Louisa May Alcott: 16 Novels in One Volume (Illustrated Edition). Луиза Мэй Олкотт

are highly satisfactory; turn slowly round, and let me get a careful view." Jo revolved, and Amy gave a touch here and there, then fell back, with her head on one side, observing graciously, "Yes, you'll do; your head is all I could ask, for that white bonnet withthe rose is quite ravishing. Hold back your shoulders, and carry your hands easily, no matter if your gloves do pinch. There's one thing you can do well, Jo, that is, wear a shawl—I can't; but it's very nice to see you, and I'm so glad Aunt March gave you that lovely one; it's simple, but handsome, and those folds over the arm are really artistic. Is the point of my mantle in the middle, and have I looped my dress evenly? I like to show my boots, for my feet are pretty, though my nose isn't."

      "You are a thing of beauty and a joy forever," said Jo, looking through her hand with the air of a connoisseur at the blue feather against the gold hair. "Am I to drag my best dress through the dust, or loop it up, please, ma'am?"

      "Hold it up when you walk, but drop it in the house; the sweeping style suits you best, and you must learn to trail your skirts gracefully.You haven't half buttoned one cuff; do it at once. You'll never look finished if you are not careful about the little details, for they make up the pleasing whole."

      Jo sighed, and proceeded to burst the buttons off her glove, in doing up her cuff; but at last both were ready, and sailed away, looking as "pretty as picters," Hannah said, as she hung out of the upper window to watch them.

      "Now, Jo dear, the Chesters consider themselves very elegant people, so I want you to put on your best deportment. Don't make any of your abrupt remarks, or do anything odd, will you? Just be calm, cool, and quiet,—that's safe and ladylike; and you can easily do it for fifteen minutes," said Amy, as they approached the first place, having borrowed the white parasol and been inspected by Meg, with a baby on each arm.

      "Let me see. 'Calm, cool, and quiet,'—yes, I think I can promise that. I've played the part of a prim young lady on the stage, and I'll try it off. My powers are great, as you shall see; so be easy in your mind, my child."

      Amy looked relieved, but naughty Jo took her at her word; for, during the first call, she sat with every limb gracefully composed, every fold correctly draped, calm as a summer sea, cool as a snowbank, and as silent as a sphinx. In vain Mrs. Chester alluded to her "charming novel," and the Misses Chester introduced parties, picnics, the opera, and the fashions; each and all were answered by a smile, a bow, and a demure "Yes" or "No," with the chill on. In vain Amy telegraphed the word "Talk," tried to draw her out, and administered covert pokes with her foot. Jo sat as if blandly unconscious of it all, with deportment like Maud's face, "icily regular, splendidly null."

      "What a haughty, uninteresting creature that oldest Miss March is!" was the unfortunately audible remark of one of the ladies, as the door closed upon their guests. Jo laughed noiselessly all through the hall, but Amy looked disgusted at the failure of her instructions, and very naturally laid the blame upon Jo.

      "How could you mistake me so? I merely meant you to be properly dignified and composed, and you made yourself a perfect stock and stone. Try to be sociable at the Lambs', gossip as other girls do, and be interested in dress and flirtations and whatever nonsense comes up. They move in the best society, are valuable persons for us to know, and I wouldn't fail to make a good impression there for anything."

      "I'll be agreeable; I'll gossip and giggle, and have horrors and raptures over any trifle you like. I rather enjoy this, and now I'll imitate what is called 'a charming girl;' I can do it, for I have May Chester as a model, and I'll improve upon her. See if the Lambs don't say, 'What a lively, nice creature that Jo March is!'"

      Amy felt anxious, as well she might, for when Jo turned freakish there was no knowing where she would stop. Amy's face was a study when she saw her sister skim into the next drawing-room, kiss all the young ladies with effusion, beam graciously upon the young gentlemen, and join in the chat with a spirit which amazed the beholder. Amy was taken possession of by Mrs. Lamb, with whom she was a favorite, and forced to hear a long account of Lucretia's last attack, while three delightful young gentlemen hovered near, waiting for a pause when they might rush in and rescue her. So situated, she was powerless to check Jo, who seemed possessed by a spirit of mischief, and talked away as volubly as the old lady. A knot of heads gathered about her, and Amy strained her ears to hear what was going on; for broken sentences filled her with alarm, round eyes and uplifted hands tormented her with curiosity, and frequent peals of laughter made her wild to share the fun. One may imagine her suffering on overhearing fragments of this sort of conversation:—

      "She rides splendidly,—who taught her?"

      "No one; she used to practise mounting, holding the reins, and sitting straight on an old saddle in a tree. Now she rides anything, for she doesn't know what fear is, and the stable-man lets her have horses cheap, because she trains them to carry ladies so well. She has such a passion for it, I often tell her if everything else fails she can be a horse-breaker, and get her living so."

      At this awful speech Amy contained herself with difficulty, for the impression was being given that she was rather a fast young lady, which was her especial aversion. But what could she do? for theold lady was in the middle of her story, and long before it was done Jo was off again, making more droll revelations, and committing still more fearful blunders.

      "Yes, Amy was in despair that day, for all the good beasts were gone, and of three left, one was lame, one blind, and the other so balky that you had to put dirt in his mouth before he would start. Nice animal for a pleasure party, wasn't it?"

      "Which did she choose?" asked one of the laughing gentlemen, who enjoyed the subject.

      "None of them; she heard of a young horse at the farmhouse over the river, and, though a lady had never ridden him, she resolved to try, because he was handsome and spirited. Her struggles were really pathetic; there was no one to bring the horse to the saddle, so she took the saddle to the horse. My dear creature, she actually rowed it over the river, put it on her head, and marched up to the barn to the utter amazement of the old man!"

      "Did she ride the horse?"

      "Of course she did, and had a capital time. I expected to see her brought home in fragments, but she managed him perfectly, and was the life of the party."

      "Well, I call that plucky!" and young Mr. Lamb turned an approving glance upon Amy, wondering what his mother could be saying to make the girl look so red and uncomfortable.

      She was still redder and more uncomfortable a moment after, when a sudden turn in the conversation introduced the subject of dress. One of the young ladies asked Jo where she got the pretty drab hat she wore to the picnic; and stupid Jo, instead of mentioning the place where it was bought two years ago, must needs answer, with unnecessary frankness, "Oh, Amy painted it; you can't buy those soft shades, so we paint ours any color we like. It's a great comfort to have an artistic sister."

      "Isn't that an original idea?" cried Miss Lamb, who found Jo great fun.

      "That's nothing compared to some of her brilliant performances. There's nothing the child can't do. Why, she wanted a pair of blue boots for Sallie's party, so she just painted her soiled white ones the loveliest shade of sky-blue you ever saw, and they looked exactly like satin," added Jo, with an air of pride in her sister's accomplishments that exasperated Amy till she felt that it would be a relief to throw her card-case at her.

      "We read a story of yours the other day, and enjoyed it very much," observed the elder Miss Lamb, wishing to compliment the literary lady, who did not look the character just then, it must be confessed.

      Any mention of her "works" always had a bad effect upon Jo, who either grew rigid and looked offended, or changed the subject with a brusque remark, as now. "Sorry you could find nothing better to read. I write that rubbish because it sells, and ordinary people like it. Are you going to New York this winter?"

      As Miss Lamb had "enjoyed" the story, this speech was not exactly grateful or complimentary. The minute it was made Jo saw her mistake; but, fearing to make the matter worse, suddenly remembered that it was for her to make the first move