Louisa May Alcott: 16 Novels in One Volume (Illustrated Edition). Луиза Мэй Олкотт

her Mother.

      January, 1868.

      Things look promising for the new year. F. $20 for the little tales, and wrote two every month; G. $25 for the "Bells;" L. $100 for the two "Proverb" stories. L. takes all I'll send; and F. seems satisfied.

      So my plan will work well, and I shall make my $1,000 this year in spite of sickness and worry. Praise the Lord and keep busy, say I.

      I am pretty well, and keep so busy I haven't time to be sick. Every one is very clever to me; and I often think as I go larking round, independent, with more work than I can do, and half-a-dozen publishers asking for tales, of the old times when I went meekly from door to door peddling my first poor little stories, and feeling so rich with $10.

      It's clear that Minerva Moody is getting on, in spite of many downfalls, and by the time she is a used up old lady of seventy or so she may finish her job, and see her family well off. A little late to enjoy much maybe; but I guess I shall turn in for my last long sleep with more content, in spite of the mortal weariness, than if I had folded my hands and been supported in elegant idleness, or gone to the devil in fits of despair because things moved so slowly.

      Keep all the money I send; pay up every bill; get comforts and enjoy yourselves. Let's be merry while we may, and lay up a bit for a rainy day.

      With which gem from Aristotle, I am, honored Madam, your dutiful and affectionate

      L. M. Alcott.

      Regards to Plato. Don't he want new socks? Are his clothes getting shiny?

      Although, as I have said, little direct European influence is observable in Miss Alcott's writings from her journeys in Europe, yet this first visit had a marked effect upon her life and writings. She was unfavorably situated to gain the refreshment she sorely needed; and yet she did get a great deal from the entire change of surroundings, from the larger horizon into which she entered, from her rich enjoyment of scenery, and from the variety of companions she met. Probably she looked through new spectacles at her own work, as she describes herself as looking through those of Professor Bhaer, and she saw all the defects of the pot-boiling stories which she had been pouring out one after another, without strong purpose, or regard for artistic excellence. She had also the chance to look upon her own early life and home from a distance; and as she thought of the incidents of those years they grouped into more harmonious lines, and she saw how much they contained of real life, of true poetry and humor, as well as moral significance. So the old idea of "The Pathetic Family" took shape anew in her mind.

      In July, 1863, the enterprising firm of Roberts Brothers asked her for the publication in book form of "Hospital Sketches," which were then appearing in the "Commonwealth" newspaper, being struck by their intense reality and originality. At the time, as she states in her journal, she preferred to allow Mr. Redpath to publish them. Later, in September, 1867, Roberts Brothers asked her to write a girls' book for them, and in May, 1868, they repeated the request through her father, who had brought to them a collection of short stories for publication.

      Miss Alcott's fancy had always been for depicting the life of boys rather than girls; but she fortunately took the suggestion of the publisher, and said, like Col. Miller, "I'll try, sir." The old idea of "The Pathetic Family" recurred to her mind; and she set herself to describe the early life of her home. The book was finished in July, named "Little Women," and sent to the publishers, who promptly accepted it, making Miss Alcott an outright offer for the copyright, but at the same time advising her not to part with it. It was published in October, and the result is well known. She was quite unconscious of the unusual merit of the book, thinking, as she says, the first chapters dull, and so was quite surprised at her success. "It reads better than I expected," she says; and she truly adds, "We really lived most of it, and if it succeeds, that will be the reason of it."

      But that is not the whole secret of its success. Through many trials and many failures Louisa had learned her literary art. By her experience in melodrama she had proved the emptiness of sensational writing, and knew how to present the simple and true,–seemingly without art, but really with the nicest art of discrimination and emphasis. All her previous training and experience were needed to fit her for the production of her masterpiece; for in spite of all the good work she did later, this remains her masterpiece, by which she will be remembered and loved. Already twenty-one years have passed, and another generation has come up since she published this book, yet it still commands a steady sale; and the mothers who read it in their childhood renew their enjoyment as they watch the faces of their little girls brighten with smiles over the theatricals in the barn, or moisten with tears at the death of the beloved sister. One of the greatest charms of the book is its perfect truth to New England life. But it is not merely local; it touches the universal heart deeply.

      The excitement of the children was intense; they claimed the author as their own property, and felt as if she were interpreting their very lives and thoughts. The second series was anticipated with the eagerness of a bulletin from the war and the stock market. But unlike Miss Alcott herself, the children took especial interest in the love-story, and when poor Laurie was so obstinately refused by Jo, "they wept aloud, and refused to be comforted," and in some instances were actually made ill by grief and excitement.

      Miss Alcott had now secured publishers in whom she placed perfect confidence, and who henceforth relieved her of the worry of business matters, dealing directly and fairly by her, and consulting her interests as well as their own. This is abundantly shown by her private journals and letters.

      The success of "Little Women" was so well assured that Miss Alcott at once set about preparing the second part, which was eagerly demanded by the little women outside, who wanted all the girls to marry, and rather troubled her by wishing to settle matters their own way. She finished writing the sequel, which had been rapid work, Jan. 1, 1869.

      The success of "Little Women" was not confined to this country. The book was translated into French, German, and Dutch, and has become familiarly known in England and on the Continent. In Holland the first series was published under the title "Under the Mother's Wings," and the second part as "On Their Own Wings;" and these two books with "Work" established her fame among the children, who still continue to read her stories with fresh delight.

      It is hardly necessary to analyze or criticise this happy production. It is a realistic transcript of life, but idealized by the tenderness of real feeling. It teaches the lessons of every-day conduct and inculcates the simplest virtues of truth, earnest effort, and loving affection. There is abundant humor, but no caricature, and tender, deep feeling without sentimentality.

      Miss Alcott herself did not wish her representative, Jo, to marry; but the demand of the publisher and the public was so imperative that she created her German professor, of whom no prototype existed. While some of her romantic young readers were not satisfied at Jo's preferring him to the charming Laurie, he is certainly a genuine, warm-hearted man, who would probably have held her affections by his strong moral and intellectual traits. That he became a very living personality to the author is evident from his reappearance in "Jo's Boys," where he has the same strong, cheery influence in the school and home that she found from him in her girlhood. The style of the book is thoroughly easy and colloquial; and the girls talk and act like girls, and not like prim little women. The influence of the book has been wide and deep, and has helped to make a whole generation of girls feel a deeper sense of family love and the blessings to be gained from lives of earnest effort, mutual sacrifice, and high aims.

      Much interest has been expressed in regard to the originals of the characters in "Little Women." This is the author's own statement:–

      Facts in the stories that are true, though often changed as to time and place:–

      "Little Women"–The early plays and experiences; Beth's death; Jo's literary and Amy's artistic experiences; Meg's happy home; John Brooke and his death; Demi's character. Mr. March did not go to the war, but Jo did. Mrs. March is all true, only not half good enough. Laurie is not an American boy, though every lad I ever knew claims the character. He was a Polish boy, met abroad in 1865. Mr. Lawrence is my grandfather, Colonel Joseph May. Aunt March is no one.

      Journal.

      January, 1868.