The Unbreakable Trilogy. Primula Bond

to keep it still. ‘I told you I had a proposition for you, so I’ll get straight to the point. I want you to hold all your other appointments. I don’t want you to rush off anywhere, Serena, because I’ve had a look at your work and I like it. I think I can help you. I want to help you.’

      ‘My work? How did you take a look?’

      ‘Simple.’ He picks up my camera bag, takes out the Lumix. ‘You just switch on this little device, press the screen button and presto. Scroll through all the images.’

      I laugh at the faux advertising speak. ‘I should be very cross with you for invading my privacy, Mr Levi. For all I know you could have copied the lot onto your computer by now, even though they’re my intellectual property!’

      ‘Industrial espionage. I like it. But not nearly as much fun as just coming to a good, old-fashioned, quid pro quo arrangement, eh?’

      There’s a brief, easy silence between us. I glance at him, his eyes holding mine, then walk past him towards the light, suddenly exquisitely self-conscious in my dress, aware of my legs, exposed as they swish in their stockings. I’m trying to walk elegantly in the shiny boots. If I feel a fraud dressed like this, I’m a fraud who is about to make something happen.

      I sit down on the broad window sill. The light is behind me so he’s at a disadvantage now. He’s forced to swivel sideways.

      ‘So what did you see on my camera?’

      He holds his fingers up and counts them off. ‘The little witch at the back of the line falling over. The others all standing there, huffing and puffing till she got up again. The streetlight casting those triangular shadows from their hats. But much more besides. I seem to have got a kind of potted history of your life. Well, your travels anyway. Egypt. Morocco. France.’

      ‘And there’s more. Venice, that was my favourite. Here, in my portfolio.’

      ‘Which I will look at, too, if you’ll let me. There’s so much talent here.’ He walks over to the other end of the window sill and wags his finger at me. ‘I’m not just saying it. I know how tough it is when you’re starting out. And what I can see in front of me is a girl who could use a break.’

      ‘Yes, I could. Of course I could.’ I grip the edge of the window sill. ‘But I’ve only just got to London. I’ve got to give it my best shot. There’s lots of places to try before I start taking charity.’

      ‘Who said anything about charity?’ He slams his hands down on his knees. What did I say yesterday about crossing him? About those hands being able to twist necks? ‘Don’t be so stubborn, Serena. Everyone needs a leg-up in life, especially in the arts world. And I’m just the guy you need. I’m not kidding you.’ His black eyes are deadly serious now. They are boring into mine, boring into all that misplaced pride, clumsy resistance. They’re sucking me in again. ‘I’m the answer to your prayers.’

      I feel unbalanced, dizzy. Rest my back against the cold glass as I wait for the prickling goosebumps on my skin to subside.

      ‘You know nothing about me,’ I say softly. If we keep talking at least I can stay here a little longer. I wish I could press myself against him again, touch him, have his arms pinning me there, stopping me from leaving.

      ‘That’s not strictly true. I learned a lot about you last night. And now I also know you have talent.’

      He stands. God he’s tall. I get a crick in my neck just staring at him. He comes towards me, fans his fingers under my jaw, pauses, strokes a little further down my neck. ‘Last night’s chance meeting will prove to be a stroke of luck for both of us.’

      ‘How?’

      His black eyes are devouring me again. Glittering, and deep, drawing me further in. Less demonic today. More mesmeric. Something is being drawn out of me. Not my energy. Quite the opposite. It’s resistance and anxiety he’s taking away. I feel as if I’m being charged up, like I’ve been plugged into the mains.

      His hand rests on my cheek a little longer, then he stands abruptly and goes back to sit behind his desk. Steeples his fingers.

      ‘I’m in danger of losing my concentration,’ he says, clearing his throat. His hair finally gives up and falls away from where he’s combed it back. ‘I’m going to have to come clean and admit that you have an extraordinary effect on me, Serena. I thought you’d walked out of my life yesterday, off to your party.’

      ‘I didn’t want to go.’

      ‘Your cousin must have been chuffed you made it. Your friends.’ He cuts through me, pushing his hair back. ‘But I haven’t been able to stop thinking about you since yesterday. So let’s start again. Let’s turn this into an interview. Please take a seat.’

      ‘All a bit formal?’ I laugh, but he waves towards the white leather chair in front of his desk. Obediently I change seats.

      ‘Too right. Now. I have mounted photographic exhibitions many times, as well as fine arts, installations. Even concerts. I’ve sponsored some very famous names while they were struggling to get a foot on the ladder. So not only can I afford to take a risk with an emerging talent like yours, Serena. I am positively seeking out fresh blood.’

      ‘You make me sound like a rare steak.’

      ‘The rarer and bloodier, the better.’ He grins. His face goes light. It’s totally unexpected, like a flash of lightning on a sunny day. I’m liking his interview technique. ‘Come on. We all have to take leaps into the dark. How else are people going to notice you or your work? I can offer you the venue, the publicity machine, the marketing. The media exposure.’

      I sit very still, very quiet. I’m still digesting what he said about being unable to stop thinking about me.

      ‘What’s in it for you?’

      ‘Well, firstly it has all the promise of a very lucrative, no, rewarding partnership. I’ll have priceless modern art on my walls. It’s essential to keep one’s finger on the pulse, especially with fledgling talent. Maybe I’ll even buy some for my private collection at home. And if we work towards a sell-out between now and Christmas, from there on in you’ll be able to charge whatever you like for your work.’

      ‘That really is a leap of faith. It all sounds too good to be true, Mr Levi.’

      ‘Gustav.’

      ‘So what’s the catch?’

      He taps his fingers against his lips. So suave. So scary. His eyes sparking with a kind of mischief now.

      ‘I don’t see it as a catch. I see it as something beneficial for both of us. Like I said, a quid pro quo. You scratch my back, I’ll scratch yours. Because I have seen something daring and brave in you, Serena. I’ve seen … well, I think we get on. Yes?’

      The way he’s staring at me now. Even behind his desk. Behind his hands. He’s doing something to me. I cross my legs, aware of how bare they feel under this dress. Also aware, with an inward gasp, of a softening dampness.

      ‘What’s daring and brave got to do with your showcasing my work?’

      ‘Because of how I want this to go. How I propose you repay me.’

      This is where Polly would be jumping up and down saying I’m right, I’m right, watch him, he’s after something.

      Yes, yes! I hope he is! I want him to be after something, however reckless that sounds. Because I am after something too.

      But what I actually say is, ‘Money. We haven’t talked about money.’

      No, not wet, I’m imagining things. I shift about on the chair. Just warm from the white leather that’s sticking to me. I lace my fingers in front of my knee, let it swing. The leg looks quite elegant in the opaque stockings, just like the stockings worn by these filles de joie in the Parisian pictures on the walls.

      ‘I’m trying