The Mutiny of the Elsinore. Джек Лондон

in her mouth, as well as in her eyes. She rarely exposed her teeth in smiling, for which purpose she seemed chiefly to employ her eyes; but when she laughed she showed strong white teeth, even, not babyish in their smallness, but just the firm, sensible, normal size one would expect in a woman as healthy and normal as she.

      I would never have called her beautiful, and yet she possessed many of the factors that go to compose feminine beauty. She had all the beauty of colouring, a white skin that was healthy white and that was emphasized by the darkness of her lashes, brows, and hair. And, in the same way, the darkness of lashes and brows and the whiteness of skin set off the warm gray of her eyes. The forehead was, well, medium-broad and medium high, and quite smooth. No lines nor hints of lines were there, suggestive of nervousness, of blue days of depression and white nights of insomnia. Oh, she bore all the marks of the healthy, human female, who never worried nor was vexed in the spirit of her, and in whose body every process and function was frictionless and automatic.

      “Miss West has posed to me as quite a weather prophet,” I said to the mate. “Now what is your forecast of our coming weather?”

      “She ought to be,” was Mr. Pike’s reply as he lifted his glance across the smooth swell of sea to the sky. “This ain’t the first time she’s been on the North Atlantic in winter.” He debated a moment, as he studied the sea and sky. “I should say, considering the high barometer, we ought to get a mild gale from the north-east or a calm, with the chances in favour of the calm.”

      She favoured me with a triumphant smile, and suddenly clutched the rail as the Elsinore lifted on an unusually large swell and sank into the trough with a roll from windward that flapped all the sails in hollow thunder.

      “The calm has it,” Miss West said, with just a hint of grimness. “And if this keeps up I’ll be in my bunk in about five minutes.”

      She waved aside all sympathy. “Oh, don’t bother about me, Mr. Pathurst. Sea-sickness is only detestable and horrid, like sleet, and muddy weather, and poison ivy; besides, I’d rather be sea-sick than have the hives.”

      Something went wrong with the men below us on the deck, some stupidity or blunder that was made aware to us by Mr. Mellaire’s raised voice. Like Mr. Pike, he had a way of snarling at the sailors that was distinctly unpleasant to the ear.

      On the faces of several of the sailors bruises were in evidence. One, in particular, had an eye so swollen that it was closed.

      “Looks as if he had run against a stanchion in the dark,” I observed.

      Most eloquent, and most unconscious, was the quick flash of Miss West’s eyes to Mr. Pike’s big paws, with freshly abraded knuckles, resting on the rail. It was a stab of hurt to me. She knew.

CHAPTER X

       Table of Contents

      That evening the three men of us had dinner alone, with racks on the table, while the Elsinore rolled in the calm that had sent Miss West to her room.

      “You won’t see her for a couple of days,” Captain West told me. “Her mother was the same way—a born sailor, but always sick at the outset of a voyage.”

      “It’s the shaking down.” Mr. Pike astonished me with the longest observation I had yet heard him utter at table. “Everybody has to shake down when they leave the land. We’ve got to forget the good times on shore, and the good things money’ll buy, and start watch and watch, four hours on deck and four below. And it comes hard, and all our tempers are strung until we can make the change. Did it happen that you heard Caruso and Blanche Arral this winter in New York, Mr. Pathurst?”

      I nodded, still marvelling over this spate of speech at table.

      “Well, think of hearing them, and Homer, and Witherspoon, and Amato, every night for nights and nights at the Metropolitan; and then to give it the go-by, and get to sea and shake down to watch and watch.”

      “You don’t like the sea?” I queried.

      He sighed.

      “I don’t know. But of course the sea is all I know—”

      “Except music,” I threw in.

      “Yes, but the sea and all the long-voyaging has cheated me out of most of the music I oughta have had coming to me.”

      “I suppose you’ve heard Schumann Heink?”

      “Wonderful, wonderful!” he murmured fervently, then regarded me with an eager wistfulness. “I’ve half-a-dozen of her records, and I’ve got the second dog-watch below. If Captain West don’t mind …” (Captain West nodded that he didn’t mind). “And if you’d want to hear them? The machine is a good one.”

      And then, to my amazement, when the steward had cleared the table, this hoary old relic of man-killing and man-driving days, battered waif of the sea that he was, carried in from his room a most splendid collection of phonograph records. These, and the machine, he placed on the table. The big doors were opened, making the dining-room and the main cabin into one large room. It was in the cabin that Captain West and I lolled in big leather chairs while Mr. Pike ran the phonograph. His face was in a blaze of light from the swinging lamps, and every shade of expression was visible to me.

      In vain I waited for him to start some popular song. His records were only of the best, and the care he took of them was a revelation. He handled each one reverently, as a sacred thing, untying and unwrapping it and brushing it with a fine camel’s hair brush while it revolved and ere he placed the needle on it. For a time all I could see was the huge brute hands of a brute-driver, with skin off the knuckles, that expressed love in their every movement. Each touch on the discs was a caress, and while the record played he hovered over it and dreamed in some heaven of music all his own.

      During this time Captain West lay back and smoked a cigar. His face was expressionless, and he seemed very far away, untouched by the music. I almost doubted that he heard it. He made no remarks between whiles, betrayed no sign of approbation or displeasure. He seemed preternaturally serene, preternaturally remote. And while I watched him I wondered what his duties were. I had not seen him perform any. Mr. Pike had attended to the loading of the ship. Not until she was ready for sea had Captain West come on board. I had not seen him give an order. It looked to me that Mr. Pike and Mr. Mellaire did the work. All Captain West did was to smoke cigars and keep blissfully oblivious of the Elsinore’s crew.

      When Mr. Pike had played the “Hallelujah Chorus” from the Messiah, and “He Shall Feed His Flock,” he mentioned to me, almost apologetically, that he liked sacred music, and for the reason, perhaps, that for a short period, a child ashore in San Francisco, he had been a choir boy.

      “And then I hit the dominie over the head with a baseball bat and sneaked off to sea again,” he concluded with a harsh laugh.

      And thereat he fell to dreaming while he played Meyerbeer’s “King of Heaven,” and Mendelssohn’s “O Rest in the Lord.”

      When one bell struck, at quarter to eight, he carried his music, all carefully wrapped, back into his room. I lingered with him while he rolled a cigarette ere eight bells struck.

      “I’ve got a lot more good things,” he said confidentially: “Coenen’s ‘Come Unto Me,’ and Faure’s ‘Crucifix’; and there’s ‘O Salutaris,’ and ‘Lead, Kindly Light’ by the Trinity Choir; and ‘Jesu, Lover of My Soul’ would just melt your heart. I’ll play ’em for you some night.”

      “Do you believe in them?” I was led to ask by his rapt expression and by the picture of his brute-driving hands which I could not shake from my consciousness.

      He hesitated perceptibly, then replied:

      “I do … when I’m listening to them.”

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