Henry Dunbar. M. E. Braddon

the Royal Academy; but his father didn't think the likeness a good one, and sent it back to the artist, who promised to alter and improve it. Strange to say, this artist, whose name I forget, delayed from day to day performing his promise, and at the expiration of a twelvemonth left England for Italy, taking the young man's portrait with him, amongst a lot of other unframed canvases. This artist never returned from Italy, and Percival Dunbar could never find out his whereabouts, or whether he was dead or alive. I have often heard the old man regret that he possessed no likeness of his son. Our chief was handsome, you say, in his youth?"

      "Yes, sir," Sampson Wilmot answered, "he was very handsome—tall and fair, with bright blue eyes."

      "You have seen Miss Dunbar: is she like her father?"

      "No, sir. Her features are altogether different, and her expression is more amiable than his."

      "Indeed! Well, Sampson, we won't detain you any longer. You understand what you have to do?"

      "Yes, sir, perfectly."

      "Very well, then. Good night! By the bye, you will put up at one of the best hotels at Southampton—say the Dolphin—and wait there till the Electra steamer comes in. It is by the Electra that Mr. Dunbar is to arrive. Once more, good evening!"

      The old clerk bowed and left the room.

      "Well, Austin," said Mr. Balderby, turning to the cashier, "we may prepare ourselves to meet our new chief very speedily. He must know that you and I cannot be entirely ignorant of the story of his youthful peccadilloes, and he will scarcely give himself airs to us, I should fancy."

      "I don't know that, Mr. Balderby," the cashier answered; "if I am any judge of human nature, Henry Dunbar will hate us because of that very crime of his own, knowing that we are in the secret, and will be all the more disagreeable and disdainful in his intercourse with us. He will carry it off with a high hand, depend upon it."

      CHAPTER II.

       MARGARET'S FATHER.

       Table of Contents

      The town of Wandsworth is not a gay place. There is an air of old-world quiet in the old-fashioned street, though dashing vehicles drive through it sometimes on their way to Wimbledon or Richmond Park.

      The sloping roofs, the gable-ends, the queer old chimneys, the quaint casement windows, belong to a bygone age; and the traveller, coming a stranger to the little town, might fancy himself a hundred miles away from boisterous London; though he is barely clear of the great city's smoky breath, or beyond the hearing of her myriad clamorous tongues.

      There are lanes and byways leading out of that humble High Street down to the low bank of the river; and in one of these, a pleasant place enough, there is a row of old-fashioned semi-detached cottages, standing in small gardens, and sheltered by sycamores and laburnums from the dust, which in dry summer weather lies thick upon the narrow roadway.

      In one of these cottages a young lady lived with her father; a young lady who gave lessons on the piano-forte, or taught singing, for very small remuneration. She wore shabby dresses, and was rarely known to have a new bonnet; but people respected and admired her, notwithstanding; and the female inhabitants of Godolphin Cottages, who gave her good-day sometimes as she went along the dusty lane with her well-used roll of music in her hand, declared that she was a lady bred and born. Perhaps the good people who admired Margaret Wentworth would have come nearer the mark if they had said that she was a lady by right divine of her own beautiful nature, which had never required to be schooled into grace or gentleness.

      She had no mother, and she had not even the memory of her mother, who had died seventeen years before, leaving an only child of twelve months old for James Wentworth to keep.

      But James Wentworth, being a scapegrace and a reprobate, who lived by means that were a secret from his neighbours, had sadly neglected this only child. He had neglected her, though with every passing year she grew more and more like her dead mother, until at last, at eighteen years of age, she had grown into a beautiful woman, with hazel-brown hair, and hazel eyes to match.

      And yet James Wentworth was fond of his only child, after a fashion of his own. Sometimes he was at home for weeks together, a prey to a fit of melancholy; under the influence of which he would sit brooding in silence over his daughter's humble hearth for hours and days together.

      At other times he would disappear, sometimes for a few days, sometimes for weeks and months at a time; and during his absence Margaret suffered wearisome agonies of suspense.

      Sometimes he brought her money; sometimes he lived upon her own slender earnings.

      But use her as he might, he was always proud of her, and fond of her; and she, after the way of womankind, loved him devotedly, and believed him to be the noblest and most brilliant of men.

      It was no grief to her to toil, taking long weary walks and giving tedious lessons for the small stipends which her employers had the conscience to offer her; they felt no compunction about bargaining and haggling as to a few pitiful shillings with a music mistress who looked so very poor, and seemed so glad to work for their paltry pay. The girl's chief sorrow was, that her father, who to her mind was calculated to shine in the highest station the world could give, should be a reprobate and a pauper.

      She told him so sometimes, regretfully, tenderly, as she sat by his side, with her arms twined caressingly about his neck. And there were times when the strong man would cry aloud over his blighted life, and the ruin which had fallen upon his youth.

      "You're right, Madge," he said sometimes, "you're right, my girl. I ought to have been something better; I ought to have been, and I might have been, perhaps, but for one man—but for one base-minded villain, whose treachery blasted my character, and left me alone in the world to fight against society. You don't know what it is, Madge, to have to fight that battle. A man who began life with an honest name, and fair prospects before him, finds himself cast, by one fatal error, disgraced and broken, on a pitiless world. Nameless, friendless, characterless, he has to begin life afresh, with every man's hand against him. He is the outcast of society. The faces that once looked kindly on him turn away from him with a frown. The voices that once spoke in his praise are loud in his disfavour. Driven from every place where once he found a welcome, the ruined wretch hides himself among strangers, and tries to sink his hateful identity under a false name. He succeeds, perhaps, for a time, and is trusted, and being honestly disposed at heart, is honest: but he cannot long escape from the hateful past. No! In the day and hour when he is proudest of the new name he has made, and the respect he has won for himself, some old acquaintance, once a friend, but now an enemy, falls across his pathway. He is recognized; a cruel voice betrays him. Every hope that he had cherished is swept away from him. Every good deed that he has done is denounced as the act of a hypocrite. Because once sinned he can never do well. That is the world's argument."

      "But not the teaching of the gospel," Margaret murmured. "Remember, father, who it was that said to the guilty woman, Go, and sin no more.'"

      "Ay, my girl," James Wentworth answered, bitterly, "but the world would have said, 'Hence, abandoned creature! go, and sin afresh; for you shall never be suffered to live an honest life, or herd with honest people. Repent, and we will laugh at your penitence as a shallow deception. Weep, and we will cry out upon your tears. Toil and struggle to regain the eminence from which you have fallen, and when you have nearly reached the top of that difficult hill, we will band ourselves together to hurl you back into the black abyss.' That's what the world says to the sinner, Margaret, my girl. I don't know much of the gospel; I have never read it since I was a boy, and used to read long chapters aloud to my mother, on quiet Sunday evenings; I can see the little old-fashioned parlour now as I speak of that time; I can hear the ticking of the eight-day clock, and I can see my mother's fond eyes looking up at me every now and then. But I don't know much about the gospel now; and when, you, poor child, try to read it to me, there's some devil rises in my breast, and shuts my ears against the words. I don't know the gospel, but I do know the world. The laws of society are inflexible,