The Unbreakable Trilogy. Primula Bond

forget men. Forget sex. I just want to show you off to my friends! Who knows, someone might offer you a photographic commission. Tomas is big in the film industry.’

      I hold her tight. Kiss her cheek. I smell Eternity, by Calvin Klein. Just like mine. ‘Baby steps, Pol. I’m not a player like you. Not yet, anyway. I want to see if I can make it here in London, first. Come back and check me out in a year’s time. Who knows? I might be ready to fly by then!’

      ‘I’ll be back sooner than that. OK. Piss off into the night like a little bat, then! Take Pierre’s car. It’s the incredibly expensive and luxurious red Bentley parked outside. His driver will make sure you get back to the flat safely. And keep the dress. My gift to you. You look magical this evening.’

      ‘That’s down to you, Pol. Tomas just mentioned what a great stylist you are.’

      ‘Tonight London, tomorrow the world!’ She gives me a little shake, then another huge hug. ‘But you know, you’re looking so good tonight. Kind of ragged, and feverish. If you really are off men, then celibacy suits you!’

      I have left the blinds open in Polly’s flat and through the huge plate-glass window the River Thames glints like steel under the night as it slides under Tower Bridge. Fireworks are spattering somewhere over to the east where the Docklands railway will be trundling lethargically around the glittering skyscrapers.

      I ease the dress off my shoulders, managing to get enough buttons undone until it sheds like a second skin. My reflection is overlaid by the river, but I can see my body unpeeled in the moonlight, the body hidden in its laddish layers from Gustav Levi. The body that Polly dressed up like her dolly, that Tomas tried half-heartedly to ravish. But neither of them got down to the skin, did they? They didn’t see the whole of me.

      My breasts, released from the dress and the bra, are high and full. I cup them gently, so heavy and warm, hold them forwards, watch as soon as they make contact with the cold glass how the nipples pinch into dark red points, an answering tightness behind my navel, the bounce of my breasts as my heart expresses its interest.

      Jake didn’t like my breasts. It was as if he was scared of them. He’d ogle other people’s tits, as he called them, or comment on pictures in magazines, but he never touched mine except to give them a brief squeeze and a token rub before we scrabbled out of our clothes and lay down on that narrow bed. I’d push them into his hands. I’d try to kneel up over him and push them at his mouth, but he’d give them a cursory fondle before pushing me onto my back and getting down to what he really wanted.

      These buried untried responses are like roses that will shrivel if they are not pruned. A vine that will wither if it’s not plucked. Any poetic image you choose. I’m alone tonight, I can set it to music if I want.

      When the nipples go hard like this they burn and prick, little beacons, bright cheerleaders waving their pom poms, no, that’s a daft simile, they are just a pair of super sensitive buds that set off the train of wanting, the heavy ache pulling down to my centre, travelling towards a really deep, dark desire which I know has never been truly awoken.

      What are they all doing now? Polly and her friends, dancing in a hoola round Covent Garden or crossing the Strand and demanding breakfast in the River Room of the Savoy where she is staying with her rich boyfriend. Jake, strumming discordantly on his guitar, cigarette dangling out of his mouth like James Dean, glowering at the sea beneath his caravan.

      Gustav – I can’t picture him. Maybe he’s still sitting up on that high stool, turning the stem of his refilled cocktail in his long fingers while the barman polishes the glasses and tries not to glance pointedly at the clock ticking away at his overtime.

      I lie down on Polly’s queen-sized bed, just in my knickers, my hands resting on my breasts. In my cousin’s walk-in closet is a wardrobe full of cellophane-wrapped dresses and suits and blouses, all for me to borrow, she said. All swaying as if in a breeze, or as if someone has just brushed their hands along them.

      One hand trails down my flat stomach and onwards, into my knickers. The images of the last two days stalk across my mind like the credits of a movie. Now there’s just me, naked and alone on this low white bed, resisting the warm tugging between my legs, teased into being by all that’s happened. Not by Tomas and his tumescent toga. Not by the desire biting in his mouth, the hardness lifting the white cotton.

      I’m turned on by the thought of Gustav’s wrist when I pulled off his glove in the square. Gustav’s finger, hooking my hair behind my ear.

      So my fingers trail down, and into my knickers, pull them aside and then right off, stroking and parting myself. I’m too lazy to find anything else to use on myself. I push in a little more, the warmth and wetness, withdrawing, pushing in harder, and what makes me flower brightly under my own probing fingers is no amount of music or poetry or lovely photographs.

       I’m not frigid.

      As dawn blossoms over my drowsy face, what makes the wetness spring and spark is the wondering of how Gustav Levi’s mouth would feel, kissing me right there.

      CHAPTER FIVE

      I have actually run some of the way to get here. I tell myself it’s only because I’m desperate to get my cameras back.

      He’s told me which way to come and now I’m in a street on the other side of the river, practically next door to the Savoy Hotel in fact. But Polly is long gone.

      I didn’t wake up until midday. The first thing I did was look for Gustav Levi’s business card. And I couldn’t find it. I tipped my jacket upside down, inside out, shook it. It was plain white, thick, his name in a thick black Modoni font. I tried to envisage the number across the bottom. I couldn’t. I hadn’t even read the card. I must have dropped it in the street. At the party. In Pierre’s red car.

      I slammed my hands down on the bed. Then I forced myself to count to ten and walk to the window and back ten times. My camera. My cameras. Think. My life’s work is stored in there.

      My mobile phone buzzed on the table beside the bed. I can’t think who that is. Please not Jake. And I’ll kill Polly if she gave Tomas my number. I don’t want to have to find the words to put him off. No. Stay calm. It could be one of those galleries. Number unknown.

      ‘Yes. Serena Folkes here. Hello?’

      There was a pause. Then, ‘Ah. Serena.’

      His voice was even deeper than I remembered, pouring treacle. My knees went from under me and I fell onto the bed.

      ‘Gustav! Mr Levi. Oh my God. You don’t know how happy I am to hear from you!’

      He chuckled. I could hear low voices and brisk footsteps in the background. He sounded as if he was an echoing room.

      ‘Maybe you could come and show me how happy?’

      ‘How did you find me?’

      ‘The wonders of technology, Serena. I just made a note of your mobile number when you left your phone with me in the bar last evening. If you go to your contacts you’ll see I’ve added myself in there, too. So now we’re both armed with vital information. I told you I wanted to see you again, and I meant it.’

      I just stared stupidly at the phone.

      ‘You do want your cameras back, don’t you?’

      Yes I did. I do. And so it was arranged.

      This must be it. There’s a flight of steps and big glass doors up ahead of me, but before I reach them and check the address I stop to look at the publicity poster attached to the approaching railings.

      There’s no obvious gallery anywhere nearby, but the poster shows a sepia photograph of a group of comely women reclining on a sofa, with tumbling black hair, plump bodies, and can-can corsets and stockings. They are incredibly dated, girlishly coy, mostly, their backs turned to the camera to show mooning white buttocks and big bovine hips and shoulders, but the eyes gleaming under