Название | The Complete Short Stories |
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Автор произведения | O. Hooper Henry |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 9788027237005 |
The cattleman, out this early to catch the south-bound for his ranch station, stopped at the side of the distressed patron of sport, and spoke in the kindly drawl of his ilk and region, “Got it pretty bad, bud?”
“Cricket” McGuire, ex-feather-weight prizefighter, tout, jockey, follower of the “ponies,” all-round sport, and manipulator of the gum balls and walnut shells, looked up pugnaciously at the imputation cast by “bud.”
“G’wan,” he rasped, “telegraph pole. I didn’t ring for yer.”
Another paroxysm wrung him, and he leaned limply against a convenient baggage truck. Raidler waited patiently, glancing around at the white hats, short overcoats, and big cigars thronging the platform. “You’re from the No’th, ain’t you, bud?” he asked when the other was partially recovered. “Come down to see the fight?”
“Fight!” snapped McGuire. “Puss-in-the-corner! ’Twas a hypodermic injection. Handed him just one like a squirt of dope, and he’s asleep, and no tanbark needed in front of his residence. Fight!” He rattled a bit, coughed, and went on, hardly addressing the cattleman, but rather for the relief of voicing his troubles. “No more dead sure t’ings for me. But Rus Sage himself would have snatched at it. Five to one dat de boy from Cork wouldn’t stay t’ree rounds is what I invested in. Put my last cent on, and could already smell the sawdust in dat all-night joint of Jimmy Delaney’s on T’irty-seventh Street I was goin’ to buy. And den — say, telegraph pole, what a gazaboo a guy is to put his whole roll on one turn of the gaboozlum!”
“You’re plenty right,” said the big cattleman; “more ‘specially when you lose. Son, you get up and light out for a hotel. You got a mighty bad cough. Had it long?”
“Lungs,” said McGuire comprehensively. “I got it. The croaker says I’ll come to time for six months longer — maybe a year if I hold my gait. I wanted to settle down and take care of myself. Dat’s why I speculated on dat five to one perhaps. I had a t’ousand iron dollars saved up. If I winned I was goin’ to buy Delaney’s cafe. Who’d a t’ought dat stiff would take a nap in de foist round — say?”
“It’s a hard deal,” commented Raidler, looking down at the diminutive form of McGuire crumpled against the truck. “But you go to a hotel and rest. There’s the Menger and the Maverick, and—”
“And the Fi’th Av’noo, and the Waldorf-Astoria,” mimicked McGuire. “Told you I went broke. I’m on de bum proper. I’ve got one dime left. Maybe a trip to Europe or a sail in me private yacht would fix me up — pa-per!”
He flung his dime at a newsboy, got his /Express/, propped his back against the truck, and was at once rapt in the account of his Waterloo, as expanded by the ingenious press.
Curtis Raidler interrogated an enormous gold watch, and laid his hand on McGuire’s shoulder.
“Come on, bud,” he said. “We got three minutes to catch the train.”
Sarcasm seemed to be McGuire’s vein.
“You ain’t seen me cash in any chips or call a turn since I told you I was broke, a minute ago, have you? Friend, chase yourself away.”
“You’re going down to my ranch,” said the cattleman, “and stay till you get well. Six months’ll fix you good as new.” He lifted McGuire with one hand, and half-dragged him in the direction of the train.
“What about the money?” said McGuire, struggling weakly to escape.
“Money for what?” asked Raidler, puzzled. They eyed each other, not understanding, for they touched only as at the gear of bevelled cogwheels — at right angles, and moving upon different axes.
Passengers on the south-bound saw them seated together, and wondered at the conflux of two such antipodes. McGuire was five feet one, with a countenance belonging to either Yokohama or Dublin. Bright-beady of eye, bony of cheek and jaw, scarred, toughened, broken and reknit, indestructible, grisly, gladiatorial as a hornet, he was a type neither new nor unfamiliar. Raidler was the product of a different soil. Six feet two in height, miles broad, and no deeper than a crystal brook, he represented the union of the West and South. Few accurate pictures of his kind have been made, for art galleries are so small and the mutoscope is as yet unknown in Texas. After all, the only possible medium of portrayal of Raidler’s kind would be the fresco — something high and simple and cool and unframed.
They were rolling southward on the International. The timber was huddling into little, dense green motts at rare distances before the inundation of the downright, vert prairies. This was the land of the ranches; the domain of the kings of the kine.
McGuire sat, collapsed into his corner of the seat, receiving with acid suspicion the conversation of the cattleman. What was the “game” of this big “geezer” who was carrying him off? Altruism would have been McGuire’s last guess. “He ain’t no farmer,” thought the captive, “and he ain’t no con man, for sure. W’at’s his lay? You trail in, Cricket, and see how many cards he draws. You’re up against it, anyhow. You got a nickel and gallopin’ consumption, and you better lay low. Lay low and see w’at’s his game.”
At Rincon, a hundred miles from San Antonio, they left the train for a buckboard which was waiting there for Raidler. In this they travelled the thirty miles between the station and their destination. If anything could, this drive should have stirred the acrimonious McGuire to a sense of his ransom. They sped upon velvety wheels across an exhilarant savanna. The pair of Spanish ponies struck a nimble, tireless trot, which gait they occasionally relieved by a wild, untrammelled gallop. The air was wine and seltzer, perfumed, as they absorbed it, with the delicate redolence of prairie flowers. The road perished, and the buckboard swam the uncharted billows of the grass itself, steered by the practised hand of Raidler, to whom each tiny distant mott of trees was a signboard, each convolution of the low hills a voucher of course and distance. But McGuire reclined upon his spine, seeing nothing but a desert, and receiving the cattleman’s advances with sullen distrust. “W’at’s he up to?” was the burden of his thoughts; “w’at kind of a gold brick has the big guy got to sell?” McGuire was only applying the measure of the streets he had walked to a range bounded by the horizon and the fourth dimension.
A week before, while riding the prairies, Raidler had come upon a sick and weakling calf deserted and bawling. Without dismounting he had reached and slung the distressed bossy across his saddle, and dropped it at the ranch for the boys to attend to. It was impossible for McGuire to know or comprehend that, in the eyes of the cattleman, his case and that of the calf were identical in interest and demand upon his assistance. A creature was ill and helpless; he had the power to render aid — these were the only postulates required for the cattleman to act. They formed his system of logic and the most of his creed. McGuire was the seventh invalid whom Raidler had picked up thus casually in San Antonio, where so many thousand go for the ozone that is said to linger about its contracted streets. Five of them had been guests of Solito Ranch until they had been able to leave, cured or better, and exhausting the vocabulary of tearful gratitude. One came too late, but rested very comfortably, at last, under a ratama tree in the garden.
So, then, it was no surprise to the ranchhold when the buckboard spun to the door, and Raidler took up his debile protege like a handful of rags and set him down upon the gallery.
McGuire looked upon things strange to him. The ranch-house was the best in the country. It was built of brick hauled one hundred miles by wagon, but it was of but one story, and its four rooms were completely encircled by a mud floor “gallery.” The miscellaneous setting of horses, dogs, saddles, wagons, guns, and cowpunchers’ paraphernalia oppressed the metropolitan eyes of the wrecked sportsman.
“Well, here we are at home,” said Raidler, cheeringly.
“It’s a h — l of a looking place,” said McGuire promptly, as he rolled upon the gallery floor in a fit of coughing.
“We’ll try to make it comfortable for you, buddy,” said the cattleman