Distant Voices. Barbara Erskine

       When the Chestnut Blossoms Fall

      

       The Inheritance

      

       Dance Little Lady

      

       Rosemary and Thyme

      

       Flowers for the Teacher

      

       A Family Affair

      

       Networking

      

       Catherine’s Cat

      

       Stranger’s Choice

      

       Aboard the Moonbeam

      

       Choices

      

       Two’s Company

       Keep Reading Barbara Erskine's Novels

      

       Keep Reading Sleeper’s Castle

      

       About the Author

      

       Also by Barbara Erskine

      

       About the Publisher

       Preface

      When my first collection of short stories, Encounters, was published in 1990 I did not expect to be asked to compile a second, so I was enormously pleased to find myself writing some new stories, and making a further selection amongst my old ones, for Distant Voices.

      I still very much enjoy writing short stories. For me they are the sorbet between the courses of longer novels. They freshen and stimulate the palate. They indulge the writer’s and the reader’s whim with a quick glimpse into shadow or sunlight. They intrigue, they titillate, they frighten or they amuse.

      As in Encounters those stories that are not new have been chosen from more than two decades of writing and are very varied in theme. To select a few for comment or explanation might help to put the collection in context. Three of the stories, for example, A Test of Love, To Adam a Son and Flowers for the Teacher are unsophisticated and sentimental, written in the early seventies for the so-called true-life market, while others like Witchcraft for Today and When the Chestnut Blossoms Fall depict incidents in an older world where romance has grown a little cynical.

      There are of course ghost stories – two inspired by my own garden. The core story in Frost came from a sad tale told me about a greenhouse here, thankfully perhaps, now demolished; Rosemary and Thyme is based on an experience which I had myself whilst weeding in my herb garden one morning in early spring.

      Catherine’s Cat has laid to rest (or perhaps not?) a terror which haunted me for a while as a child and made bedtime a torment for many months – the suitcase on the wardrobe. The Duck Shoot Man was based on an incident which happened to my mother and my grandmother and myself when we paused on a journey to Edinburgh and spent the night on Lindisfarne.

      Dance Little Lady (purely imagination, this one!) was written in the brash eighties; The Toy Soldier (inspired by a toy we found in our cottage) in the more thoughtful nineties, a time of redundancy and re-evaluation.

      There are many more, about different times and different places, depicting different moods and both the strange and the mundane.

      Three of the stories are much longer than the others. Dance Little Lady, A Family Affair and Watch the Wall are almost novellas – two mini thrillers and one a historical romance – something to get your teeth into.

      Whatever the length and whatever the subject, I hope you enjoy reading them as much as I enjoyed writing them.

       Distant Voices

      The lock was stiff and the door swollen. It was several seconds before Jan could force it open and peer at last from the bright sunlight of the porch into the darkness of the house.

      As she had climbed out of the car, which was parked on the overgrown gravel of the drive, and looked up at the grey stone façade, she had felt a strange nervousness.

      ‘Go and have a look round, my dear. Take as long as you like.’ David Seymour had pressed the large iron key into her hand the day before, when she had met him for the first time. ‘I want you to get a feel of how it was.’ He smiled at her, his gentle face dissolving into a network of deep wrinkles, contradicting his initial wariness. ‘Then we’ll talk. Later.’

      His grandson, Simon, had been with him. ‘Simon’s an architect. Clever chap.’ The old man had introduced him fondly. The young man was tall and fair with his grandfather’s piercing eyes. Where the older man had the look of a buzzard, hunched, predatory, the younger version was an eagle, right down to the aquiline nose. He had held out his hand to Jan, but his appraisal of her was anything but friendly. Clever he may be, she decided instantly, but also hostile, defensive, and summoned, she suspected, to guard his grandfather’s privacy.

      Of all the people there on that fatal night fifty years ago, David Seymour had been the hardest to approach. And without him she would get nowhere. He had been, after all, the husband.

      She had looked forward so much to this part of her research. Interviewing the people concerned; comparing their memories; putting the pieces of the jigsaw together. But it was harder than she had imagined. Some of the people there had suppressed what had happened for over fifty years. The memories were painful, even after so long. To have an inquisitive journalist raking over the past was the last thing many of them wanted.

      She took a step into the darkness of the house and paused. It smelled damp and musty. The floors were dusty and cobwebs hung festooned across the landing window. She peered along the corridor towards the staircase which swept uncarpeted up towards the light and then round and out of sight.

      That must have been where she fell.

      Behind her the door creaked. A wind was getting up. She could hear the rustling of the leaves on the oaks which grew on either side of the long driveway and she shivered, half wishing now that she had brought someone with her. ‘This is silly.’ The sound of her voice in the intense silence was an intrusion, but a necessary one. She reached into her soft leather shoulder bag and brought