THE COMPLETE SHORT STORIES OF WASHINGTON IRVING (Illustrated Edition). Вашингтон Ирвинг

it; for he must have been a miracle of accomplishments in their eyes. He could imitate Punch and Judy; make an old woman of his hand, with the assistance of a burnt cork and pocket-handkerchief; and cut an orange into such a ludicrous caricature that the young folks were ready to die with laughing.

      I was let briefly into his history by Frank Bracebridge. He was an old bachelor, of a small independent income, which by careful management was sufficient for all his wants. He revolved through the family system like a vagrant comet in its orbit, sometimes visiting one branch, and sometimes another quite remote, as is often the case with gentlemen of extensive connections and small fortunes in England. He had a chirping, buoyant disposition, always enjoying the present moment; and his frequent change of scene and company prevented his acquiring those rusty, unaccommodating habits with which old bachelors are so uncharitably charged. He was a complete family chronicle, being versed in the genealogy, history, and intermarriages of the whole house of Bracebridge, which made him a great favorite with the old folks; he was a beau of all the elder ladies and superannuated spinsters, among whom he was habitually considered rather a young fellow; and he was master of the revels among the children, so that there was not a more popular being in the sphere in which he moved than Mr. Simon Bracebridge. Of late years he had resided almost entirely with the squire, to whom he had become a factotum, and whom he particularly delighted by jumping with his humor in respect to old times and by having a scrap of an old song to suit every occasion. We had presently a specimen of his last-mentioned talent, for no sooner was supper removed and spiced wines and other beverages peculiar to the season introduced, than Master Simon was called on for a good old Christmas song. He bethought himself for a moment, and then, with a sparkle of the eye and a voice that was by no means bad, excepting that it ran occasionally into a falsetto like the notes of a split reed, he quavered forth a quaint old ditty:

      Now Christmas is come,

       Let us beat up the drum,

       And call all our neighbors together;

       And when they appear,

       Let us make them such cheer,

       As will keep out the wind and the weather, &c.

      The supper had disposed every one to gayety, and an old harper was summoned from the servants’ hall, where he had been strumming all the evening, and to all appearance comforting himself with some of the squire’s home-brewed. He was a kind of hanger-on, I was told, of the establishment, and, though ostensibly a resident of the village, was oftener to be found in the squire’s kitchen than his own home, the old gentleman being fond of the sound of “harp in hall.”

      The dance, like most dances after supper, was a merry one: some of the older folks joined in it, and the squire himself figured down several couple with a partner with whom he affirmed he had danced at every Christmas for nearly half a century. Master Simon, who seemed to be a kind of connecting link between the old times and the new, and to be withal a little antiquated in the taste of his accomplishments, evidently piqued himself on his dancing, and was endeavoring to gain credit by the heel and toe, rigadoon, and other graces of the ancient school; but he had unluckily assorted himself with a little romping girl from boarding-school, who by her wild vivacity kept him continually on the stretch and defeated all his sober attempts at elegance: such are the ill-sorted matches to which antique gentlemen are unfortunately prone.

      The young Oxonian, on the contrary, had led out one of his maiden aunts, on whom the rogue played a thousand little knaveries with impunity: he was full of practical jokes, and his delight was to tease his aunts and cousins, yet, like all madcap youngsters, he was a universal favorite among the women. The most interesting couple in the dance was the young officer and a ward of the squire’s, a beautiful blushing girl of seventeen. From several shy glances which I had noticed in the course of the evening I suspected there was a little kindness growing up between them; and indeed the young soldier was just the hero to captivate a romantic girl. He was tall, slender, and handsome, and, like most young British officers of late years, had picked up various small accomplishments on the Continent: he could talk French and Italian, draw landscapes, sing very tolerably, dance divinely, but, above all, he had been wounded at Waterloo. What girl of seventeen, well read in poetry and romance, could resist such a mirror of chivalry and perfection?

      The moment the dance was over he caught up a guitar, and, lolling against the old marble fireplace in an attitude which I am half inclined to suspect was studied, began the little French air of the Troubadour. The squire, however, exclaimed against having anything on Christmas Eve but good old English; upon which the young minstrel, casting up his eye for a moment as if in an effort of memory, struck into another strain, and with a charming air of gallantry gave Herrick’s “Night-Piece to Julia:”

      Her eyes the glow-worm lend thee,

       The shooting stars attend thee,

       And the elves also,

       Whose little eyes glow

       Like the sparks of fire, befriend thee.

      No Will-o’-the-Wisp mislight thee;

       Nor snake nor slow-worm bite thee;

       But on thy way,

       Not making a stay,

       Since ghost there is none to affright thee,

      Then let not the dark thee cumber;

       What though the moon does slumber,

       The stars of the night

       Will lend thee their light,

       Like tapers clear without number.

      Then, Julia, let me woo thee,

       Thus, thus to come unto me,

       And when I shall meet

       Thy silvery feet,

       My soul I’ll pour into thee.

      The song might or might not have been intended in compliment to the fair Julia, for so I found his partner was called; she, however, was certainly unconscious of any such application, for she never looked at the singer, but kept her eyes cast upon the floor. Her face was suffused, it is true, with a beautiful blush, and there was a gentle heaving of the bosom, but all that was doubtless caused by the exercise of the dance; indeed, so great was her indifference that she amused herself with plucking to pieces a choice bouquet of hot-house flowers, and by the time the song was concluded the nosegay lay in ruins on the floor.

      The party now broke up for the night with the kindhearted old custom of shaking hands. As I passed through the hall on my way to my chamber, the dying embers of the Yule-clog still sent forth a dusky glow, and had it not been the season when “no spirit dares stir abroad,” I should have been half tempted to steal from my room at midnight and peep whether the fairies might not be at their revels about the hearth.

      My chamber was in the old part of the mansion, the ponderous furniture of which might have been fabricated in the days of the giants. The room was panelled, with cornices of heavy carved work, in which flowers and grotesque faces were strangely intermingled, and a row of black-looking portraits stared mournfully at me from the walls. The bed was of rich though faded damask, with a lofty tester, and stood in a niche opposite a bow window. I had scarcely got into bed when a strain of music seemed to break forth in the air just below the window. I listened, and found it proceeded from a band which I concluded to be the Waits from some neighboring village. They went round the house, playing under the windows. I drew aside the curtains to hear them more distinctly. The moonbeams fell through the upper part of the casement; partially lighting up the antiquated apartment. The sounds, as they receded, became more soft and aerial, and seemed to accord with the quiet and moonlight. I listened and listened — they became more and more tender and remote, and, as they gradually died away, my head sunk upon the pillow and I fell asleep.

* Peacham’s Complete Gentleman, 1622.