The Fables of Æsop, and Others. Aesop

subject, is like disputing the wisdom, the justice, and the mercy of the Author of our being, who, according to the conceptions we form of his goodness, as exhibited in the design, the grandeur, and the immensity of creation, where every thing is systematic, regular, and in order, would never decree that man should be placed here instinctively to know his Maker—to take a short peep at the stupendous, the amazing whole—to view all these, and have powers of mind given him only to know and repugnantly to feel, that after a life mixed with turmoil, grief, and disease, he is to be annihilated! In our conception of things, and to the limited understanding which has been given us, all this would appear to be labour in vain.

      The volume of the creation speaks alike to all, and cannot be defaced by man; but the ways of Providence are beyond his comprehension. Omnipotence has not been pleased to gratify his pride and vanity, nor to consult his understanding, in the government of the universe; but sufficient has been disclosed unto him to point out the moral duties he owes to society, and the religious worship due to his Maker, without groping after what is utterly beyond his reach: for our feeble reason is too weak to comprehend the divine essence; and our thoughts, on their utmost stretch, roll back on darkness. We reason, but we err: for how can we comprehend the immensity of endless space, of time and eternity, a beginning or an end; or what conceptions can we form of the Power which made the sun and worlds without number? Truly, this is far too much for a finite being, who does not know why he can move one of his own fingers, or cease to do so when he pleases! But all may know and fulfil their religious obligations, by reverencing and adoring their Creator, and walking humbly before him, and their moral duties, by being in their several stations, good sons, brothers, husbands, wives, fathers, mothers, neighbours, and members of society.

      Having, with humble diffidence, in this masquerade of life, attempted to point out to youth the exterior of the temple of virtue, and to lead them to its steps, the Editor leaves them there, respectfully recommending them to explore the whole interior, under the guidance of men more eminent for their mental powers and attainments in learning, philosophy, and piety. Of these, an illustrious band have placed, at every avenue and turning, their inestimable works, as directions to guide us to usefulness and respectability here, and eternal happiness hereafter.

       Newcastle, September, 1818.

THE INTRODUCTION.

       Table of Contents

      From time to time, in all ages, men inspired, or gifted with a superior degree of intellectual power, have appeared upon the stage of life, in order (by enlightening others) to fulfil the designs of Omnipotence, in uniting the world in a state of civilized society.

      Patriarchs, or heads of families, at first directed or governed those who were immediately dependent upon them: these in time increased, and became clans; these again, by their quarrels, and their wars, were induced to elect chieftains or kings over a number of united clans—from which were formed the various nations and kingdoms of the earth. In this early stage of the world, when men were ignorant and uncivilized, the chase and war seem almost wholly to have occupied their time and attention. Their kings ruled over them with despotic sway, and the will of the prince was the only law: and thus the barbarism of the subject and the tyranny of the ruler went hand in hand together. That over-swollen pride, which seems the natural accompaniment of despotic power, blinds the understandings of its possessors, and renders them wholly regardless of the important trust reposed in them. The evils arising out of their bad government, are felt, more or less, by the whole people over whom they preside; and pride and arrogance prevent the approach of sincerity and truth. The sycophant and the slave then only find admission, and all other men are kept at a distance. While kings and governors were of this character, the voice of truth could only reach their ears through allegory and fable, which took their rise in the infancy of learning, and seem to have been the only safe mode of conveying admonition to tyrants. This pleasing method of instilling instruction into the mind, has been found by experience to be the shortest and best way of accomplishing that end, among all ranks and conditions of men.

      The first Fable upon record, is that of Jotham and the Trees, in the Bible; and the next, that of The Poor Man and his Lamb, as related by Nathan to King David, and which carried with it a blaze of truth that flashed conviction on the mind of the royal transgressor. Lessons of reproof, religion, and morality, were, we find, continually delivered in this mode, by the sages of old, to the exalted among mankind.

It is asserted by authors, that Apologues and Fables had their origin in the Eastern world, and that the most ancient of them were the productions of Veesh-nou Sarma, commonly called Pilpay, whose beautiful collections of Apologues were esteemed as sacred books in India and Persia, whence they were spread abroad among other nations, and were by them celebrated and holden in much estimation. They were translated from the Persian and Arabian into Greek, by Simeon Seth, a man of great learning, who was an officer of the imperial household at Constantinople about the year 1070. Seth’s Version was imitated in Latin by Piers Alfonse, a converted Jew, as early as the year 1107; and this is supposed to have been the first version of Pilpay’s Apologues that made its way, and became familiarized in Europe. The time in which Pilpay lived, seems not to be certainly known to the learned; but some of them suppose that the Fables of Æsop and others were grounded upon his models. The time in which Æsop lived is better ascertained, and of all the Fabulists who have amused and instructed mankind by their writings, his name stands pre-eminent. Authors fix his birth-place at Cotieum, in Phrygia Major. But the history of this remarkable person, who lived about 572 years before Christ, and about 100 years before Herodotus, the Greek historian, has been so involved in mystery, traditionary stories, and absurd conjectures, that any attempt to give a detail from such materials, would only serve to bewilder youth, and lead them into a labyrinth of error; and it would be impertinent to trouble the learned reader with that which must be sufficiently familiar to him.A The whole of the absurd fictions concerning this wise and amiable man, were invented by Maximus Planudes, a Greek monk.B Plutarch, and other authentic historians,C have, however, given a very different account of the illustrious Fabulist. It would appear, according to some of these relations, that Æsop, originally a shepherd’s boy, had risen from the condition of a slave, to great eminence, and that he lived in the service of Xanthus and Judman, or Idmon, in the island of Samos, and afterwards at Athens. Phædrus speaks of him as living the greater part of his life at the latter place, where, it appears, a handsome statue, executed by the hand of the famous statuary Lysippus, was erected to his memory, and placed before those of the seven sages of Greece.D He also notices his living at Samos, and interesting himself in a public capacity, in the administration of the affairs of that place; where Aristotle also introduces him as a public speaker, and records the fact of his reciting the fable of the Fox and the Hedgehog,E while pleading on behalf of a minister, upon the occasion of his being impeached for embezzling the public treasure. Æsop is also mentioned as speaking in a public capacity to the Athenians, at the time when Pisistratus seized upon their liberties.F Upon each of these occasions he is represented as having introduced a Fable into his discourse, in a witty and pleasing manner. He was holden in the highest veneration and esteem in his day, by all men eminent for their wisdom and virtue. It appears there was scarcely an author among the ancient Greeks who mixed any thing of morality in his writings, that did not either quote or mention Æsop. Plato describes Socrates as turning some of Æsop’s Fables into verse, during those awful hours which he spent in prison, immediately before his death. Aristophanes not only takes hints from Æsop, but mentions him much to his honour, as one whose works