Under Fire: The Story of a Squad. Henri Barbusse

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Название Under Fire: The Story of a Squad
Автор произведения Henri Barbusse
Жанр Историческая фантастика
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Издательство Историческая фантастика
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and send it broadcast over our shoulders! Now we are garbed in a stuff of light gray and our faces are pallid masks, thickest on the eyebrows and mustaches, on beards, and the cracks of wrinkles. Though still ourselves, we look like strange old men.

      "When we're old buffers, we shall be as ugly as this," says Tirette.

      "Tu craches blanc," declares Biquet.4

      When a halt puts us out of action, you might take us for rows of plaster statues, with some dirty indications of humanity showing through.

      We move again, silent and chagrined. Every step becomes hard to complete. Our faces assume congealed and fixed grimaces under the wan leprosy of dust. The unending effort contracts us and quite fills us with dismal weariness and disgust.

      We espy at last the long-sought oasis. Beyond a hill, on a still higher one, some slated roofs peep from clusters of foliage as brightly green as a salad. The village is there, and our looks embrace it, but we are not there yet. For a long time it seems to recede as fast as the regiment crawls towards it.

      At long last, on the stroke of noon, we reach the quarters that had begun to appear a pretense and a legend. In regular step and with rifles on shoulders, the regiment floods the street of Gauchin-l'Abbe right to its edges. Most of the villages of the Pas du Calais are composed of a single street, but such a street! It is often several kilometers long. In this one, the street divides in front of the mairie and forms two others, so that the hamlet becomes a big Y, brokenly bordered by low-built dwellings.

      The cyclists, the officers, the orderlies, break away from the long moving mass. Then, as they come up, a few of the men at a time are swallowed up by the barns, the still available houses being reserved for officers and departments. Our half-company is led at first to the end of the village, and then—by some misunderstanding among the quartermasters—back to the other end, the one by which we entered. This oscillation takes up time, and the squad, dragged thus from north to south and from south to north, heavily fatigued and irritated by wasted walking, evinces feverish impatience. For it is supremely important to be installed and set free as early as possible if we are to carry out the plan we have cherished so long—to find a native with some little place to let, and a table where the squad can have its meals. We have talked a good deal about this idea and its delightful advantages. We have taken counsel, subscribed to a common fund, and decided that this time we will take the header into the additional outlay.

      But will it be possible? Very many places are already snapped up. We are not the only ones to bring our dream of comfort here, and it will be a race for that table. Three companies are coming in after ours, but four were here before us, and there are the officers, the cooks of the hospital staff for the Section, and the clerks, the drivers, the orderlies and others, official cooks of the sergeants' mess, and I don't know how many more. All these men are more influential than the soldiers of the line, they have more mobility and more money, and can bring off their schemes beforehand. Already, while we march four abreast towards the barn assigned to the squad, we see some of these jokers across the conquered thresholds, domestically busy.

      Tirette imitates the sounds of lowing and bleating—"There's our cattle-shed." A fairly big barn. The chopped straw smells of night-soil, and our feet stir up clouds of dust. But it is almost enclosed. We choose our places and cast off our equipment.

      Those who dreamed yet once again of a special sort of Paradise sing low—yet once again. "Look now, it seems as ugly as the other places."—"It's something like the same."—"Naturally."

      But there is no time to waste in talking. The thing is to get clear and be after the others with all strength and speed. We hurry out. In spite of broken backs and aching feet, we set ourselves savagely to this last effort on which the comfort of a week depends.

      The squad divides into two patrols and sets off at the double, one to left and one to right along the street, which is already obstructed by busy questing poilus; and all the groups see and watch each other—and hurry. In places there are collisions, jostlings, and abuse.

      "Let's begin down there at once, or our goose'll be cooked!" I have an impression of a kind of fierce battle between all the soldiers, in the streets of the village they have just occupied. "For us," says Marthereau, "war is always struggling and fighting—always, always."

      We knock at door after door, we show ourselves timidly, we offer ourselves like undesirable goods. A voice arises among us, "You haven't a bit of a corner, madame, for some soldiers? We would pay."

      "No—you see, I've got officers—under-officers, that is—you see, it's the mess for the band, and the secretaries, and the gentlemen of the ambulance—"

      Vexation after vexation. We close again, one after the other, all the doors we had half-opened, and look at each other, on the wrong side of the threshold, with dwindling hope in our eyes.

      "Bon Dieu! You'll see that we shan't find anything," growls Barque. "Damn those chaps that got on the midden before us!"

      The human flood reaches high-water mark everywhere. The three streets are all growing dark as each overflows into another. Some natives cross our path, old men or ill-shapen, contorted in their walk, stunted in the face; and even young people, too, over whom hovers the mystery of secret disorders or political connections. As for the petticoats, there are old women and many young ones—fat, with well-padded cheeks, and equal to geese in their whiteness.

      Suddenly, in an alley between two houses, I have a fleeting vision of a woman who crossed the shadowy gap—Eudoxie! Eudoxie, the fairy woman whom Lamuse hunted like a satyr, away back in the country, that morning we brought back Volpatte wounded, and Fouillade, the woman I saw leaning from the spinney's edge and bound to Farfadet in a mutual smile. It is she whom I just glimpsed like a gleam of sunshine in that alley. But the gleam was eclipsed by the tail of a wall, and the place thereof relapsed upon gloom. She here, already! Then she has followed our long and painful trek! She is attracted—?

      And she looks like one allured, too. Brief glimpse though it was of her face and its crown of fair hair, plainly I saw that she was serious, thoughtful, absentminded.

      Lamuse, following close on my heels, saw nothing, and I do not tell him. He will discover quite soon enough the bright presence of that lovely flame where he would fain cast himself bodily, though it evades him like a Will-o'-th'-wisp. For the moment, besides, we are on business bent. The coveted corner must be won. We resume the hunt with the energy of despair. Barque leads us on; he has taken the matter to heart. He is trembling—you can see it in his dusty scalp. He guides us, nose to the wind. He suggests that we make an attempt on that yellow door over there. Forward!

      Near the yellow door, we encounter a shape down-bent. Blaire, his foot on a milestone, is reducing the bulk of his boot with his knife, and plaster-like debris is falling fast. He might be engaged in sculpture.

      "You never had your feet so white before," jeers Barque. "Rotting apart," says Blaire, "you don't know where it is, that special van?" He goes on to explain: "I've got to look up the dentist-van, so they can grapple with my ivories, and strip off the old grinders that's left. Oui, seems it's stationed here, the chop-caravan."

      He folds up his knife, pockets it, and goes off alongside the wall, possessed by the thought of his jaw-bones' new lease of life.

      Once more we put up our beggars' petition: "Good-day, madame; you haven't got a little corner where we could feed? We would pay, of course, we would pay—"

      Through the glass of the low window we see lifted the face of an old man—like a fish in a bowl, it looks—a face curiously flat, and lined with parallel wrinkles, like a page of old manuscript.

      "You've the little shed there."

      "There's no room in the shed, and when the washing's done there—"

      Barque seizes the chance. "It'll do very likely. May we see it?"

      "We do the washing there," mutters the woman, continuing to wield her broom.

      "You know," says Barque, with a smile and an engaging air, "we're not like those disagreeable people who get drunk and make themselves a nuisance. May we have a look?"

      The woman has let her



<p>4</p>

Pity to spoil this jest by translation, but Biquet's primary meaning was "You're cross because you've a throat like a lime-kiln." His secondary or literal meaning is obvious.—Tr.