The Complete Short Stories of W.D. Howells (Illustrated Edition). William Dean Howells

has to be pulled to his feet. When they bring him up to the horse, he falls against it; and the little fellows think he will certainly get killed. But the big boys tell the little fellows to shut up and watch out. The ring-master and the clown manage to get the country-jake on to the broad platform on the horse's back, and then the ring-master cracks his whip, and the two supes who have been holding the horse's head let go, and the horse begins cantering round the ring. The little fellows are just sure the country-jake is going to fall off, he reels and totters so; but the big boys tell them to keep watching out; and pretty soon the country-jake begins to straighten up. He begins to unbutton his long gray overcoat, and then he takes it off and throws it into the ring, where one of the supes catches it. Then he sticks a short pipe into his mouth, and pulls on an old wool hat, and flourishes a stick that the supe throws to him, and you see that he is an Irishman just come across the sea; and then off goes another coat, and he comes out a British soldier in white duck trousers and red coat. That comes off, and he is an American sailor, with his hands on his hips, dancing a horn-pipe. Suddenly away flash wig and beard and false-face, the pantaloons are stripped off with the same movement, the actor stoops for the reins lying on the horse's neck, and James Rivers, the greatest three-horse rider in the world, nimbly capers on the broad pad, and kisses his hand to the shouting and cheering spectators as he dashes from the ring past the braying and bellowing brass-band into the dressing-room!

      The big boys have known all along that he was not a real country-jake; but when the trained mule begins, and shakes everybody off, just like the horse, and another country-jake gets up, and offers to bet that he can ride that mule, nobody can tell whether he is a real country-jake or not. This is always the last thing in the performance, and the boys have seen with heavy hearts many signs openly betokening the end which they knew was at hand. The actors have come out of the dressing-room door, some in their every-day clothes, and some with just overcoats on over their circus-dresses, and they lounge about near the bandstand watching the performance in the ring. Some of the people are already getting up to go out, and stand for this last act, and will not mind the shouts of "Down in front! Down there!" which the boys eagerly join in, to eke out their bliss a little longer by keeping away even the appearance of anything transitory in it. The country-jake comes stumbling awkwardly into the ring, but he is perfectly sober, and he boldly leaps astride the mule, which tries all its arts to shake him off, plunging, kicking, rearing. He sticks on, and everybody cheers him, and the owner of the mule begins to get mad and to make it do more things to shake the country-jake off. At last, with one convulsive spring, it flings him from its back, and dashes into the dressing-room, while the country-jake picks himself up and vanishes among the crowd.

      A man mounted on a platform in the ring is imploring the ladies and gentlemen to keep their seats, and to buy tickets for the negro-minstrel entertainment which is to follow, but which is not included in the price of admission. The boys would like to stay, but they have not the money, and they go out clamoring over the performance, and trying to decide which was the best feat. As to which was the best actor, there is never any question; it is the clown, who showed by the way he turned a double somersault that he can do anything, and who chooses to be clown simply because he is too great a creature to enter into rivalry with the other actors.

      There will be another performance in the evening, with real fights outside between the circus men and the country-jakes, and perhaps some of the Basin rounders, but the boys do not expect to come; that would be too much. The boy's brother once stayed away in the afternoon, and went at night with one of the jour printers; but he was not able to report that the show was better than it was in the afternoon. He did not get home till nearly ten o'clock, though, and he saw the sides of the tent dropped before the people got out; that was a great thing; and what was greater yet, and reflected a kind of splendor on the boy at second hand, was that the jour printer and the clown turned out to be old friends. After the circus, the boy actually saw them standing near the centre-pole talking together; and the next day the jour showed the grease that had dripped on his coat from the candles. Otherwise the boy might have thought it was a dream, that some one he knew had talked on equal terms with the clown. The boys were always intending to stay up and see the circus go out of town, and they would have done so, but their mothers would not let them. This may have been one reason why none of them ever ran off with a circus.

      As soon as a circus had been in town, the boys began to have circuses of their own, and to practise for them. Everywhere you could see boys upside down, walking on their hands or standing on them with their legs dangling over, or stayed against house walls. It was easy to stand on your head; one boy stood on his head so much that he had to have it shaved, in the brain-fever that he got from standing on it; but that did not stop the other fellows. Another boy fell head downward from a rail where he was skinning-the-cat, and nearly broke his neck, and made it so sore that it was stiff ever so long. Another boy, who was playing Samson, almost had his leg torn off by the fellows that were pulling at it with a hook; and he did have the leg of his pantaloons torn off. Nothing could stop the boys but time, or some other play coming in; and circuses lasted a good while. Some of the boys learned to turn hand-springs; anybody could turn cart-wheels; one fellow, across the river, could just run along and throw a somersault and light on his feet; lots of fellows could light on their backs; but if you had a spring-board, or shavings under a bank, like those by the turning-shop, you could practise for somersaults pretty safely.

      All the time you were practising you were forming your circus company. The great trouble was not that any boy minded paying five or ten pins to come in, but that so many fellows wanted to belong there were hardly any left to form an audience. You could get girls, but even as spectators girls were a little too despicable; they did not know anything; they had no sense; if a fellow got hurt they cried. Then another thing was, where to have the circus. Of course it was simply hopeless to think of a tent, and a boy's circus was very glad to get a barn. The boy whose father owned the barn had to get it for the circus without his father knowing it; and just as likely as not his mother would hear the noise and come out and break the whole thing up while you were in the very middle of it. Then there were all sorts of anxieties and perplexities about the dress. You could do something by turning your roundabout inside out, and rolling your trousers up as far as they would go; but what a fellow wanted to make him a real circus-actor was a long pair of white cotton stockings, and I never knew a fellow that got a pair; I heard of many a fellow who was said to have got a pair; but when you came down to the fact, they vanished like ghosts when you try to verify them. I believe the fellows always expected to get them out of a bureau-drawer or the clothes-line at home, but failed. In most other ways, a boy's circus was always a failure, like most other things boys undertake. They usually broke up under the strain of rivalry; everybody wanted to be the clown or ring-master; or else the boy they got the barn of behaved badly, and went into the house crying, and all the fellows had to run.

Passing Shows

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      There were only two kinds of show known by that name in the Boy's Town: a nigger show, or a performance of burnt-cork minstrels; and an animal show, or a strolling menagerie; and the boys always meant a menagerie when they spoke of a show, unless they said just what sort of show. The only perfect joy on earth in the way of an entertainment, of course, was a circus, but after the circus the show came unquestionably next. It made a processional entry into the town almost as impressive as the circus's, and the boys went out to meet it beyond the corporation line in the same way. It always had two elephants, at least, and four or five camels, and sometimes there was a giraffe. These headed the procession, the elephants in the very front, with their keepers at their heads, and then the camels led by halters dangling from their sneering lips and contemptuous noses. After these began to come the show-wagons, with pictures on their sides, very flattered portraits of the wild beasts and birds inside; lions first, then tigers (never meaner than Royal Bengal ones, which the boys understood to be a superior breed), then leopards, then pumas and panthers; then bears, then jackals and hyenas; then bears and wolves; then kangaroos, musk-oxen, deer, and such harmless cattle; and then ostriches, emus, lyre-birds, birds-of-Paradise, and all the rest.

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