THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition). Эдвард Бенсон

be, he would be obliged to protest his innocence, and denounce Elizabeth. Most disagreeable, and who could foresee the consequences? For Lucia (if he knew her) would see red, and there would be war. Bloody war of the most devastating sort. 'But it will be rather exciting too,' thought he, 'and I back Lucia.'

      Georgie could not wait for tea-time, but set forth on his uncomfortable errand soon after lunch. Lucia had seen him coming up the garden, and abandoned her musings and sat down hastily at the piano. Instantly on his entry she sprang up again, and plunged into mixed Italian and baby-talk.

      'Ben arrivato, Georgino,' she cried. 'How early you are, and so we can have cosy ickle chat-chat before tea. Any newsy-pewsy?'

      Georgie took the plunge.

      'Yes,' he said.

      'Tell Lucia, presto. 'Oo think me like it?'

      'It'll interest you,' said Georgie guardedly. 'Now! When I was standing on Mallards doorstep this morning, did you hear what that old witch called to me out of the garden-room window?'

      Lucia could not repress a sigh of relief. The worst could not be true. Then she became herself again.

      'Let me see now!' she said. 'Yes. I think I did. She called you Georgie, didn't she: she scolded you for ringing. Something of that sort.'

      'Yes. And she talked baby-talk like you and me,' interrupted Georgie, 'and she said the door wasn't on the chain. I want to tell you straight off that she never called me Georgie before, and that we've never talked baby-talk together in my life. I owe it to myself to tell you that.'

      Lucia turned her piercing eye on to Georgie. There seemed to be a sparkle in it that boded ill for somebody.

      'And you think she saw me, Georgie?' she asked.

      'Of course she did. Your car was directly below her window.'

      'I am afraid there is no doubt about it,' said Lucia. 'Her remarks, therefore, seem to have been directed at me. A singularly ill-bred person. There's one thing more. You were taking your paintbox with you — '

      'Oh, that's all right,' said he. 'I'm doing a sketch of the garden-room. You'll know about that in time. And what are you going to do?' he asked greedily.

      Lucia laughed in her most musical manner.

      'Well, first of all I shall give her a very good dinner tomorrow, as she has not had the decency to say she was engaged. She telephoned to me just now telling me what a joy it would be, and how she was looking forward to it. And mind you call her Elizabeth.'

      'I've done that already,' said Georgie proudly. 'I practised saying it to myself.'

      'Good. She dines here then tomorrow night, and I shall be her hostess and shall make the evening as pleasant as I can to all my guests. But apart from that, Georgie, I shall take steps to teach her manners if she's not too old to learn. She will be sorry; she will wish she had not been so rude. And I can't see any objection to our other friends in Tilling knowing what occurred this morning, if you feel inclined to speak of it. I shan't, but there's no reason why you shouldn't.'

      'Hurrah, I'm dining with the Wyses tonight,' said Georgie. 'They'll soon know.'

      Lucia knitted her brows in profound thought.

      'And then there's that incident about our pictures, yours and mine, being rejected by the hanging committee of the Art Club,' said she. 'We have both kept the forms we received saying that they regretted having to return them, and I think, Georgie, that while you are on the subject of Elizabeth Mapp, you might show yours to Mr Wyse. He is a member, so is Susan, of the committee, and I think they have a right to know that our pictures were rejected on official forms without ever coming before the committee at all. I behaved towards our poor friend with a magnanimity that now appears to me excessive, and since she does not appreciate magnanimity we will try her with something else. That would not be amiss.' Lucia rose.

      'And now let us leave this very disagreeable subject for the present,' she said, 'and take the taste of it out of our mouths with a little music. Beethoven, noble Beethoven, don't you think? The fifth symphony, Georgie, for four hands. Fate knocking at the door.'

      Georgie rather thought that Lucia smacked her lips as she said, 'this very disagreeable subject', but he was not certain, and presently Fate was knocking at the door with Lucia's firm fingers, for she took the treble.

      They had a nice long practice, and when it was time to go home Lucia detained him.

      'I've got one thing to say to you, Georgie,' she said, 'though not about that paltry subject. I've sold The Hurst, I've bought this new property, and so I've made a new will. I've left Grebe and all it contains to you, and also, well, a little sum of money. I should like you to know that.'

      Georgie was much touched.

      'My dear, how wonderful of you,' he said. 'But I hope it will be ages and ages before — '

      'So do I, Georgie,' she said in her most sincere manner.

      * * *

      Tilling had known tensions before and would doubtless know them again. Often it had been on a very agreeable rack of suspense, as when, for instance, it had believed (or striven to believe) that Major Benjy might be fighting a duel with that old crony of his, Captain Puffin, lately deceased. Now there was a suspense of a more intimate quality (for nobody would have cared at all if Captain Puffin had been killed, nor much, if Major Benjy), for it was as if the innermost social guts of Tilling were attached to some relentless windlass, which, at any moment now, might be wound, but not relaxed. The High Street next morning, therefore, was the scene of almost painful excitement. The Wyses' Royce, with Susan smothered in sables, went up and down, until she was practically certain that she had told everybody that she and Algernon had retired from the hanging committee of the Art Club, pending explanations which they had requested Miss (no longer Elizabeth) Mapp to furnish, but which they had no hope of receiving. Susan was perfectly explicit about the cause of this step, and Algernon who, at a very early hour, had interviewed the errand-boy at the frame-shop, was by her side, to corroborate all she said. His high-bred reticence, indeed, had been even more weighty than Susan's volubility. 'I am afraid it is all too true,' was all that could be got out of him. Two hours had now elapsed since their resignations had been sent in, and still no reply had come from Mallards.

      But that situation was but an insignificant fraction of the prevalent suspense, for the exhibition had been open and closed months before, and if Tilling was to make a practice of listening to such posthumous revelations, life would cease to have any poignant interest, but be wholly occupied in retrospective retributions. Thrilling therefore as was the past, as revealed by the stern occupants of the Royce, what had happened only yesterday on the doorstep of Mallards was far more engrossing. The story of that, by 11.30 a.m., already contained several remarkable variants. The Padre affirmed that Georgie had essayed to enter Mallards without knocking, and that Miss Mapp (the tendency to call her Miss Mapp was spreading) had seen Lucia in her motor just below the window of the garden-room, and had called out 'Turn in, Georgino mio, no tarsome chains now that Elizabeth has got back to her own housie-pousie.' Diva had reason to believe that Elizabeth (she still stuck to that) had not seen Lucia in her motor, and had called out of the window to Georgie 'Ring the belly-pelly, dear, for I'm afraid the chain is on the door.' Mrs Bartlett (she was no use at all) said, 'All so distressing and exciting and Christmas Day next week, and very little goodwill, oh dear me!' Irene had said, 'That old witch will get what for.'

      Again, it was known that Major Benjy had called at Mallards soon after the scene, whatever it was, had taken place, and had refused to go into the garden-room, when he heard that Georgie was painting Elizabeth's portrait. Withers was witness (she had brought several pots of jam to Diva's house that morning, not vegetable marrow at all, but raspberry, which looked like a bribe) that the Major had said 'Faugh!' when she told him that Georgie was there. Major Benjy himself could not be cross-examined because he had gone out by the eleven o'clock tram to play golf. Lucia had not been seen in the High Street at all, nor had Miss Mapp, and Georgie had only passed through it in his car, quite early, going in the direction of Grebe. This absence of the principals, in these earlier stages of development, was