Название | Lolita / Лолита. Книга для чтения на английском языке |
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Автор произведения | Владимир Набоков |
Жанр | Русская классика |
Серия | Modern Prose |
Издательство | Русская классика |
Год выпуска | 1955 |
isbn | 978-5-9925-1402-5 |
No wonder, then, that my adult life during the European period of my existence proved monstrously twofold. Overtly, I had so-called normal relationships with a number of terrestrial women having pumpkins or pears for breasts; inside, I was consumed by a hell furnace of localized lust for every passing nymphet whom as a law-abiding poltroon I never dared approach. The human females I was allowed to wield were but palliative agents. I am ready to believe that the sensations I derived from natural fornication were much the same as those known to normal big males consorting with their normal big mates in that routine rhythm which shakes the world. The trouble was that those gentlemen had not, and I had, caught glimpses of an incomparably more poignant bliss. The dimmest of my pollutive dreams was a thousand times more dazzling than all the adultery the most virile writer of genius or the most talented impotent might imagine. My world was split. I was aware of not one but two sexes, neither of which was mine; both would be termed female by the anatomist. But to me, through the prism of my senses, ‘they were as different as mist and mast[16]’. All this I rationalize now. In my twenties and early thirties, I did not understand my throes quite so clearly. While my body knew what it craved for, my mind rejected my body’s every plea. One moment I was ashamed and frightened, another recklessly optimistic. Taboos strangulated me. Psycho-analysts wooed me with pseudoliberations of pseudolibidoes. The fact that to me the only objects of amorous tremor were sisters of Annabel’s, her handmaids and girl-pages, appeared to me at times as a forerunner of insanity. At other times I would tell myself that it was all a question of attitude, that there was really nothing wrong in being moved to distraction by girl-children. Let me remind my reader that in England, with the passage of the Children and Young Persons Act in 1933, the term ‘girl-child’ is defined as ‘a girl who is over eight but under fourteen years’ (after that from fourteen to seventeen, the statutory definition is ‘young person’). In Massachusetts, US, on the other hand, a ‘wayward child’ is, technically, one ‘between seven mid seventeen years of age’ (who, moreover, habitually associates with vicious or immoral persons). Hugh Broughton, a writer of controversy in the reign of James I, has proved that Rahab was a harlot at ten years of age. This is all very interesting, and I dare say you see me already frothing at the mouth in a fit; but no, I am not; I am just winking happy thoughts into a little tiddle cup. Here are some more pictures. Here is Virgil who could the nymphet sing in single tone, but probably preferred a lad’s peritoneum. Here are two of King Akhnaten’s and Queen Nefertiti’s pre-nubile Nile daughters (that royal couple had a litter of six), wearing nothing but many necklaces of bright beads, relaxed on millions, intact after three thousand years, with their soft brown puppy bodies, cropped hair and long ebony eyes. Here are some brides of ten compelled to seat themselves on the fascinum, the virile ivory in the temples of classical scholarship. Marriage and cohabitation before the age of puberty are still not uncommon in certain East Indian provinces. Lepcha old men of eighty copulate with girls of eight, and nobody minds. After all, Dante fell madly in love with his Beatrice when she was nine, a sparkling girleen, painted and lovely, and bejewelled, in a crimson frock, and this was in 1274, in Florence, at a private feast in the merry month of May. And when Petrarch fell madly in love with his Laureen, she was a fair-haired nymphet of twelve running in the wind, in the pollen and dust, a flower in flight, in the beautiful plain as descried from the hills of Vaucluse.
But let us be prim and civilized. Humbert Humbert tried hard to be good. Really and truly, he did. He had the utmost respect for ordinary children, with their purity and vulnerability, and under no circumstances would he have interfered with the innocence of a child, if there was the least risk of a row. But how his heart beat when, among the innocent throng, he espied a demon child, ‘enfant charmante et fourbe[17]’, dim eyes, bright lips, ten years in jail if you only show her you are looking at her. So life went. Humbert was perfectly capable of intercourse with Eve, but it was Lilith he longed for. The bud-stage of breast development appears early (10.7 years) in the sequence of somatic changes accompanying pubescence. And the next maturational item available is the first appearance of pigmented pubic hair (11.2 years). My little cup brims with tiddles.
A shipwreck. An atoll. Alone with a drowned passenger’s shivering child. Darling, this is only a game! How marvellous were my fancied adventures as I sat on a hard park bench pretending to be immersed in a trembling book. Around the quiet scholar, nymphets played freely, as if he were a familiar statue or part of an old tree’s shadow and sheen. Once a perfect little beauty in a tartan frock, with a clatter, put her heavily armed foot near me upon the bench to dip her slim bare arms into me and tighten the strap of her roller skate, and I dissolved in the sun, with my book for fig leaf, as her auburn ringlets fell all over her skinned knee, and the shadow of leaves I shared pulsated and melted on her radiant limb next to my chameleonic cheek. Another time a red-haired school girl hung over me in the métro[18], and a revelation of axillary russet I obtained remained in my blood for weeks. I could list a great number of these one-sided diminutive romances. Some of them ended in a rich flavour of hell. It happened for instance that from my balcony I would notice a lighted window across the street and what looked like a nymphet in the act of undressing before a co-operative mirror. Thus isolated, thus removed, the vision acquired an especially keen charm that made me race with all speed toward my lone gratification. But abruptly, fiendishly, the tender pattern of nudity I had adored would be transformed into the disgusting lamp-lit bare arm of a man in his underclothes reading his paper by the open window, in the hot, damp, hopeless summer night.
Rope-skipping, hopscotch. That old woman in black who sat down next to me on my bench, on my rack of joy (a nymphet was groping under me for a lost marble), and asked if I had stomach-ache, the insolent hag. Ah, leave me alone in my pubescent park, in my mossy garden. Let them play around me for ever. Never grow up.
6
Apropos: I have often wondered what became of those nymphets later? In this wrought-iron world of criss-cross cause and effect, could it be that the hidden throb I stole from them did not affect their future? I had possessed her – and she never knew it. All right. But would it not tell sometime later? Had I not somehow tampered with her fate by involving her image in my voluptas? Oh, it was, and remains, a source of great and terrible wonder.
I learned, however, what they looked like, those lovely, maddening, thin-armed nymphets, when they grew up. I remember walking along an animated street on a grey spring afternoon somewhere near the Madeleine. A short slim girl passed me at a rapid, high-heeled, tripping step, we glanced back at the same moment, she stopped and I accosted her. She came hardly up to my chest hair and had the kind of dimpled round little face French girls so often have, and I liked her long lashes and tight-fitting tailored dress sheathing in pearl-grey her young body which still retained – and that was the nymphic echo, the chill of delight, the leap in my loins – a childish something mingling with the professional frétillement[19] of her small agile rump. I asked her price, and she promptly replied with melodious silvery precision (a bird, a very bird!) ‘Cent[20]’. I tried to haggle but she saw the awful lone longing in my lowered eyes, directed so far down at her round forehead and rudimentary hat (a band, a posy); and with one beat of her lashes: ‘Tant
16
they were as different as mist and mast – они были столь же различны между собой, как мечта и мачта
17
enfant charmante et fourbe – (неправ. фр.) дитя прелестное и коварное
18
métro – (фр.) метро
19
frétillement – (фр.) повиливание
20
cent – (фр.) сто