In the Approaches. Nicola Barker

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Название In the Approaches
Автор произведения Nicola Barker
Жанр Современная зарубежная литература
Серия
Издательство Современная зарубежная литература
Год выпуска 0
isbn 9780007583713



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that Ivan Yefremov novel you bought me for Christmas,’ I say, turning my head away, releasing my grip, delighting – thrilling, even – at my considerable powers of self-control, ‘the sci-fi thing. Andromeda. It’s very good.’

      ‘That was three Christmases ago,’ he answers, thickly.

      ‘Pardon?’

      ‘It’s from three Christmases ago.’

      ‘Oh. Well it’s very good,’ I repeat.

      He suddenly straightens himself and clambers heavily to his feet. He walks to the window and peers out.

      ‘What did the surveyor say?’ he murmurs, coolly assessing the damage.

      I stand up myself. ‘Tiered gardens are all the vogue, apparently.’ I try to make light of it.

      ‘That bad?’

      ‘No. No,’ I lie.

      ‘You’ve still got the sauna,’ he observes. ‘That sauna is indestructible.’

      I grab the scissors from the floor and walk over. ‘Although I haven’t seen a single bird on the feeders since it happened.’

      ‘Strange. You wouldn’t think they’d be that bothered.’

      ‘They have wings.’ I nod.

      I take a hold of his arm, lift it and gently insert the bottom blade under the cuff. As I start to cut something terrible occurs to me.

      ‘Hang on a second … the landslip – wasn’t that your birthday? You came around here on your birthday? Then you ended up searching for a lost cat half the night?’

      (The Bassetts had informed me of these small details the morning after. It had been Clifford who’d bravely ventured into the front kitchen – just as dawn was breaking – at the pathetic sound of mewing.)

      Clifford doesn’t volunteer anything further.

      ‘How’d you find out?’ I wonder.

      ‘The coastguard.’

      ‘Ah.’

      ‘They were thinking of sending out a boat, so I drove over to check things out.’

      I nod. At last his first arm is free. He flexes it, gratefully. I commence work on the second.

      ‘Georgie Hulton said he saw you in tears on the beach the other day. You were out walking Rogue. He said you’d just been talking to your tenant – a Mr Huff.’

      ‘What a ridiculous name!’ I mutter, cheeks reddening. ‘Mr Huff! I’ll huff and I’ll puff …’

      ‘Was he bothering you?’ Clifford demands.

      ‘Don’t be ridiculous,’ I snort, ‘it was windy. I got sand in my eyes, that’s all.’

      ‘Georgie said he called out to you but …’

      ‘I mustn’t have heard him.’ I shrug.

      Clifford says nothing and the second arm is soon freed. I step back, grinning. Clifford stands there in his vest. All plain and uncomplicated in his vest. I am so pleased, so relieved, to see that awful jumper finally gone, to see him back to his giant, scruffy but utterly pristine self. Pure now and unadulterated. I bend down and start scooping up the abandoned segments of jumper and suddenly, for no reason I can think of, I feel like … like tearing at those expensive bits of luminous wool, throwing them down, cursing them, jumping on them. Instead I quickly carry them over to the bin (these dangerous and provocative pieces of knitwear) and am about to lift the lid and toss them in when Clifford appears behind me, pulling on his old khaki jacket and asks if he might possibly hold on to them, as a keepsake. ‘Of course,’ I say, ‘sorry. Of course you can. Of course you must.’ I pass them over. He is saying something about being late for a job. I nod. I say something about I don’t know what exactly. He almost bumps his head into a reproduction ceiling beam. I walk ahead of him to the door. I am saying inconsequential things, about the farm, about his mother. Then he is gone.

      I stand in the tiny hallway for a moment, still holding the scissors, scowling. Then I walk through to the kitchen again. My thoughts keep returning to Shimmy, what he’d said about Shimmy. ‘Has Shimmy visited the bungalow lately?’

      Strange. Why’d he say that? Why’d he ask that?

      I cast my eyes around the room, frustratedly, irritably. It is then that I see an alien, little object on the edge of the counter-top. What …? I frown and draw closer. It is a tiny, wooden, Russian minaret, a humble thing, home-made, daubed in worn white and ochre and black. I pick it up, fascinated, and twist the small, stiff bulb which eventually comes loose to reveal – hidden within – a little selection of slightly rusty needles, pins and a small roll of faded threads.

      Oh my goodness!

      How utterly adorable!

      Clifford Bickerton.

      Clifford bloody Bickerton!

      ‘Never. Offer. Help. Carla. Hahn,’ I murmur.

       Mr Franklin D. Huff

      I don’t know why, but I have the distinct feeling that Mrs Barrow knows more than she’s letting on. When she arrived for work this morning (pristine gingham housecoat, Dr Scholl wooden sandals combined with thick tan tights, brown nylon A-line skirt, trusty emu-feather duster held incongruously aloft like the proud baton of a Marching Band leader) the whole cottage was still shrill with the hyperactive buzz of bluebottles.

      I had found some brief respite, overnight, in the small, spare room (the ‘box’ room as I casually refer to it) which seemed like the only place in the whole cottage not utterly overtaken (doused, eclipsed) by the rank odour of rotten fish. The flies were everywhere – everywhere – yet this was also the only place in the entire cottage that they didn’t seem to feel especially drawn to. Not a single fly came in to pester me as I fitfully slumbered (or if they did, I had no inkling of it), although the door had – somewhat stupidly – been left ajar for the best part of the night after a lumbering visit to the bathroom.

      I showed Mrs Barrow the damage (almost with a small measure of pride – a secret hankering for approval: Mrs Barrow! Observe my suffering – my confusion – my persecution!).

      ‘The bin has been dumped on top of the Look Out.’ I pointed.

      ‘The bulb on the front porch is gone … Presumed stolen.

      ‘A tiny pebble has been thrown through the bathroom window …’ (Of course I didn’t take her in there, the rabbit being hidden, temporarily, under an upturned washing-up bowl.)

      And finally … the Pièce de Résistance! I led her out on to the little back porch (the postage-stamp-sized – and badly fenced – scrap of garden to the fore; a lovely mess of blue and mauve: wild asters, bugloss, scabious and sea holly; cusping a sheer, thirty-foot drop to ground level, but still hemmed in from the beach proper by yet more dampness: some swampy common ground, the thin end of the not-so-Grand Military Canal, the road beyond and, of course, the sea wall) where the big fish is currently in situ on the old bench (which I broke the back slat of two days ago while removing a boot). She pinches her nose.

      ‘It was hidden in my suitcase under the bed,’ I explain.

      She thinks for a short while. ‘You’re sure as you didn’t put it in there yourself, Mr Huff,’ she wonders, ‘and then forget?’

      I am – quite frankly – incensed by this question.

      ‘What earthly reason d’you imagine I might have had for doing that?’ I demand.

      She shrugs.

      ‘This is a shark, Mrs Barrow! How exactly do you expect I might go about