SENTIMENTAL TOMMY & Its Sequel, Tommy and Grizel (Illustrated Edition). J. M. Barrie

being held upside down by the Haggerty-Taggertys on the chance that a halfpenny which had disappeared mysteriously might fall out. A more tragic figure was Francie Crabb (one and seven pence), who, like a mad, mad thing, had taken all his money to the fair at once. In ten minutes he had bought fourteen musical instruments.

      Tommy and party had not yet reached the celebrated corner of the west town end where the stands began, but they were near it, and he stopped to give Grizel and Elspeth his final instructions: "(1) Keep your money in your purse, and your purse in your hand, and your hand in your pocket; (2) if you lose me, I'll give Shovel's whistle, and syne you maun squeeze and birse your way back to me."

      Now then, are you ready? Bang! They were in it. Strike up, ye fiddlers; drums, break; tooters, fifers, at it for your lives; trumpets, blow; bagpipes, skirl; music-boxes, all together now—Tommy has arrived.

      Even before he had seen Thrums, except with his mother's eye, Tommy knew that the wise begin the Muckley by measuring its extent. That the square and adjoining wynds would be crammed was a law of nature, but boyhood drew imaginary lines across the Roods, the west town end, the east town end, and the brae, and if the stands did not reach these there had been retrogression. Tommy found all well in two quarters, got a nasty shock on the brae, but medicine for it in the Roods; on the whole, yelled a hundred children, by way of greeting to each other, a better Muckley than ever.

      From those who loved them best, the more notable Muckleys got distinctive names for convenience of reference. As shall be ostentatiously shown in its place, there was a Muckley called (and by Corp Shiach, too) after Tommy, but this, his first, was dubbed Sewster's Muckley, in honor of a seamstress who hanged herself that day in the Three-cornered Wood. Poor little sewster, she had known joyous Muckleys too, but now she was up in the Three-cornered Wood hanging herself, aged nineteen. I know nothing more of her, except that in her maiden days when she left the house her mother always came to the door to look proudly after her.

      How to describe the scene, when owing to the throng a boy could only peer at it between legs or through the crook of a woman's arm? Shovel would have run up ploughmen to get his bird's-eye view, and he could have told Tommy what he saw, and Tommy could have made a picture of it in his mind, every figure ten feet high. But perhaps to be lost in it was best. You had but to dive and come up anywhere to find something amazing; you fell over a box of jumping-jacks into a new world.

      Everyone to his taste. If you want Tommy's sentiments, here they are, condensed: "The shows surpass everything else on earth. Four streets of them in the square! The best is the menagerie, because there is the loudest roaring there. Kick the caravans and you increase the roaring. Admission, however, prohibitive (threepence). More economical to stand outside the show of the 'Mountain Maid and the Shepherd's Bride' and watch the merriman saying funny things to the monkey. Take care you don't get in front of the steps, else you will be pressed up by those behind and have to pay before you have decided that you want to go in. When you fling pennies at the Mountain Maid and the Shepherd's Bride they stop play-acting and scramble for them. Go in at night when there are drunk ploughmen to fling pennies. The Fat Wife with the Golden Locks lets you put your fingers in her arms, but that is soon over. 'The Slave-driver and his Victims.' Not worth the money; they are not blooding. To Jerusalem and Back in a Jiffy. This is a swindle. You just keek through holes."

      But Elspeth was of a different mind. She liked To Jerusalem and Back best, and gave the Slave-driver and his Victims a penny to be Christians. The only show she disliked was the wax-work, where was performed the "Tragedy of Tiffano and the Haughty Princess." Tiffano loved the woodman's daughter, and so he would not have the Haughty Princess, and so she got a magician to turn him into a pumpkin, and then she ate him. What distressed Elspeth was that Tiffano could never get to heaven now, and all the consolation Tommy, doing his best, could give her was, "He could go, no doubt he could go, but he would have to take the Haughty Princess wi' him, and he would be sweer to do that."

      Grizel reflected: "If I had a whip like the one the Slave-driver has shouldn't I lash the boys who hoot my mamma! I wish I could turn boys into pumpkins. The Mountain Maid wore a beautiful muslin with gold lace, but she does not wash her neck."

