landing until he was within a yard of the unconscious fugitive, and still the nasal voice droned on, monotonously counting out the allotted seconds.

      "Forty-one, forty-two, forty-three—"

      There was a lightning-like movement—a shout—a flash—a bang—a shower of falling plaster, and then the revolver came clattering down the stairs. The inspector and I rushed up, and in a moment the sharp click of the handcuffs told Mr. Percy Haldean that the game was really up.

      * * *

      Five minutes later Freddy-boy, half asleep, but wholly cheerful, was borne on Thorndyke's shoulders into the private sitting-room of the Black Horse Hotel. A shriek of joy saluted his entrance, and a shower of maternal kisses brought him to the verge of suffocation. Finally, the impulsive Mrs. Haldean, turning suddenly to Thorndyke, seized both his hands, and for a moment I hoped that she was going to kiss him, too. But he was spared, and I have not yet recovered from the disappointment.

      The Anthropologist at Large

       Table of Contents

      Thorndyke was not a newspaper reader. He viewed with extreme disfavour all scrappy and miscellaneous forms of literature, which, by presenting a disorderly series of unrelated items of information, tended, as he considered, to destroy the habit of consecutive mental effort.

      "It is most important," he once remarked to me, "habitually to pursue a definite train of thought, and to pursue it to a finish, instead of flitting indolently from one uncompleted topic to another, as the newspaper reader is so apt to do. Still, there is no harm in a daily paper—so long as you don't read it."

      Accordingly, he patronized a morning paper, and his method of dealing with it was characteristic. The paper was laid on the table after breakfast, together with a blue pencil and a pair of office shears. A preliminary glance through the sheets enabled him to mark with the pencil those paragraphs that were to be read, and these were presently cut out and looked through, after which they were either thrown away or set aside to be pasted in an indexed book.

      The whole proceeding occupied, on an average, a quarter of an hour.

      On the morning of which I am now speaking he was thus engaged. The pencil had done its work, and the snick of the shears announced the final stage. Presently he paused with a newly-excised cutting between his fingers, and, after glancing at it for a moment, he handed it to me.

      "Another art robbery," he remarked. "Mysterious affairs, these—as to motive, I mean. You can't melt down a picture or an ivory carving, and you can't put them on the market as they stand. The very qualities that give them their value make them totally unnegotiable."

      "Yet I suppose," said I, "the really inveterate collector—the pottery or stamp maniac, for instance—will buy these contraband goods even though he dare not show them."

      "Probably. No doubt the cupiditas habendi, the mere desire to possess, is the motive force rather than any intelligent purpose—"

      The discussion was at this point interrupted by a knock at the door, and a moment later my colleague admitted two gentlemen. One of these I recognized as a Mr. Marchmont, a solicitor, for whom we had occasionally acted; the other was a stranger—a typical Hebrew of the blonde type—good-looking, faultlessly dressed, carrying a bandbox, and obviously in a state of the most extreme agitation.

      "Good-morning to you, gentlemen," said Mr. Marchmont, shaking hands cordially. "I have brought a client of mine to see you, and when I tell you that his name is Solomon Löwe, it will be unnecessary for me to say what our business is."

      "Oddly enough," replied Thorndyke, "we were, at the very moment when you knocked, discussing the bearings of his case."

      "It is a horrible affair!" burst in Mr. Löwe. "I am distracted! I am ruined! I am in despair!"

      He banged the bandbox down on the table, and flinging himself into a chair, buried his face in his hands.

      "Come, come," remonstrated Marchmont, "we must be brave, we must be composed. Tell Dr. Thorndyke your story, and let us hear what he thinks of it."

      He leaned back in his chair, and looked at his client with that air of patient fortitude that comes to us all so easily when we contemplate the misfortunes of other people.

      "You must help us, sir," exclaimed Löwe, starting up again—"you must, indeed, or I shall go mad. But I shall tell you what has happened, and then you must act at once. Spare no effort and no expense. Money is no object—at least, not in reason," he added, with native caution. He sat down once more, and in perfect English, though with a slight German accent, proceeded volubly: "My brother Isaac is probably known to you by name."

      Thorndyke nodded.

      "He is a great collector, and to some extent a dealer—that is to say, he makes his hobby a profitable hobby."

      "What does he collect?" asked Thorndyke.

      "Everything," replied our visitor, flinging his hands apart with a comprehensive gesture—"everything that is precious and beautiful—pictures, ivories, jewels, watches, objects of art and vertu—everything. He is a Jew, and he has that passion for things that are rich and costly that has distinguished our race from the time of my namesake Solomon onwards. His house in Howard Street, Piccadilly, is at once a museum and an art gallery. The rooms are filled with cases of gems, of antique jewellery, of coins and historic relics—some of priceless value—and the walls are covered with paintings, every one of which is a masterpiece. There is a fine collection of ancient weapons and armour, both European and Oriental; rare books, manuscripts, papyri, and valuable antiquities from Egypt, Assyria, Cyprus, and elsewhere. You see, his taste is quite catholic, and his knowledge of rare and curious things is probably greater than that of any other living man. He is never mistaken. No forgery deceives him, and hence the great prices that he obtains; for a work of art purchased from Isaac Löwe is a work certified as genuine beyond all cavil."

      He paused to mop his face with a silk handkerchief, and then, with the same plaintive volubility, continued:

      "My brother is unmarried. He lives for his collection, and he lives