THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition). Эдвард Бенсон

there was no need to inquire what that was. For some time the writing seemed to feel to Georgie like Arabic, but presently the pencil slowed down, and he thought some English was coming through. Finally Abfou gave a great scrawl, as he usually did when the message was complete, and Daisy looked dreamily up. "Anything?" she said.

      "It's been writing hard," said Georgie.

      They examined the script. It began, as he had expected, with quantities of Arabic, and then (as he had expected) dropped into English, which was quite legible.

      "Beware of charlatans," wrote Abfou, "beware of southern charlatans. All spirits are not true and faithful like Abfou, who instituted your Museum. False guides deceive. A warning from Abfou."

      "Well, if that isn't convincing, I don't know what is," said Daisy.

      Georgie thought it convincing too.

      The din of battle began to rise. It was known that very evening, for Colonel and Mrs Boucher dined with Georgie, that he and Lucia (for Georgie did not give all the credit to Lucia) had received that remarkable message from Vittoria about fire and water and the dog and the angry old woman, and it was agreed that Abfou cut a very poor figure, and had a jealous temper. Why hadn't Abfou done something better than merely warn them against southern charlatans?

      "If it comes to that," said Mrs Boucher, "Egypt is in the south, and charlatans can come from Egypt as much as from Italy. Fire and water! Very remarkable. There's the water there now, plenty of it, and the fire will be there tomorrow. I must get out my planchette again, for I put it away. I got sick of writing nothing but Arabic, even if it was Arabic. I call it very strange. And not a word about golf from Vittoria. I consider that's most important. If Lucia had been pushing, she'd have written about her golf with Daisy. Abfou and Vittoria! I wonder which will win."

      That summed it up pretty well, for it was felt that Abfou and Vittoria could not both direct the affairs of Riseholme from the other world, unless they acted jointly; and Abfou's remarks about the southern charlatan and false spirits put the idea of a coalition out of the question. All the time, firm in the consciousness of Riseholme, but never under any circumstances spoken of, was the feeling that Abfou and Vittoria (as well as standing for themselves) were pseudonyms: they stood also for Daisy and Lucia. And how much finer and bigger, how much more gifted of the two in every way was Vittoria-Lucia. Lucia quickly got over her disinclination to weedj, and messages, not very definite, but of high moral significance came from this exalted spirit. There was never a word about golf, and there was never a word about Abfou, nor any ravings concerning inferior and untrustworthy spirits. Vittoria was clearly above all that (indeed, she was probably in some sphere miles away above Abfou), whereas Abfou's pages (Daisy sat with her planchette morning after morning and obtained sheets of the most voluble English) were blistered with denunciations of low and earth-born intelligences and dark with awful warnings for those who trusted them.

      Riseholme, in fact, had never been at a higher pitch of excited activity; even the arrival of the Evening Gazette during those weeks when Hermione had recorded so much about Mrs Philip Lucas hadn't roused such emotions as the reception of a new message from Abfou or Vittoria. And it was Lucia again who was the cause of it all: no one for months had cared what Abfou said, till Lucia became the recipient of Vittoria's messages. She had invested planchette with the interest that attached to all she did. On the other hand it was felt that Abfou (though certainly he lowered himself by these pointed recriminations) had done something. Abfou-Daisy had invented the Museum, whereas Vittoria-Lucia, apart from giving utterance to high moral sentiments, had invented nothing (high moral sentiments couldn't count as an invention). To be sure there was the remarkable piece about Pug and angry Lady Ambermere, but the facts of that were already known to Lucia, and as for the communication about fire, water and moonlight, though there were new oil-stoves in the damp Museum, that was not as remarkable as inventing the Museum, and moonlight unless it meant the Sonata was quite unexplained. Over this cavilling objection, rather timidly put forward by Georgie, who longed for some striking vindication of Vittoria, Lucia was superb.

      "Yes, Georgie, I can't tell you what it means," she said. "I am only the humble scribe. It is quite mysterious to me. For myself, I am content to be Vittoria's medium. I feel it a high honour. Perhaps some day it will be explained, and we shall see."

      They saw.

      Meanwhile, since no one can live entirely on messages from the unseen, other interests were not neglected. There were bridge-parties at The Hurst, there was much music, there was a reading of Hamlet at which Lucia doubled several of the principal parts and Daisy declined to be the Ghost. The new committee of the golf club was formed, and at the first meeting Lucia announced her gift of the President's Cup, and Peppino's of the Lucas Cup for foursomes. Notice of these was duly put up in the clubhouse, and Daisy's face was of such a grimness when she read them that something very savage from Abfou might be confidently expected. She went out for a round soon after with Colonel Boucher, who wore a scared and worried look when he returned. Daisy had got into a bunker, and had simply hewed her ball to pieces . . . Peppino's convalescence proceeded well; Lucia laid down the law a good deal at auction bridge, and the oil-stoves at the Museum were satisfactory. They were certainly making headway against the large patches of damp on the walls, and Daisy, one evening, recollecting that she had not made a personal inspection of them, went in just before dinner to look at them. The boy in charge of them had put them out, for they only burned during the day, and certainly they were doing their work well. Daisy felt she would not be able to bring forward any objection to them at the next committee meeting, as she had rather hoped to do. In order to hurry on the drying process, she filled them both up and lit them so that they should burn all night. She spilt a little paraffin, but that would soon evaporate. Georgie was tripping back across the green from a visit to Mrs Boucher, and they walked homeward together.

      * * *

      Georgie had dined at home that night, and working at a crossword puzzle was amazed to see how late it was. He had pored long over a map of South America, trying to find a river of seven letters with PT in the middle, but he determined to do no more at it tonight.

      "The tarsome thing," he said, "if I could get that, I'm sure it would give me thirty-one across."

      He strolled to the window and pushed aside the blind. It was a moonlight night with a high wind and a few scudding clouds. Just as he was about to let the blind drop again he saw a reddish light in the sky, immediately above his tall yew-hedge, and wondered what it was. His curiosity combined with the fact that a breath of air was always pleasant before going to bed, led him to open the front door and look out. He gave a wild gasp of dismay and horror.

      The windows of the Museum were vividly illuminated by a red glow. Smoke poured out of one which apparently was broken, and across the smoke shot tongues of flame. He bounded to his telephone, and with great presence of mind rang up the fire-station at Blitton. "Riseholme," he called. "House on fire: send engine at once." He ran into his garden again, and seeing a light still in the drawing-room next door (Daisy was getting some sulphurous expressions from Abfou) tapped at the pane. "The Museum's burning," he cried, and set off across the green to the scene of the fire.

      By this time others had seen it too, and were coming out of their houses, looking like little black ants on a red tablecloth. The fire had evidently caught strong hold, and now a piece of the roof fell in, and the flames roared upwards. In the building itself there was no apparatus for extinguishing fire, nor, if there had been, could any one have reached it. A hose was fetched from the Ambermere Arms, but that was not long enough, and there was nothing to be done except wait for the arrival of the fire-engine from Blitton. Luckily the Museum stood well apart from other houses, and there seemed little danger of the fire spreading.

      Soon the bell of the approaching engine was heard, but already it was clear that nothing could be saved. The rest of the roof crashed in, a wall tottered and fell. The longer hose was adjusted, and the stream of water directed through the windows, now here, now there, where the fire was fiercest, and clouds of steam mingled with the smoke. But all efforts to save anything were absolutely vain: all that could be done, as the fire burned itself out, was to quench the glowing embers of the conflagration . . . As he watched, three words suddenly repeated themselves in Georgie's mind. "Fire, water, moonlight," he said a loud in an awed