      Lastly, let Corp have his say: "I looked at the outside of the shows, but always landed back at Californy's stand. Sucking is better nor near anything. The Teuch and Tasty is stickier than ever. I have lost twa teeth. The Mountain Maid is biding all night at Tibbie Birse's, and I went in to see her. She had a bervie and a boiled egg to her tea. She likes her eggs saft wi' a lick of butter in them. The Fat Wife is the one I like best. She's biding wi' Shilpit Kaytherine on the Tanage Brae. She weighs Jeems and Kaytherine and the sma' black swine. She had an ingin to her tea. The Slave-driver's a fushinless body. One o' the Victims gives him his licks. They a' bide in the caravan. You can stand on the wheel and keek in. They had herrings wi' the rans to their tea. I cut a hole in Jerusalem and Back, and there was no Jerusalem there. The man as ocht Jerusalem greets because the Fair Circassian winna take him. He is biding a' night wi' Blinder. He likes a dram in his tea."

      Elspeth's money lasted till four o'clock. For Aaron, almost the only man in Thrums who shunned the revels that day, she bought a gingerbread house; and the miraculous powder which must be taken on a sixpence was to make Blinder see again, but unfortunately he forgot about putting it on the sixpence. And of course there was something for a certain boy. Grizel had completed her purchases by five o'clock, when Tommy was still heavy with threepence halfpenny. They included a fluffy pink shawl, she did not say for whom, but the Painted Lady wore it afterwards, and for herself another doll.

      "But that doll's leg is broken," Tommy pointed out.

      "That was why I bought it," she said warmly, "I feel so sorry for it, the darling," and she carried it carefully so that the poor thing might suffer as little pain as possible.

      Twice they rushed home for hasty meals, and were back so quickly that Tommy's shadow strained a muscle in turning with him. Night came on, and from a hundred strings stretched along stands and shows there now hung thousands of long tin things like trumpets. One burning paper could set a dozen of these ablaze, and no sooner were they lit than a wind that had been biding its time rushed in like the merriman, making the lamps swing on their strings, so that the flaring lights embraced, and from a distance Thrums seemed to be on fire.

      Even Grizel was willing to hold Tommy's hand now, and the three could only move this way and that as the roaring crowd carried them. They were not looking at the Muckley, they were part of it, and at last Thrums was all Tommy's fancy had painted it. This intoxicated him, so that he had to scream at intervals, "We're here, Elspeth, I tell you, we're here!" and he became pugnacious and asked youths twice his size whether they denied that he was here, and if so, would they come on. In this frenzy he was seen by Miss Ailie, who had stolen out in a veil to look for Gavinia, but just as she was about to reprove him, dreadful men asked her was she in search of a lad, whereupon she fled home and barred the door, and later in the evening warned Gavinia, through the key-hole, taking her for a roystering blade, that there were policemen in the house, to which the astounding reply of Gavinia, then aged twelve, was, "No sic luck."

      With the darkness, too, crept into the Muckley certain devils in the color of the night who spoke thickly and rolled braw lads in the mire, and egged on friends to fight and cast lewd thoughts into the minds of the women. At first the men had been bashful swains. To the women's "Gie me my faring, Jock," they had replied, "Wait, Jean, till I'm fee'd," but by night most had got their arles, with a dram above it, and he who could only guffaw at Jean a few hours ago had her round the waist now, and still an arm free for rough play with other kimmers. The Jeans were as boisterous as the Jocks, giving them leer for leer, running from them with a giggle, waiting to be caught and rudely kissed. Grand, patient, long-suffering fellows these men were, up at five, summer and winter, foddering their horses, maybe hours before there would be food for themselves, miserably paid, housed like cattle, and when the rheumatism seized them, liable to be flung aside like a broken graip. As hard was the life of the women: coarse food, chaff beds, damp clothes, their portion; their sweethearts in the service of masters who were reluctant to fee a married man. Is it to be wondered that these lads who could be faithful unto death drank soddenly on their one free day, that these girls, starved of opportunities for womanliness, of which they could make as much as the finest lady, sometimes woke