THE JAZZ AGE COLLECTION - The Great Gatsby & Other Tales. Фрэнсис Скотт Фицджеральд

us a coupla days — see?”

      “Sure,” agreed Rose enthusiastically. “Oh, boy! And if we want to we can sell it to sojers any time we want to.”

      They were silent for a moment thinking rosily of this idea. Then Key reached up and unhooked the collar of his O. D. coat.

      “It’s hot in here, ain’t it?”

      Rose agreed earnestly.

      “Hot as hell.”

       IV

      She was still quite angry when she came out of the dressing-room and crossed the intervening parlor of politeness that opened onto the hall — angry not so much at the actual happening which was, after all, the merest commonplace of her social existence, but because it had occurred on this particular night. She had no quarrel with herself. She had acted with that correct mixture of dignity and reticent pity which she always employed. She had succinctly and deftly snubbed him.

      It had happened when their taxi was leaving the Biltmore — hadn’t gone half a block. He had lifted his right arm awkwardly — she was on his right side — and attempted to settle it snugly around the crimson fur-trimmed opera cloak she wore. This in itself had been a mistake. It was inevitably more graceful for a young man attempting to embrace a young lady of whose acquiescence he was not certain, to first put his far arm around her. It avoided that awkward movement of raising the near arm.

      His second faux pas was unconscious. She had spent the afternoon at the hairdresser’s; the idea of any calamity overtaking her hair was extremely repugnant — yet as Peter made his unfortunate attempt the point of his elbow had just faintly brushed it. That was his second faux pas. Two were quite enough.

      He had begun to murmur. At the first murmur she had decided that he was nothing but a college boy — Edith was twenty-two, and anyhow, this dance, first of its kind since the war, was reminding her, with the accelerating rhythm of its associations, of something else — of another dance and another man, a man for whom her feelings had been little more than a sad-eyed, adolescent mooniness. Edith Bradin was falling in love with her recollection of Gordon Sterrett.

      So she came out of the dressing-room at Delmonico’s and stood for a second in the doorway looking over the shoulders of a black dress in front of her at the groups of Yale men who flitted like dignified black moths around the head of the stairs. From the room she had left drifted out the heavy fragrance left by the passage to and fro of many scented young beauties — rich perfumes and the fragile memory-laden dust of fragrant powders. This odor drifting out acquired the tang of cigarette smoke in the hall, and then settled sensuously down the stairs and permeated the ballroom where the Gamma Psi dance was to be held. It was an odor she knew well, exciting, stimulating, restlessly sweet — the odor of a fashionable dance.

      She thought of her own appearance. Her bare arms and shoulders were powdered to a creamy white. She knew they looked very soft and would gleam like milk against the black backs that were to silhouette them tonight. The hairdressing had been a success; her reddish mass of hair was piled and crushed and creased to an arrogant marvel of mobile curves. Her lips were finely made of deep carmine; the irises of her eyes were delicate, breakable blue, like china eyes. She was a complete, infinitely delicate, quite perfect thing of beauty, flowing in an even line from a complex coiffure to two small slim feet.

      She thought of what she would say tonight at this revel, faintly prestiged already by the sounds of high and low laughter and slippered footsteps, and movements of couples up and down the stairs. She would talk the language she had talked for many years — her line — made up of the current expressions, bits of journalese and college slang strung together into an intrinsic whole, careless, faintly provocative, delicately sentimental. She stalled faintly as she heard a girl sitting on the stairs near her say: “You don’t know the half of it, dearie!”

      And as she smiled her anger melted for a moment, and closing her eyes she drew in a deep breath of pleasure. She dropped her arms to her side until they were faintly touching the sleek sheath that covered and suggested her figure. She had never felt her own softness so much nor so enjoyed the whiteness of her own arms.

      “I smell sweet,” she said to herself simply, and then came another thought “I’m made for love.”

      She liked the sound of this and thought it again; then inevitable succession came her newborn riot of dreams about Gordon. The twist of her imagination which, two months before, had disclosed to her her unguessed desire to see him again, seemed now to have been leading up to this dance, this hour.

      For all her sleek beauty, Edith was a grave, slow-thinking girl. There was a streak in her of that same desire to ponder, of that adolescent idealism that had turned her brother socialist and pacifist. Henry Bradin had left Cornell, where he had been an instructor in economies, and had come to New York to pour the latest cures for incurable evils into the columns of a radical weekly newspaper.

      Edith, less fatuously, would have been content to cure Gordon Sterrett. There was a quality of weakness in Gordon that she wanted to take care of; there was a helplessness in him that she wanted to protect. And she wanted someone she had known a long while, someone who had loved her a long while. She was a little tired; she wanted to get married. Out of a pile of letters, half a dozen pictures and as many memories, and this weariness, she had decided that next time she saw Gordon their relations were going to be changed. She would say something that would change them. There was this evening. This was her evening. All evenings were her evenings.

      Then her thoughts were interrupted by a solemn undergraduate with a hurt look and an air of strained formality who presented himself before her and bowed unusually low. It was the man she had come with, Peter Himmel. He was tall and humorous, with horned-rimmed glasses and an air of attractive whimsicality. She suddenly rather disliked him — probably because he had not succeeded in kissing her.

      “Well,” she began, “are you still furious at me?”

      “Not at all.”

      She stepped forward and took his arm.

      “I’m sorry,” she said softly. “I don’t know why I snapped out that way. I’m in a bum humor tonight for some strange reason. I’m sorry.”

      “S’all right,” he mumbled, “don’t mention it.”

      He felt disagreeably embarrassed. Was she rubbing in the fact of his late failure?

      “It was a mistake,” she continued, on the same consciously gentle key..

      “We’ll both forget it.” For this he hated her.

      A few minutes later they drifted out on the floor while the dozen swaying, sighing members of the specially hired jazz orchestra informed the crowded ballroom that “if a saxophone and me are left alone why then two is com-pan-ee!”

      A man with a mustache cut in.

      “Hello,” he began reprovingly. “You don’t remember me.”

      “I can’t just think of your name,” she said lightly— “and I know you so well.”

      “I met you up at—” His voice trailed disconsolately off as a man with very fair hair cut in. Edith murmured a conventional “Thanks, loads — cut in later,” to the inconnu.

      The very fair man insisted on shaking hands enthusiastically. She placed him as one of the numerous Jims of her acquaintance — last name a mystery. She remembered even that he had a peculiar rhythm in dancing and found as they started that she was right.

      “Going to be here long?” he breathed confidentially.

      She leaned back and looked up at him.

      “Couple of weeks.”

      “Where are you?”

      “Biltmore. Call me up some day.”

      “I mean it,” he assured her. “I will. We’ll go to tea.”

      “So