Визуальный самоучитель работы на ноутбуке. Алексей Знаменский

to place surviving examples in a sequence of styles, assign rough dates to each style-type, and draw important conclusions from the distribution of the find-sites.

      These find-sites are not, as once seemed likely, confined to the north’s Central Plain. Although the earliest style associated with Erlitou (1900–1350 BC) is little found outside the Yellow River basin, later styles, especially those associated with the Erligang culture (c. 1500–1300 BC), achieved a wide distribution. Some bronze-ware may have been gifted or traded; but the discovery of foundries producing almost identical vessels as far afield as Hubei province and the Yangzi argues for some more fundamental contact. It is reasonable to assume that where such a specialised and prestigious technology was transferred, cultural beliefs and social assumptions must also have been transferred, and this in turn could imply some form of political hegemony. The bronze record thus suggests that in the fifteenth to thirteenth centuries BC ‘a state’ in the north’s Central Plain with a highly sophisticated culture expanded its influence over a large part of the region immediately to its south and east.

      Archaeologically this expansive entity is known as Erligang after the name of its type-site at Zhengzhou, a city on the Yellow River in Henan province. Focusing exclusively on such excavated sources, Bagley declares Erligang ‘the first great civilisation of East Asia’;⁹ and most historians, latching on to its dates and location, take their cue from this and gratefully identify Erligang culture with the dynasty known in written sources as the Shang. But as with Erlitou and the Xia dynasty, so with Erligang and the Shang dynasty: the two do not quite fit. Erligang’s expansion and primacy look to have been shorter-lived than Shang’s. Although bronze production continued to increase, and nowhere more so than in the north, elsewhere as of about 1300 BC distinctive individual styles emerged, suggesting a resurgence of cultural and political autonomy in the Yangzi region, Sichuan and the north-east at a time when the texts would suggest that Shang reigned supreme.

      Besides such tantalising glimpses of political activity, the bronze industry reveals something of the nature of Erligang, and so perhaps Shang, society. Since bronze is an alloy, deposits of copper and tin (plus some lead) had first to be located, mined and then, in the casting process, carefully combined to ensure an ore ratio suitable to the size and type of vessel desired. Abundant fuel for the furnaces was also essential; and because foundries were located within the oversight of the supposed ‘capital’, the transport requirement must have been considerable. Society was by now, therefore, not just hierarchically stratified but organised into productive functional groups, reasonably stable and closely controlled. Skilled artisans had to be trained and maintained, a labour force that was both servile and surplus had to be mobilised, and a ruling lineage clique with a steady demand for finished products of exceptional quality had to direct operations. Only sparingly were metals used for weapons and scarcely at all for tools or agricultural implements. Bronze-casting was the prestige monopoly of a demanding elite. The bulk of all production went to the manufacture of the vessels required for ritual purposes by this elite; and to judge by their find-sites, many of these vessels were ultimately or specifically destined to accompany deceased members of the elite to their graves.

      The vast complex of tombs at Anyang, north of the Yellow River but still in Henan province, has been dated to around 1200 BC. Although Erligang’s cultural reach had by then retracted, this indisputably late Shang centre betrays no signs of decline. More thoroughly explored than any other site, Anyang’s necropolis and the cyclopean foundations of its adjacent city convey a compelling, if gruesome, impression of late Shang might. The largest tomb occupies an area nearly as big as a football pitch. As if from each opposing goal and touchline, four sloping subways or ramps converge on a central vertical shaft, at the base of which lies the collapsed burial chamber. This was cruciform, about 200 square metres (240 square yards) in area, 3 metres (10 feet) high and 10.5 metres (34 feet) below ground. Five sacrificial pits were found within it, and the central area had been floored with timbers to accommodate the sarcophagus. Unfortunately tomb robbers had got there long before the archaeologists. The site had been largely cleared of grave goods, and the same fate had befallen most of the other Anyang tombs. To date there is only one notable exception.

      Dying just 150 years after Tutankhamun, a Shang royal consort called Fu Hao was interred at the Anyang site around 1200 BC and remained undisturbed until AD 1976. The tomb is a small one, without ramps. ‘Lady Hao’ – her name is found engraved on her bronzes – may have been cherished but she was too gender-handicapped to merit more than ‘a lesser tomb’ with a simple shaft of room-size dimensions about 7.5 metres (25 feet) deep. Her burial chamber was nevertheless richly furnished. The nested coffins, though badly decayed by seepage, had once been lacquered red and black; the walls had probably been painted and textiles draped over the coffin. Most of the surviving grave goods must have originally been inside the outer coffin. Yet the inventory for this fairly small space included 195 bronze vessels (the largest of which weighed 120 kilograms – 265 pounds), more than 271 smaller bronze items, 564 objects of carved bone and an extraordinary 755 of jade, the largest such collection ever found. ‘If the [bigger] tombs were richer than this, their contents are beyond imagining,’ says Bagley.¹⁰

      Sixteen skeletons were also found in the tomb. They were distributed within, around and above the coffin. The Shang elite did not like its members to leave this world alone; relatives, retainers, guards, servants and pets accompanied them as part of the grave offering. Ritual demanded, and spectacle no doubt encouraged, human sacrifice on a grand scale. In the larger tombs the victims have been counted in their hundreds. Some skeletons are complete, others dismembered or decapitated, the cranium often having been sawn off, perhaps for bone carving. Some of the mutilated victims may have been convicts or captives taken in war. The killing of prisoners is thought to have been common practice, and the skeletons include different racial types. The quality of Shang mercy, if such a thing existed, was ever strained and made no clear distinction between friend and foe. Men (and occasionally women and children) were as conspicuously expended in the cause of ritual as were bronze and jade.

      How all this extravagance was funded is unclear. No great agricultural revolution occurred at the time, no major irrigation effort is known, and no significant introduction – the ox-drawn plough once had its champions – has been generally accepted. Nor do trade or conquest seem to have been important contributory factors. The Shang apparently just used existing resources of land and labour to greater effect. ‘This leads to the inevitable conclusion’, writes Kwang-chih Chang of the Academia Sinica, ‘that the Shang period witnessed the beginning in this part of the world of organised large-scale exploitation of one group of people by another within the same society’; it also witnessed ‘the beginning of an oppressive governmental system to make such exploitation possible’.¹¹

      While members of the ruling clans frequented the great buildings whose pounded earth foundations testify to ambitious architecture and gracious living, the ‘black-haired commoners’ lived in covered pits, used crude clay utensils, and laboured in the fields with Stone Age tools of wood and flint. Malnutrition has been noted in many skeletons. Leisure must have been rare, insubordination fatal. Cultural excellence came at a price in Bronze Age China; the bright burnish of civilisation was down to the hard rub of despotic power.

      FINDING FAMILY

      This somewhat harsh picture of second-millennium BC China may be tempered by further research at those sites that have lately come to light in more distant parts of the country. The Qijia culture of Gansu and Qinghai provinces, for instance, besides providing examples of pre-Erlitou bronze working, was reported in 2005 to have yielded evidence of another abiding ingredient in Chinese civilisation, namely ‘the oldest intact noodles yet discovered’. Dated to about 2000 BC, they were found at a site called Lajia and had been made from millet flour.¹²

      More elaborate artefacts, including several enormous bronze bells, from sites in Hubei and Hunan provide early testimony of the more vibrant art and culture of the Yangzi region; but they have been eclipsed by finds from further upriver in Sichuan. There two recent discoveries