The Poetical Works of Nathaniel Hawthorne. Nathaniel Hawthorne

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       Nathaniel Hawthorne

      The Poetical Works of Nathaniel Hawthorne

      Address to the Moon, The Darken'd Veil, Earthly Pomp, Forms of Heroes, Go to the Grave, The Ocean…

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      2017 OK Publishing

      ISBN 978-80-272-3180-5

      Table of Contents

       Introduction

       Biographical sketch by George Parsons Lathrop

       Poetry:

       Poems By Hawthorne:

       Address to the Moon

       The Darken'd Veil

       Earthly Pomp

       Forms of Heroes

       Go to the Grave

       My Low and Humble Home

       The Ocean

       Poems 'On Hawthorne':

       Power Against Power by Rose Hawthorne Lathrop

       At Hawthorne's Grave by Charlotte Friske Bates

       Hawthorne by H. W. Longfellow

       Hawthorne: A Fable for Critics by James Russell Lowell

       Greatness by Florence Earle Coates

      Introduction

       Table of Contents

Biographical sketch by George Parsons Lathrop

       Table of Contents

       I.

       II.

       III.

       IV.

       V.

      I.

       Table of Contents

      The lives of great men are written gradually. It often takes as long to construct a true biography as it took the person who is the subject of it to complete his career; and when the work is done, it is found to consist of many volumes, produced by a variety of authors. We receive views from different observers, and by putting them together are able to form our own estimate. What the man really was not even himself could know; much less can we. Hence all that we accomplish, in any case, is to approximate to the reality. While we flatter ourselves that we have imprinted on our minds an exact image of the individual, we actually secure nothing but a typical likeness. This likeness, however, is amplified and strengthened by successive efforts to paint a correct portrait. If the faces of people belonging to several generations of a family be photographed upon one plate, they combine to form a single distinct countenance, which shows a general resemblance to them all: in somewhat the same way, every sketch of a distinguished man helps to fix the lines of that typical semblance of him which is all that the world can hope to preserve.

      This principle applies to the case of Hawthorne, notwithstanding that the details of his career are comparatively few, and must be marshalled in much the same way each time that it is attempted to review them. The veritable history of his life would be the history of his mental development, recording, like Wordsworth's "Prelude," the growth of a poet's mind; and on glancing back over it he too might have said, in Wordsworth's phrases:—

      "Wisdom and spirit of the universe!

       . . . . . . . . . . . . . . . . . . .

       By day or star-light thus from my first dawn

       Of childhood didst thou intertwine for me

       The passions that build up the human soul;

       Not with the mean and vulgar works of man,

       But with high objects, with enduring things—

       With life and nature, purifying thus

       The elements of feeling and of thought,

       And sanctifying by such discipline

       Both pain and fear, until we recognize

       A grandeur in the beatings of the heart."

      But a record of that kind, except where an autobiography exists, can be had only by indirect means. We must resort to tracing the outward facts of the life, and must try to infer the interior relations.

      Nathaniel Hawthorne was born on the Fourth of July, 1804, at Salem, Massachusetts, in a house numbered twenty-one, Union Street. The house is still standing, although somewhat reduced in size and still more reduced in circumstances. The character of the neighborhood has declined very much since the period when Hawthorne involuntarily became a resident there. As the building stands to-day it makes the impression simply of an exceedingly plain, exceedingly old-fashioned, solid, comfortable abode, which in its prime must have been regarded as proof of a sufficient but modest prosperity on the part of the occupant. It is clapboarded, is two stories high, and has a gambrel roof, immediately beneath which is a large garret that doubtless served the boy-child well as a place for play and a stimulant for the sense of mystery. A single massive chimney, rising from