A Young Man's Year. Anthony Hope

often. He had many solitary evenings. When it was fine, he often walked the streets; when it was wet he read—and often stopped reading to wish that something would happen. His vague and restless longings took no form more definite than that—wanting something to happen. He was in London, he was young, he was ready—and nothing happened! Consequently an invitation to dinner was a prize in the daily lottery of life.

      When he got back to his 'diggings' in the evening, he found a letter from home. His mother and sister had continued to live on in the old house at Malvern Wells after the death of his father, who had enjoyed a fairly good practice as a doctor there, but dying comparatively early had left a slender provision for his family. Mrs. Lisle preferred to be poor, since poor she had to be, in a place where she was already known and respected. The school too was a great attraction; there Arthur had been educated as a day boy, and thence had proceeded to Oxford with an exhibition, to which he added a second from his college, thus much easing the family finances, and indeed rendering Oxford possible. There had been talk of his people's migrating to London and making a home for him there, but in fact none of the three had been zealous for the change. Mrs. Lisle was frail and clung to her accustomed hills and breezes; Anna had her friends, her circle, her church work, her local importance; and Arthur was at that time too full of those glowing anticipations of London life to press the project of a family villa somewhere in the suburbs and a season-ticket to take him out of town at the precise hour of the evening when town began to be amusing.

      For all that, he was an affectionate son and brother, and he smiled sympathetically over Anna's home gossip. Only the postscript made him frown rather peevishly. It ran: "Mother wants to know whether you have called on the Godfrey Lisles yet!"

      Mother wanted to know that in pretty nearly every one of her own and Anna's letters; hence the italics which distinguished Anna's "yet." And the answer still had to be in the negative. Why should he call on the Godfrey Lisles? He knew his mother's answer; a thoroughly maternal answer it was. Godfrey Lisle, though only a distant cousin, was the head of the house, squire of Hilsey Manor, the old family place, and a man of considerable wealth—altogether, in fact, the Personage of the family. Most families have a Personage, to them very important, though varying infinitely in significance or insignificance to the world outside. On the whole the Lisle Personage was above the average from the outside point of view, and Mrs. Lisle's anxiety that her son should pay him proper attention, and reap therefrom such advantage as might accrue, was no more than natural.

      But to Arthur all the reasons why he ought to call on his cousin were reasons why he could not do it. Just as, while Mr. O'Sullivan was arguing, his imagination was picturing what a young fool Pretyman, j., would soon be thinking him, so here, whenever the question of this call arose, the same remorselessly active faculty rehearsed for him all the aspects in which he would appear to the Godfrey Lisles—a poor relation, a tiresome duty, a country cousin, a raw youth—Oh, in fine and in the end, a Bore of purest quality and great magnitude! That, and nothing else, the Godfrey Lisles would think him.

      Still, if his mother persisted, the thing might have to happen. He had a vision of himself watching the Godfrey Lisles out of their house, and then diving across the road to deposit furtive cards with the butler. A funny vision, but with him quite capable of turning into reality!

      His brow cleared as he took up a second letter which awaited him. He knew the hand:

      "Dear Mr. Lisle,

      "Do drop in to-morrow evening after dinner. We shall be having cards and perhaps a little music. About 9.30. Do as you like about dressing.

      "Yours sincerely,

       "Marie Sarradet."

      The Sarradets lived in Regent's Park—rather far from any Underground station. "I'll dress if it's fine, and not if it's wet," thought Arthur. The balance of profit and loss as between paying a cab-fare on the one hand and taking the shine out of his patent leathers on the other presented a problem of constant difficulty in connection with his evening gaieties.

CHAPTER II

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MISS SARRADET'S CIRCLE

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      A hundred and fifty years ago or thereabouts a certain Jacques Sarradet had migrated from his native Lyons and opened a perfumer's shop in Cheapside. The shop was there still, and still a Sarradet kept it, and still it was much esteemed and frequented by City men, who bought presents or executed commissions for their wives and daughters there. To folk of fashion the Bond Street branch was better known, but which was the more profitable only the master knew. Together, at all events, they were very profitable, and the present Mr. Clement Sarradet was a warm man—warmer than he let the world know, or even his own family, so far as he could keep the knowledge from them. He had preserved his French frugality, and, although his house in Regent's Park was comfortably and hospitably conducted, the style in which he lived was a good deal less sumptuous than English notions would have considered his income to warrant. He had preserved too, in spite of mixed marriages in the family history, something of his French air, of the appearance of a prosperous bon bourgeois, with his short thick-set figure, his round paunch, his stiff upstanding white hair (he had married late in life and was now over sixty), his black brows and moustache, and his cheeks where blue and red seemed, after a tussle, to have blended harmoniously into a subdued purple.

      Something French, though differently French, survived also in his cherished daughter Marie, writer of the note already set forth, and mistress of the house in Regent's Park since her mother's death five years ago. Here it was manner rather than looks (she was a brunette, but not markedly); she had a vivacity, a provocativeness, a coquetry, which in less favoured races often marks a frivolous or unstable character, but in the French finds no difficulty in blending with and adorning solid good sense, sturdy business-like qualities, and even sometimes a certain toughness of tissue more certainly valuable than attractive.

      The evening party to which Arthur Lisle had been bidden was drawing to its close. They had played cards; they had had some music; they had ended up with a couple of "topping" comic songs from Joe Halliday, and they were still laughing over these as they munched sandwiches and sipped, according to sex, lemonade or whisky-and-soda. Mr. Sarradet watched them benevolently, thinking them a very pleasant set of young people, and admiring the way in which his daughter exercised a pretty dominion over this little band of chosen friends. The two girls, Mildred Quain and Amabel Osling, openly acknowledged her leadership; the men deferred to her, not only as the hostess (a position which she generally occupied), but as the centre of attraction and the deviser of pleasures, the organiser of visits to theatres and concerts, and of their lawn-tennis at the Acton ground in the spring and summer. But there was a touch of shrewd anxiety in his watching. Young men were wont to aspire to more than friendship where they found metal attractive to their eyes. Mr. Sarradet was ambitious for his daughter.

      "Next Monday, then, we'll all meet at His Majesty's," Marie announced—or commanded. She turned to Joe Halliday. "You get the tickets. And anybody who likes can come back here to supper afterwards."

      "Splendid, dear!" said Amabel Osling, a dark girl with large eyes and a rather intense manner; she wore what might be described as an art-frock.

      "An evening out, an evening out!" chanted Joe Halliday, a big young fellow with a shock of light brown hair and a manner of exuberant good-nature and heartiness.

      "I'm afraid I can't come," said Arthur Lisle apologetically.

      "Why not, Mr. Lisle?" Marie's voice sounded certainly disappointed, perhaps rather resentful.

      "I'm dining out."

      Sidney Barslow looked at him with a smile, in which Arthur detected an ironical flavour. Between these two members of the circle there was, in truth, no love lost. Barslow resented in Arthur a superiority of breeding which all his own vanity could not