The Awakening (The Resurrection). Лев Толстой

      Nekhludoff had arranged his trip so that he might spend twenty-four hours with his aunts, but, seeing Katiousha, decided to remain over Easter Sunday, which was two days later, and wired to his friend and commander Shenbok, whom he was to meet at Odessa, to come to his aunts.

      From the very first day Nekhludoff experienced the old feeling toward Katiousha. Again he could not see without agitation the white apron of Katiousha; he could not listen without joy to her steps, her voice, her laugh; he could not, without emotion, look into her black eyes, especially when she smiled; he could not, above all, see, without confusion, how she blushed when they met. He felt that he was in love, but not as formerly, when this love was to him a mystery, and he had not the courage to confess it to himself; when he was convinced that one can love only once. Now he loved knowingly, rejoiced at it, and confusedly knowing, though he concealed it from himself, what it consisted of, and what might come of it.

      In Nekhludoff, as in all people, there were two beings; one spiritual, who sought only such happiness for himself as also benefited others; and the animal being, seeking his own happiness for the sake of which he is willing to sacrifice that of the world. During this period of his insane egotism, called forth by the life in the army and in St. Petersburg, the animal man dominated him and completely suppressed the spiritual man. But, seeing Katiousha, and being again imbued with the feelings he formerly experienced toward her, the spiritual man raised his head and began to assert his rights. And during the two days preceding Easter an incessant struggle was going on within Nekhludoff of which he was quite unconscious.

      In the depth of his soul he knew that he had to depart; that his stay at his aunts was unnecessary, that nothing good could come of it, but it was so joyous and pleasant that he did not heed it, and remained.

      On the eve of Easter Sunday, the priest and deacon who, as they afterward related, with difficulty covered the three miles from the church to the aunts' manor, arrived on a sleigh to perform the morning services.

      Nekhludoff, with his aunts and the servants, went through the motions, without ceasing to look on Katiousha, who brought a censer and was standing at the door; then, in the customary fashion, kissed the priest and the aunts, and was about to retire to his room when he heard Matriena Pavlovna, the old servant of Maria Ivanovna, making preparations with Katiousha to go to church and witness the consecration of the paschal bread. "I will go there, too," he thought.

      There was no wagon or sleigh road to the church, so Nekhludoff gave command, as he would in his own house, to have a horse saddled, and, instead of going to bed, donned a brilliant uniform and tight knee-breeches, threw on his military coat, and, mounting the snorting and constantly neighing, heavy stallion, he drove off to the church in the dark, over pools and snow mounds.

      FOOTNOTES:

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      [B] Diminutive of Maria.

      [C] Diminutive of Sophia.

      [D] The Russian thou cannot be rendered into English with any degree of accuracy. The greeting to which the impulsive Nekhludoff was about to give expression is that used toward a beloved person.

CHAPTER XV.

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      That morning service formed the brightest and most impressive reminiscence of Nekhludoff's after life.

      The darkness of the night was only relieved here and there by white patches of snow, and as the stallion, splashing through the mud-pools, and his ears pricked up at the sight of the fire-pots surrounding the church, entered its inclosure, the service had already begun.

      The peasants, recognizing Maria Ivanovna's nephew, led his horse to the driest spot, where he dismounted, then they escorted him to the church filled with a holiday crowd.

      To the right were the male peasants; old men in homespun coats and bast shoes, and young men in new cloth caftans, bright-colored belts and boots. To the left the women, with red silk 'kerchiefs on their heads, shag caftans with bright red sleeves, and blue, green, red, striped and dotted skirts and iron-heeled shoes. Behind them stood the more modest women in white 'kerchiefs and gray caftans and ancient skirts, in shoes or bast slippers. Among these and the others were dressed-up children with oiled hair. The peasants made the sign of the cross and bowed, disheveling their hair; the women, especially the old women, gazing with their lustreless eyes on one image, before which candles burned, pressed hard with the tips of their fingers on the 'kerchief of the forehead, the shoulders and the abdomen, and, mumbling something, bent forward standing, or fell on their knees. The children, imitating their elders, prayed fervently when they were looked at. The gold iconostasis was aflame with innumerable candles, which surrounded a large one in the centre wound in a narrow strip of gilt paper. The church lustre was dotted with candles, joyful melodies of volunteer singers with roaring bass and piercing contralto mingled with the chant of the choir.

      Nekhludoff went forward. In the middle of the church stood the aristocracy; a country squire with his wife and son in a sailor blouse, the commissary of the rural police, a telegraph operator, a merchant in high boots, the local syndic with a medal on his breast, and to the right of the tribune, behind the squire's wife, Matriena Pavlovna, in a lilac-colored chatoyant dress and white shawl with colored border, and beside her was Katiousha in a white dress, gathered in folds at the waist, a blue belt, and a red bow in her black hair.

      Everything was solemn, joyous and beautiful; the priest in his bright, silver chasuble, dotted with gilt crosses, the deacon, the chanters in holiday surplice of gold and silver, the spruce volunteer singers with oiled hair, the joyous melodies of holiday songs, the ceaseless blessing of the throng by the priests with flower-bedecked tern candles with the constantly repeated exclamations: "Christ has risen! Christ has risen!" Everything was beautiful, but more beautiful than all was Katiousha, in her white dress, blue belt and red bow in her hair, and her eyes radiant with delight.

      Nekhludoff felt that she saw him without turning round. He saw it while passing near her to the altar. He had nothing to tell her, but tried to think of something, and said, when passing her:

      "Auntie said that she would receive the sacrament after mass."

      Her young blood, as it always happened when she looked at him, rose to her cheeks, and her black eyes, naively looking up, fixed themselves on Nekhludoff.

      "I know it," she said, smiling.

      At that moment a chanter with a copper coffee-pot in his hand passed close to Katiousha, and, without looking at her, grazed her with the skirt of the surplice. The chanter, evidently out of respect for Nekhludoff, wished to sweep around him, and thus it happened that he grazed Katiousha.

      Nekhludoff, however, was surprised that that chanter did not understand that everything in the church, and in the whole world, for that matter, existed only for Katiousha, and that one might spurn the entire world, but must not slight her, because she was the centre of it. It was for her that the gold iconostasis shone brightly, and these candles in the church-lustre burned; for her were the joyful chants: "Be happy, man; it is the Lord's Easter." All the good in the world was for her. And it seemed to him that Katiousha understood that all this was for her. It seemed to Nekhludoff, when he looked at her erect figure in the white dress with little folds at the waist, and by the expression of her happy face, that the very thing that filled his soul with song, also filled hers.

      In the interval between early and late mass Nekhludoff left the church. The people made way for him and bowed. Some recognized him; others asked: "Who is he?" He stopped at the porch. Beggars surrounded him, and, distributing such change as he had in his pocket,