The Greatest Works of Fergus Hume - 22 Mystery Novels in One Edition. Fergus Hume

his frill of white hair, and looking keenly at the tall, slim figure of the Frenchman.

      ‘Case of “must”, my friend,’ returned Vandeloup, coolly; ‘it’s only rich men can afford to be in bed, not poor devils like me.’

      ‘You’re no muckle like ither folk,’ said the suspicious old Scotchman, with a condemnatory sniff.

      ‘Of that I am glad,’ retorted Vandeloup, with suavity, as he walked beside him to the men’s quarters. ‘What a horrible thing to be the duplicate of half-a-dozen other men. By the way,’ breaking off into a new subject, ‘Madame Midas is charming.’

      ‘Aye, aye,’ said Archie, jealously, ‘we ken all aboot they French-fangled way o’ gieing pretty words, and deil a scrap of truth in ony o’ them.’

      Gaston was about to protest that he said no more than he felt, which was indeed the truth, but Archie impatiently hurried him off to breakfast at the office, as he declared himself famishing. They made a hearty meal, and, having had a smoke and a talk, prepared to go below.

      First of all, they arrayed themselves in underground garments—not grave clothes, though the name is certainly suggestive of the cemetery—which consisted of canvas trousers, heavy boots, blue blouses of a rough woollen material, and a sou’wester each. Thus accoutred, they went along to the foot of the poppet heads, and Archie having opened a door therein, Vandeloup saw the mouth of the shaft yawning dark and gloomy at his feet. As he stood there, gazing at the black hole which seemed to pierce down into the entrails of the earth, he turned round to take one last look at the sun before descending to the nether world.

      This is quite a new experience to me,’ he said, as they stepped into the wet iron cage, which had ascended to receive them in answer to Archie’s signal, and now commenced to drop down silently and swiftly into the pitchy darkness. ‘It puts me in mind of Jules Verne’s romances.’

      Archie did not reply, for he was too much occupied in lighting his candle to answer, and, moreover, knew nothing about romances, and cared still less. So they went on sliding down noiselessly into the gloom, while the water, falling from all parts of the shaft, kept splashing constantly on the top of the cage and running in little streams over their shoulders.

      ‘It’s like a nightmare,’ thought the Frenchman, with a nervous shudder, as he saw the wet walls gleaming in the faint light of the candle. ‘Worthy of Dante’s “Inferno”.’

      At last they reached the ground, and found themselves in the main chamber, from whence the galleries branched off to east and west.

      It was upheld on all sides by heavy wooden supports of bluegum and stringy bark, the scarred surfaces of which made them look like the hieroglyphic pillars in old Egyptian temples. The walls were dripping with damp, and the floor of the chamber, though covered with iron plates, was nearly an inch deep with yellow-looking water, discoloured by the clay of the mine. Two miners in rough canvas clothes were waiting here, and every now and then a trolly laden with wash would roll suddenly out of one of the galleries with a candle fastened in front of it, and would be pushed into the cage and sent up to the puddlers. Round the walls candles fastened to spikes were stuck into the woodwork, and in their yellow glimmer the great drops of water clinging to the roof and sides of the chamber shone like diamonds.

      ‘Aladdin’s garden,’ observed Vandeloup, gaily, as he lighted his candle at that of Archie’s and went towards the eastern gallery, ‘only the jewels are not substantial enough.’

      Archie showed the Frenchman how to carry his candle in the miner’s manner, so that it could not go out, which consisted in holding it low down between the forefinger and third finger, so that the hollow palm of the hand formed a kind of shield; and then Vandeloup, hearing the sound of falling water close to him, asked what it was, whereupon Archie explained it was for ventilating purposes. The water fell the whole height of the mine through a pipe into a bucket, and a few feet above this another pipe was joined at right angles to the first and stretched along the gallery near the roof like a never-ending serpent right to the end of the drive. The air was driven along this by the water, and then, being released from the pipe, returned back through the gallery, so that there was a constant current circulating all through the mine.

      As they groped their way slowly along, their feet splashed into pools of yellow clayey water at the sides of the drive, or stumbled over the rough ground and rugged rails laid down for the trollies. All along the gallery, at regular intervals, were posts of stringy bark in a vertical position, while beams of the same were laid horizontally across the top, but so low that Vandeloup had to stoop constantly to prevent himself knocking his head against their irregular projections.

      Clinging to these side posts were masses of white fungus, which the miners use to remove discolorations from their hands, and from the roof also it hung like great drifts of snow, agitated with every breath of wind as the keen air, damped and chilled by the underground darkness, rushed past them. Every now and then they would hear a faint rumble in the distance, and Archie would drag his companion to one side while a trolly laden with white, wet-looking wash, and impelled by a runner, would roll past with a roaring and grinding of wheels.

      At intervals on each side of the main drive black chasms appeared, which Archie informed his companion were drives put in to test the wash, and as these smaller galleries continued branching off, Vandeloup thought the whole mine resembled nothing so much as a herring-bone.

      Being accustomed to the darkness and knowing every inch of the way, the manager moved forward rapidly, and sometimes Vandeloup lagged so far behind that all he could see of his guide was the candle he carried, shining like a pale yellow star in the pitchy darkness. At last McIntosh went into one of the side galleries, and going up an iron ladder fixed to the side of the wall, they came to a second gallery thirty feet above the other, and branching off at right angles.

      This was where the wash was to be found, for, as Archie informed Vandeloup, the main drives of a mine were always put down thirty or forty feet below the wash, and then they could work up to the higher levels, the reason of this being that the leads had a downward tendency, and it was necessary for the main drive to be sunk below, as before mentioned, in order to get the proper levels and judge the gutters correctly. At the top of the ladder they found some empty trucks which had delivered their burden into a kind of shoot, through which it fell to the lower level, and there another truck was waiting to take it to the main shaft, from whence it went up to the puddlers.

      Archie made Vandeloup get into one of these trucks, and though they were all wet and covered with clay, he was glad to do so, and be smoothly carried along, instead of stumbling over the rails and splashing among the pools of water. Every now and then as they went along there would be a gush of water from the dripping walls, which was taken along in pipes to the main chamber, and from thence pumped out of the mine by a powerful pump, worked by a beam engine, by which means the mine was kept dry.

      At last, after they had gone some considerable distance, they saw the dim light of a candle, and heard the dull blows of a pick, then found themselves at the end of the drive, where a miner was working at the wash. The wash wherein the gold is found was exceedingly well defined, and represented a stratified appearance, being sandwiched in between a bed of white pipe-clay and a top layer of brownish earth, interspersed with gravel. Every blow of the pick sent forth showers of sparks in all directions, and as fast as the wash was broken down the runner filled up the trollies with it. After asking the miner about the character of the wash, and testing some himself in a shovel, Archie left the gallery, and going back to the shoot, they descended again to the main drive, and visited several other faces of wash, the journey in each instance being exactly the same in all respects. Each face had a man working at it, sometimes two, and a runner who loaded the trucks, and ran them along to the shoots. In spite of the ventilation, Vandeloup felt as if he was in a Turkish bath, and the heat was in some places very great. At the end of one of the drives McIntosh called Vandeloup, and on going towards him the young man found him seated on a truck with the plan of the mine before him, as he wanted to show him all the ramifications of the workings.

      The plan looked more like a map of a city than anything else, with the main drive doing duty as