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      J. G. BALLARD

       Rushing to Paradise

      Fourth Estate An imprint of HarperCollinsPublishers 77–85 Fulham Palace Road London W6 8JB 4thestate.co.uk

      This edition published by Fourth Estate in 2014

      First published in Great Britain by Flamingo in 1994

      Copyright © J. G. Ballard 1994

      The right of J. G. Ballard to be identified as the author of this work has been asserted by him in accordance with the Copyright, Design and Patents Act 1988

      Introduction © Rivka Galchen 2014

      ‘The Sage of Shepperton’ © Travis Elborough 2008

      A catalogue record for this book is available from the British Library

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

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      This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

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      Cover by Stanley Donwood,

      Assembled from a digitally manipulated linocut, iPhone photos and a photograph of atomic bombing of Nagasaki on August 9, 1945, taken by Charles Levy © Corbis.

      EPub Edition © JUNE 2012 ISBN: 9780007384891

      Version 2014-09-25

       From the Reviews of Rushing to Paradise:

      ‘Mesmerising and poetic … compulsive reading’

       Financial Times

      ‘A subversive version of Lord of the Flies … Ballard’s relentless intelligence and wildly irreverent, absurdist humour collaborate in creating comically satiric sequences. A body blow to the pretensions in our century’

       Irish Times

      ‘Rushing to Paradise, which marks a return to the ecocidal territory of his first novel, The Drowned World, and has much in common also with the atavistic violence of Hello America and High-Rise, is essentially a portrait of the imagination of disaster … His ear for the descriptive cadence is unerringly acute, and while his imitators can only struggle to render violence explosively literal, Ballard remains a profound elegist of decay’

       Times Literary Supplement

      ‘A satisfyingly bizarre mixture of fantasy and fact … a dystopian vision of a paradise island overrun by a band of environmentalists’

       Sunday Times

      Contents

       Title Page

       Copyright

      From the Reviews of Rushing to Paradise

      Introduction by Rivka Galchen

      PART I

1: Saving the Albatross

2: Protesting Too Much

3: The Dugong

       4: The Shore Raid

       5: Island People

       6: The View from a Camera-Tower

       7: The Rainbow Pirates

       8: The Gift Mountain

       PART II

       9: The Ecology of Paradise

       10: The Attack on the Beach

       11: The Breeding-Station

       12: Fever in the Blood

       13: Hunters and Lovers

       PART III

       14: A New Arrival

       15: Volunteers

       16: A Banquet of the Fathoms

       17: The End of Love

       18: A Gift to a Death

       19: Lilies of the Sanctuary

       20: The Secret Door

       The Sage of Shepperton

       About the Author

       By the Same Author

       About the Publisher

       Introduction by Rivka Galchen

      ‘On waking one morning, B was surprised to see that Shepperton was deserted,’ begins J. G. Ballard in one of the very last short stories he wrote, ‘The Secret Autobiography of J. G. B.’ B’s newspaper has not been delivered, the power is out, he goes next door to complain to his neighbour and finds no neighbour there, nor any traffic on the streets, nor anyone at the train station. ‘Thinking that perhaps some terrible calamity was imminent,’ he checks the transistor radio, and finds no signal coming from the UK, no signal from the entire continent.

      The scenario is one we associate with alarm, and with apocalypse. Yet Ballard’s language tells a counter-tale. The gentle ‘perhaps’, the mild m’s of ‘calamity was imminent’, even the childlike ‘B was surprised’ as a reaction to a deserted Shepperton – these may be end times, but they aren’t being met with weeping and gnashing of teeth.

      B drives to check in on a friend; she is not there. He breaks into Scotland Yard, into the Houses of Parliament, still he finds no one. B sails across the Channel to France; he returns. Only at the zoo does he find some signs of life. He sets free some caged hungry birds, and months later the birds visit his lawn, where he has scattered rice and seeds for them. B remains without a single human companion. Yet the story doesn’t end on a note of loneliness, or mourning, or madness, or with a slow radiation death, or a return of civilization, or a waking from a dream. Instead, ‘Thus the year ended peacefully, and B was ready