The Blood Covenant: A Primitive Rite and its Bearings on Scripture. H. Clay Trumbull

covered with clots of blood.”[180] Clearly, in this case, as in many others elsewhere, it is not as a means of self-torture, but as a proof of self-devotedness, that the blood is poured out—the life is proffered—by the devotee, toward God.

      Among the primitive peoples of North and of South America, it was the custom of priests and people, to draw blood from their own bodies, from their tongues, their ears, their noses, their limbs and members, when they went into their temples to worship, and to anoint with that blood the images of their gods.[181] The thorns of the maguey—a species of aloe—were, in many regions, kept ready at places of sacrifice, for convenient use in this covenant blood-letting.[182] A careful student of these early American customs has said of the obvious purpose of this yielding of one’s blood in worship, that it “might be regarded as an act of individual devotion, a gift made to the gods by the worshiper himself, out of his own very substance [of his very life, as in the blood-covenant]. … The priests in particular owed it to their special character [in their covenant relation to the divinities], to draw their blood for the benefit of the gods [in renewed pledge to the gods]; and nothing could be stranger than the refined methods they adopted to accomplish this end. For instance, they would pass strings or splinters through their lips or ears, and so draw a little blood. But then a fresh string, or a fresh splinter, must be added every day, and so it might go on indefinitely; for the more there were, the more meritorious was the act;”[183] precisely as is the standard of love-showing by blood-letting among Turkish lovers and Otaheitan wives and mothers, in modern times.

      A similar giving of blood, in proof of devotedness, and in outreaching for inter-communion with the gods through blood, is reported in India, in recent times. Bishop Caldwell, of Madras, referred to it, a generation ago, in his description of the “Devil Dance” among the Tinnevelly Shawars.[184] The devotee, in this dance, “cuts and lacerates himself till the blood flows, lashes himself with a huge whip, presses a burning torch to his breast, drinks the blood which flows from his own wounds, or drains the blood of the sacrifice; putting the throat of a decapitated goat to his mouth.” Hereby he has given of his own blood to the gods, or to the devils, and has drunk of the substitute blood of the divinities—in the consecrated sacrifice; as if in consummation of the blood-covenant with the supernal powers. “Then as if he had acquired new life [through inter-union with the object of his worship], he begins to brandish his staff of bells, and to dance with a quick but wild unsteady step. Suddenly the afflatus descends; there is no mistaking that glare or those frantic leaps. He snorts, he swears, he gyrates. The demon has now taken bodily possession of him. [The twain are one. The two natures are intermingled]. … The devil-dancer is now worshiped as a present deity, and every bystander consults him respecting his diseases, his wants, the welfare of his absent relations, the offerings to be made for the accomplishments of his wishes, and in short everything for which superhuman knowledge is supposed to be available.” In this instance, the mutual covenant is represented; the devotee both giving and receiving blood, as a means of union.

      On this idea of giving one’s self to another, by giving of one’s blood, it is, that the popular tradition was based, that witches and sorcerers covenanted with Satan by signing a compact in their own blood. And again it was in recognition of the idea that two natures were inter-united in such a covenant, that the compact was sometimes said to be signed in Satan’s blood.

      Among the many women charged with witchcraft in England, by the famous Matthew Hopkins, the “witch-finder” in the middle of the Seventeenth century, was one, at Yarmouth, of whom it is reported, that her first temptation came to her when she went home from her place of employment, discouraged and exasperated by her trials. “That night when she was in bed, she heard a knock at the door, and going to her window, she saw (it being moonlight) a tall black man there: and asked what he would have? He told her that she was discontented, because she could not get work; and that he would put her into a way that she should never want anything. On this she let him in, and asked him what he had to say to her. He told her he must first see her hand; and taking out something like a penknife, he gave it a little scratch, so that a little blood followed; a scar being still visible when she told the story. Then he took some of the blood in a pen, and pulling a book out of his pocket, bid her write her name; and when she said she could not, he said he would guide her hand. When this was done, he bid her now ask what she would have.”[185] In signing with her own blood, she had pledged her very life to the “tall black man.”

      Cotton Mather, in his “Wonders of the Invisible World,” cites a Swedish trial for witchcraft, where the possessed children, who were witnesses, said that the witches, at the trysting-place where they were observed, were compelled “to give themselves unto the devil, and vow that they would serve him. Hereupon they cut their fingers, and with blood writ their names in his book.” In some cases “the mark of the cut finger was [still] to be found.” Moreover the devil gave meat and drink both to the witches and to the children they brought with them. Again, Mather cites the testimony of a witness who had been invited to covenant with the Devil, by signing the Devil’s book. “Once, with the book, there was a pen offered him, and an inkhorn with liquor in it that looked like blood.”[186] Another New England writer on witchcraft says that “the witch as a slave binds herself by vow, to believe in the Devil, and to give him either body or soul, or both, under his handwriting, or some part of his blood.”[187]

      It is, evidently, on this popular tradition, that Goethe’s Faust covenants in blood with Mephistopheles.

      MEPHISTOPHELES.

      “But one thing!—accidents may happen; hence

      A line or two in writing grant, I pray.”

      FAUST.

      … … . …

      “Spirit of evil! what dost thou require?

      Brass, marble, parchment, paper, dost desire?

      Shall I with chisel, pen, or graver, write?

      Thy choice is free; to me ’tis all the same.”

      MEPHISTOPHELES.

      … … . …

      “A scrap is for our compact good.

      Thou under-signest merely with a drop of blood.”

      … … . …

      “Blood is a juice of very special kind.”[188]

      Even “within modern memory in Europe,” there have been traces of the primitive rite of covenanting with God by the proffer of one’s blood. In the Russian province of Esthonia, he who would observe this rite, “had to draw drops of blood from his fore finger,” and at the same time to pledge himself in solemn covenant with God. “I name thee [I invoke thee] with my blood, and [I] betroth thee [I entrust myself to thee] with my blood,”—was the form of his covenanting. Then he who had given of his blood in self-surrendering devotedness, made his confident supplications to God with whom he had thus covenanted; and his prayer in behalf of all his possessions was: “Let them be blessed through my blood and thy might.”[189]

      Thus, in ancient Egypt, in ancient Canaan, in ancient Mexico, in modern Turkey, in modern Russia, in modern India, and in modern Otaheite; in Africa, in Asia, in America, in Europe, and in Oceanica: Blood-giving was life-giving. Life-giving was love-showing. Love-showing was a heart-yearning after union in love and in life and in blood and in very being. That was the primitive thought in the primitive religions of all the world.