Rushing to Paradise. Rivka Galchen

schoolmistress to doting mother in a way that always disarmed him. She was forever touching Neil, peering into his eyes and checking his urine as if carrying out a running inventory of his working parts, a calculated appeal to a sixteen-year-old’s libido that he could barely resist, whatever its motives. Once, when she hugged him playfully in the galley, a slice of sweet potato between her teeth, he had been tempted to strip naked in front of her.

      ‘Neil, get ready to start the film. I can smell the French …’

      Neil slipped the camera from its waterproof case. Kimo had cut the engine, and they rolled with the waves towards the shore, where the palms formed a dense palisade above a beach of black volcanic ash. Dr Barbara threw aside her weather-jacket and stood legs apart in the bows, shoulders squared and blonde hair flying like a battle-standard on the wind.

      As always, Neil enjoyed filming her in close-up. Through the viewfinder he could see the exposure sores on her face, and her left nipple extruding itself through the wet cotton of her shirt, an eye-catcher for the television news bulletins or the covers of Quick and Paris-Match. He steadied himself against the float as an overtaking wave eased them from its back, and zoomed in on Dr Barbara’s high nose and determined mouth, wondering if she had been plain or beautiful as a medical student in Edinburgh twenty years earlier.

      ‘Take lots of film of the island,’ she told him, now directing the documentary of which she was already star and scriptwriter. ‘And get as many birds as you can.’

      ‘There are no albatross. Only these boobies.’

      ‘Just film the birds – any birds. Good God …!’

      Neil sucked his numbed fingers and fumbled with the miniaturized controls of the Japanese camera. He had been working as a part-time projectionist at the film school of the University of Hawaii when Dr Barbara recruited him, and despite everything he said to the contrary she instantly convinced herself that he was a skilled cine-photographer. Fortunately the camera refocused itself, and he began to film a panorama of Saint-Esprit. The atoll was a chain of sand-bars and coral islets, the rim of a submerged volcanic crater that enclosed a lagoon five miles in diameter. The largest of the islands lay to the south-west of the lagoon, a crescent of dense forest and overgrown plantations dominated by a rocky mass that rose to a summit four hundred feet above the beach.

      Searching for the threatened sea-birds, the great ocean-wanderers, Neil panned across the cliffs. The fluted cornices of blue lava together resembled the corpse of a mountain dead for millennia, propped into the sky like a cadaver sitting in an open grave. A tenacious vegetation clung to the exposed chimneys, living wreaths feasting on a set of aerial tombs. No albatross had yet appeared, but a steel tower stood on the summit, its cables slanting through the forest canopy.

      The slender lattice was too frail to bear the weight of a nuclear device, and Neil assumed that it was an old radio mast. As they rode the last waves towards the beach he fixed the camera lens on the tower, hoping that its rigid vertical would restrain his stomach before it could climb into his throat. Thinking of the newsreels of atomic tests, he imagined a bomb detonated at its apex, releasing a ball of plasma hotter than the sun. For all Dr Barbara’s passion for the albatross, the nuclear testing-ground had a stronger claim on his imagination. No bomb had ever exploded on Saint-Esprit, but the atoll, like Eniwetok, Mururoa and Bikini, was a demonstration model of Armageddon, a dream of war and death that lay beyond the reach of any moratorium.

      The stern of the inflatable rose as the last breaker swept them towards the beach. Neil stowed the megaphone and camera in the satchel and sealed the waterproof tapes, bracing himself against the centre bench. Dr Barbara crouched like a commando in the bows, fists gripping the mooring line. Two-bladed oar in his huge hands, Kimo stood astride the engine, holding the craft on the curved shoulders of the wave. The rolling wall crumbled in a white rush that hurled the inflatable onto its side and sent the oar windmilling through the spray.

      Bludgeoned by the violent surf, they swam through the waist-deep water as the craft broke free from the sea and slewed across the sand. Carrying the satchel over his head, Neil forced himself against the undertow and waded through the slurred foam. Kimo dragged the inflatable onto the narrow shelf below the palms, and calmed the trembling rubber hull with his massive arms. Dr Barbara retrieved the oar, but a wave struck her thighs, knocking her from her feet. She fell to her knees in the seething water, stood up with her shirt around her waist and seized Neil’s hands when he pulled her onto the beach.

      ‘Good chap … are we all here? Where’s the camera?’

      ‘It’s safe, Dr Barbara.’

      ‘Hang on to it – the world’s watching us through that little lens …’

      She sat gasping on the sand beside Neil and wiped the water from her salt-roughened cheeks. Snorting the phlegm from her nostrils, she stared back at the sea, openly admiring its aggression. Still breathless, Neil leaned against the coarse sand. After the three-week voyage, the endless yawing and rolling deck, the sheer immobility of the island made him giddy. The black ash was covered with coconut husks, yellowing palm fronds, spurs of pallid driftwood and the shells of rotting crabs. Over everything hung the stench of dead fish. The sun had vanished behind the forest canopy and a cold spray enveloped the island. A few feet away, through the trees behind them, was an insect realm of high-pitched chittering, dank mist and over-ripe vegetation.

      ‘Right … time to move on.’ Dr Barbara stood up and shook the water from her shirt. ‘Kimo, it’s up to you to get us out again.’

      ‘We’ll make it, doctor. I’ll fool the sea for you.’ As the foam surged around his feet Kimo worked on the outboard motor, clearing the sand from the air intakes. ‘We’ll wait for high tide, two hours from now.’

      ‘Two hours? I hope that’s enough. The French may be having lunch … Now, where’s Neil?’

      Neil touched her ankle. ‘Still here, Dr Barbara, I think …’

      Dr Barbara squatted beside him, buttoning her shirt from his queasy gaze. ‘Of course you’re here. Don’t lose heart, Neil. I need you now – you’re the only one who can work the camera.’

      She brushed the damp hair from his eyes and ran her hand over his muscular arms, as if reminding herself that he was still the pugnacious and lazy youth she had met one evening in Waikiki, dreaming of atomic islands and marathon swims. During the voyage from Papeete she had spared him from the more arduous tasks, leaving Kimo to shift the heavy sails and work the bilge pump, and Neil sensed that he was being saved for a more exacting role than that of expedition cameraman.

      ‘How long do we stay on Saint-Esprit?’ he asked.

      ‘Long enough to make the film. We can’t help the albatross yet, but we can show people what’s happening here.’

      ‘Doctor …’ Neil gestured at the deserted beach and the clouds of mosquitoes. ‘Nothing’s happening.’

      ‘Neil!’ Dr Barbara forced him to sit up. ‘Send some sort of current through that brain of yours. We’ve almost reached the year 2000 – let’s make sure the planet’s waiting for us when we get there.’

      ‘That’s why I came,’ Neil assured her. ‘I want to save the albatross, Dr Barbara.’

      ‘I know you do. I wish there were more young men like you. We’ve got to protect everything here, not just the albatross but every palm and vine and blade of grass.’ She waved away the mosquitoes that hovered over Neil’s lips. ‘We’ll even save the mosquito!’

      Needless to say, she had forgotten to pack any repellent. Himself the son of a doctor, a London radiologist who had died three years earlier, Neil again wondered if Dr Barbara was a real physician. Through her damp shirt he could see the tattered underwear held together by safety pins, and the zip of her trousers tied into place with fuse wire. He followed her to the inflatable, which Kimo had readied for departure, its bows facing the sea. She sat on the rubber float, a worn hand touching the outboard, and stared in a bleak way at the waves. For all her calls to action, she seemed disoriented by the size of the atoll.

      She