The Valley of the Moon. Джек Лондон

stand, and the leaves point and shiver At ivy-crowned Bacchus, the Queen of the Loves, Pandora and Psyche, struck voiceless forever.”

      This, too, was beyond her. But she breathed the beauty of it. Bacchus, and Pandora and Psyche—talismans to conjure with! But alas! the necromancy was her mother's. Strange, meaningless words that meant so much! Her marvelous mother had known their meaning. Saxon spelled the three words aloud, letter by letter, for she did not dare their pronunciation; and in her consciousness glimmered august connotations, profound and unthinkable. Her mind stumbled and halted on the star-bright and dazzling boundaries of a world beyond her world in which her mother had roamed at will. Again and again, solemnly, she went over the four lines. They were radiance and light to the world, haunted with phantoms of pain and unrest, in which she had her being. There, hidden among those cryptic singing lines, was the clue. If she could only grasp it, all would be made clear. Of this she was sublimely confident. She would understand Sarah's sharp tongue, her unhappy brother, the cruelty of Charley Long, the justness of the bookkeeper's beating, the day-long, month-long, year-long toil at the ironing-board.

      She skipped a stanza that she knew was hopelessly beyond her, and tried again:

      “The dusk of the greenhouse is luminous yet

       With quivers of opal and tremors of gold;

       For the sun is at rest, and the light from the west,

       Like delicate wine that is mellow and old,

      “Flushes faintly the brow of a naiad that stands In the spray of a fountain, whose seed-amethysts Tremble lightly a moment on bosom and hands, Then dip in their basin from bosom and wrists.”

      “It's beautiful, just beautiful,” she sighed. And then, appalled at the length of all the poem, at the volume of the mystery, she rolled the manuscript and put it away. Again she dipped in the drawer, seeking the clue among the cherished fragments of her mother's hidden soul.

      This time it was a small package, wrapped in tissue paper and tied with ribbon. She opened it carefully, with the deep gravity and circumstance of a priest before an altar. Appeared a little red-satin Spanish girdle, whale-boned like a tiny corset, pointed, the pioneer finery of a frontier woman who had crossed the plains. It was hand-made after the California-Spanish model of forgotten days. The very whalebone had been home-shaped of the raw material from the whaleships traded for in hides and tallow. The black lace trimming her mother had made. The triple edging of black velvet strips—her mother's hands had sewn the stitches.

      Saxon dreamed over it in a maze of incoherent thought. This was concrete. This she understood. This she worshiped as man-created gods have been worshiped on less tangible evidence of their sojourn on earth.

      Twenty-two inches it measured around. She knew it out of many verifications. She stood up and put it about her waist. This was part of the ritual. It almost met. In places it did meet. Without her dress it would meet everywhere as it had met on her mother. Closest of all, this survival of old California-Ventura days brought Saxon in touch. Hers was her mother's form. Physically, she was like her mother. Her grit, her ability to turn off work that was such an amazement to others, were her mother's. Just so had her mother been an amazement to her generation—her mother, the toy-like creature, the smallest and the youngest of the strapping pioneer brood, who nevertheless had mothered the brood. Always it had been her wisdom that was sought, even by the brothers and sisters a dozen years her senior. Daisy, it was, who had put her tiny foot down and commanded the removal from the fever flatlands of Colusa to the healthy mountains of Ventura; who had backed the savage old Indian-fighter of a father into a corner and fought the entire family that Vila might marry the man of her choice; who had flown in the face of the family and of community morality and demanded the divorce of Laura from her criminally weak husband; and who on the other hand, had held the branches of the family together when only misunderstanding and weak humanness threatened to drive them apart.

      The peacemaker and the warrior! All the old tales trooped before Saxon's eyes. They were sharp with detail, for she had visioned them many times, though their content was of things she had never seen. So far as details were concerned, they were her own creation, for she had never seen an ox, a wild Indian, nor a prairie schooner. Yet, palpitating and real, shimmering in the sun-flashed dust of ten thousand hoofs, she saw pass, from East to West, across a continent, the great hegira of the land-hungry Anglo-Saxon. It was part and fiber of her. She had been nursed on its traditions and its facts from the lips of those who had taken part. Clearly she saw the long wagon-train, the lean, gaunt men who walked before, the youths goading the lowing oxen that fell and were goaded to their feet to fall again. And through it all, a flying shuttle, weaving the golden dazzling thread of personality, moved the form of her little, indomitable mother, eight years old, and nine ere the great traverse was ended, a necromancer and a law-giver, willing her way, and the way and the willing always good and right.

      Saxon saw Punch, the little, rough-coated Skye-terrier with the honest eyes (who had plodded for weary months), gone lame and abandoned; she saw Daisy, the chit of a child, hide Punch in the wagon. She saw the savage old worried father discover the added burden of the several pounds to the dying oxen. She saw his wrath, as he held Punch by the scruff of the neck. And she saw Daisy, between the muzzle of the long-barreled rifle and the little dog. And she saw Daisy thereafter, through days of alkali and heat, walking, stumbling, in the dust of the wagons, the little sick dog, like a baby, in her arms.

      But most vivid of all, Saxon saw the fight at Little Meadow—and Daisy, dressed as for a gala day, in white, a ribbon sash about her waist, ribbons and a round-comb in her hair, in her hands small water-pails, step forth into the sunshine on the flower-grown open ground from the wagon circle, wheels interlocked, where the wounded screamed their delirium and babbled of flowing fountains, and go on, through the sunshine and the wonder-inhibition of the bullet-dealing Indians, a hundred yards to the waterhole and back again.

      Saxon kissed the little, red satin Spanish girdle passionately, and wrapped it up in haste, with dewy eyes, abandoning the mystery and godhead of mother and all the strange enigma of living.

      In bed, she projected against her closed eyelids the few rich scenes of her mother that her child-memory retained. It was her favorite way of wooing sleep. She had done it all her life—sunk into the death-blackness of sleep with her mother limned to the last on her fading consciousness. But this mother was not the Daisy of the plains nor of the daguerreotype. They had been before Saxon's time. This that she saw nightly was an older mother, broken with insomnia and brave with sorrow, who crept, always crept, a pale, frail creature, gentle and unfaltering, dying from lack of sleep, living by will, and by will refraining from going mad, who, nevertheless, could not will sleep, and whom not even the whole tribe of doctors could make sleep. Crept—always she crept, about the house, from weary bed to weary chair and back again through long days and weeks of torment, never complaining, though her unfailing smile was twisted with pain, and the wise gray eyes, still wise and gray, were grown unutterably larger and profoundly deep.

      But on this night Saxon did not win to sleep quickly; the little creeping mother came and went; and in the intervals the face of Billy, with the cloud-drifted, sullen, handsome eyes, burned against her eyelids. And once again, as sleep welled up to smother her, she put to herself the question IS THIS THE MAN?

CHAPTER VII

       Table of Contents

      The work in the ironing-room slipped off, but the three days until Wednesday night were very long. She hummed over the fancy starch that flew under the iron at an astounding rate.

      “I can't see how you do it,” Mary admired. “You'll make thirteen or fourteen this week at that rate.”

      Saxon laughed, and in the steam from the iron she saw dancing golden letters that spelled WEDNESDAY.

      “What do you think of Billy?” Mary asked.

      “I like him,” was the frank answer.

      “Well, don't let