Christmas Contract For His Cinderella. Jane Porter

needed to be with her own parents, and he understood that it was an emergency but Marcu was now in a terrible bind because he wouldn’t let just anyone be with his children. He was very selective, very protective, and he needed more than a warm body to mind his three young children over Christmas. Marcu hadn’t even thought of Monet until the last woman he’d interviewed for the position had exited the room and he’d faced the window, disappointed, and deeply troubled. He didn’t want his children to be with a stranger.

      He didn’t trust strangers.

      But then, he didn’t trust many people, period.

      He was well aware that his lack of trust was a problem. It had been a problem for much of his adult life, resulting in a tendency to overanalyze, which wasn’t a bad thing as a venture capitalist, but an issue when it came to his social life. Until very recently he’d refused to extend himself beyond his small, trusted inner circle, but when it became obvious that his inner circle would not provide him with a replacement wife to mother his young children, he’d been forced to go further afield. After a series of excruciating dates he’d found a suitable prospect in twenty-nine-year-old Vittoria Bonfiglio, and it was his plan to propose to her on Christmas Eve, but first, he needed some time alone with her, something difficult to achieve when his children were running wild while their nanny was at home in England with her family.

      Which is when Monet came to mind. He hadn’t thought of her in years, and yet once he’d thought of her, she seemed to be the perfect solution.

      He knew her, and she’d never once betrayed his trust. She’d always been good with his younger brother and sisters—why wouldn’t she be as patient and kind with his three?

      And once Marcu set his mind on something, it was relatively easy to make things happen. It took him less than fifteen minutes to locate her—she lived in London, and worked at Bernard Department Store. She wasn’t married. She might have a boyfriend. Marcu didn’t care. He needed her for four weeks, five weeks tops, and then she could return to her life in retail and he’d have his new bride and his child-care issue would be permanently sorted.

      It didn’t cross his mind that she’d say no, because she owed him. She’d left Palermo in his debt and he was calling in the favor.

      Even after Marcu was gone, Monet couldn’t move. She was too stunned to do anything but wish the ground would swallow her whole.

      All she’d wanted today was to go home after work, take a long hot bath, change into cozy pajamas and curl up on her couch and stream her favorite television programs, lost in the pleasure of diverting entertainment.

      She wouldn’t be going home anytime soon now.

      There would be no long hot bath or a satisfying hour or two of her favorite program.

      Slowly she turned, her gaze sweeping the fifth floor. Over the years this elegant, luxurious space had come to feel more like home than her own flat. She was good at what she did. She knew how to soothe the nervous bride, and organize the overwhelmed one. Who would have thought this would be her gift, never mind her skill set?

      The illegitimate daughter of a struggling French actress and an English banker, Monet had a most unusual and Bohemian upbringings. By eighteen, she had seen far more of the world than her peers, having lived in Ireland, France, Sicily, Morocco, and three different American states.

      She’d spent the longest stretch in Sicily, Palermo being her home for six years from the time she was nearly twelve until she’d turned eighteen. Even after she’d left Palermo, her mother had continued to live with Sicilian aristocrat Matteo Uberto for another three years. But after leaving, Monet never returned to Sicily. She didn’t want to see any of the Uberto family, and she’d rebuffed Marcu when he tried to visit her in London three years ago, just as she’d rebuffed his father a year earlier when Matteo appeared on her doorstep with wine and flowers and a delicate negligee more appropriate for your paramour than your former lover’s daughter. It was that visit by Matteo that ensured she finally closed the door on the past, locking it securely.

      She had nothing in common with this family she had lived with for six years of her life. Yes, they’d shared meals together, and yes, they’d gone to the movies, and various plays, ballets, and operas together, as well as shared holidays at the beach and Christmases at the palazzo, but in the end she was not one of them, not a member of the family, or a member of Sicilian aristocratic society.

      No, she was the bastard daughter of a careless British banker, and a French actress more famous for her affairs and her wealthy lovers then her acting talent, and therefore to be treated as someone cheap and unimportant.

      Monet could live with cheap. She couldn’t bear to be unimportant, though. She didn’t need to be valued by the world, but she’d craved Marcu’s love, and respect.

      Instead he’d been the first to shame her, but Monet was a quick learner, and she vowed to never be dependent on anyone again, and she hadn’t been.

      Determined to be different from her mother in every way, she not only rejected all things scandalous, but also pushed away her colorful, Bohemian past. She was no longer Candie’s daughter. She was no longer vulnerable, or apologetic. She was herself, her own creation and invention. Unlike her mother, Monet didn’t need men. It might not be fair, but it was easier to view them with suspicion than be open to their advances.

      It didn’t stop men from pursuing her, though, and they did. They were intrigued by her very French cheekbones, pouting lips, golden-brown eyes and long thick dark hair, but they didn’t know her, and they didn’t realize that while she might look like a siren on the outside, she was British on the inside, and not about to indulge in meaningless affairs. She wasn’t interested in sex, which is why at twenty-six, she was still a virgin, and quite possibly frigid. Monet didn’t care if she was. She wasn’t interested in labels, nor did she care what men thought, aware that to most men, women were just toys—playthings—and she had no desire to be anyone’s plaything. Her mother, Matteo, and Marcu Uberto had made sure of that.

      CHAPTER TWO

      AN HOUR LATER Monet was outside, and the black car was where Marcu said it would be, parked in front of Bernard’s front doors. The driver appeared the moment she stepped outside, and he opened a large black umbrella to protect her from the flurries of snow. She murmured her thanks as she stepped into the car.

      She glimpsed Marcu and held her breath, careful to keep a distance between them.

      “So what exactly do you do here?” he asked, as the car pulled away from the curb, sliding into the stream of traffic.

      She placed her purse on her lap, and rested her hands on the purse clasp. “Manage the department. Assist brides finding their dream gown. Keep mothers from overwhelming their emotional daughters.”

      “An interesting choice for you, given your background.”

      Her chin notched up. “Because my mother never married?” she asked, a dark elegant winged eyebrow arching higher.

      Of course he’d find it ironic that she’d work as a bridal-gown consultant, but most people didn’t know her background. In fact, the only ones who knew her background were the father who’d never been part of her life and the Uberto family.

      “Any problems closing?” he asked a moment later, his tone one of excessive politeness.

      She nearly rolled her eyes. Surely they were beyond such superficial pleasantries. “No.”

      “Were you working at Bernard’s when I reached out to you a few years ago?”

      “I was. I’ve been there for four years now.”

      “Why wouldn’t you see me when I reached out to you?” he asked.

      Her shoulders lifted, and fell. “There was no point.” She turned her head, her gaze resting on his hard masculine