.

useful for Harvey if at any point on any trip since signing up to this direct debit he had remembered to write down the fucking four-digit number and bring it with him.

      Putting off the decision, he decides to check his email. Harvey gets anxious if cut off from the internet. He hears about writers – he just about considers himself one, even though collating the Dictaphonic outpourings of celebrities rarely seems to qualify him as such – who, as soon as they sit down to write, unplug the modem. Not Harvey: if his home modem freezes, as it periodically does, he panics, diving immediately down on his knees amidst the wires and discarded newspapers and sweet wrappers of his study floor in order to unplug and replug it. While waiting for it to restart, he cannot work – it is as if he himself has frozen. There is no rationale for this – occasionally he needs to Google some fact, but most of the information he needs is already provided by his subjects – but the possibility of exclusion on this worldwide scale is too much. He needs to feel he is in there, one of the myriad upturned mouths sucking on the global InfoMother’s billion teats.

      The Sony Vaio rumbles for while, worrying him, and then Windows Mail opens: he hits Send and Receive, and watches the bar fill to a solid blue. He has nine messages. Eight of them are Spam – Ebony Anastasia Does Interracial Dicking Time, MILF Celestine Opens Her Sweet Ass Do You Want Some?, Superhot Trannies Notwithstanding, PlayPoker UK Exclusive Promotion, Hard Erecttion in 20 Minutes, Erectile Dysfunction?, ChitChatBingo, and one which makes him feel a bit weepy entitled Let Us Protect You, Harvey (from an insurance company) – and one from his agent, Alan. He knows what Alan’s email is going to say – he knows it will be delicately poised between expressing condolences for his father’s condition and wanting to know when Harvey is going to deliver the pitch for Lark’s autobiography – but still opens it with a tiny hope, as he opens all emails, that they will carry news of something stupendously positive. It is a message delicately poised between expressing condolence for his father’s condition and wanting to know when Harvey is going to deliver the pitch for Lark’s autobiography.

      Harvey pitches for a lot of autobiographies these days, many more than he actually writes. Lark, though, is a tough one, as she has done, as far as he can make out, absolutely nothing. Lark is a pop star, but Harvey, like everyone else, has never heard any of her songs, nor even seen a picture of her. This is because Lark is being kept under wraps. Her record company, her management and her PR agency – who have decided, the way these people can now, that she is going to be huge – have created a new marketing strategy around Lark, whereby she is going to burst forth fully-formed onto the public, Athena from their combined Zeus-like forehead. On some so far unspecified date in the future, Lark will be brought forth to the world – her single, her video, her MySpace page will all be let out at the same time, followed closely by her album, and her autobiography. This is what Harvey is supposed to pitch for. He does have some information about her – Alan keeps on sending it, as attachments to his increasingly urgent emails – but every time Harvey remembers the only fact he does know about Lark – that she is nineteen – he cannot face opening any of them.

      He shuts down Mail and opens a document file entitled IdeasJune. Harvey has many places in which he writes down ideas. In his hand luggage, along with a newly purchased copy of Solomon’s Testament – he had wanted, because she was pretty, to blurt out to the girl behind the till at WHSmith in Terminal Four at Heathrow, that he was Eli’s son, and had a first edition inscribed to him at home with the words ‘To Harvey, may you read it when you’re ready …’ and was only buying this one because he hadn’t read it for years and, well, he didn’t really know why he was buying it now but thought he should maybe read it again on the plane over because he was going to see his father on his deathbed – along with that, his father’s masterpiece, sits a Dictaphone, and two notebooks, one covered in gold leather, and one in moleskin. Harvey fetishizes notebooks. He has a drawerful of them at home in his study desk – covered in so many materials (velvet, cloth, zebra print, PVC); large hardbound ones and small; policeman-flicking-it-open-in-the-dock ones – and in all of them he has written thoughts for novels, films, plays, even – in one of them – business ideas. They are not empty. But they are not full either; each one has a series of scrawls, written in Harvey’s lazy script, which end after about five pages. It is partly the act of writing – that is, handwriting – that fails. Harvey likes the idea of opening the gilded notebook, and marking its embossed paper with the varied scents of his mind, but when it comes to it, writing with a pen has become a bit of a faff. More than that: writing with a pen doesn’t feel significant. It feels the preserve, now, of telephone numbers and email addresses hurriedly scribbled on stickies that he knows he’s going to lose. For his words to mean something, they have to be written on a computer. He knows this, yet continues to buy notebooks.

      The document IdeasJune has a number of sentences already in it. Some are fully-formed pitches: ‘Reality TV Idea: convince someone they’ve died and gone to heaven.’ Others just phrases, pending novels yet unwritten: ‘Her breasts spilled out of her bra like muscle rain.’ On a new page, Harvey writes:

       Film Idea

       Title: SHALLOW

      John Shallow is obsessed with looks. He is also an immigration officer at JFK. His obsession serves him well in his job because he always checks people’s – especially women’s – faces very thoroughly. But it doesn’t serve him so well in his marriage, which is falling apart.

      However, through a long and difficult process, involving much therapy and various epiphanies (? don’t know what these are – something profound/life-changing) he comes to terms with it, and saves his marriage. Just at that point, though, while at work, he spots – because he’s still got the skill (the skill at looking) even though he’s sorted out the problems that come with it – someone coming through immigration who turns out to be Osama bin Laden, incredibly well-disguised, using plastic surgery etc (a woman?). Osama is arrested and overnight Shallow becomes a national hero and a major celebrity.

      This leads to loads of sexual opportunities and wrecks his marriage.

      Harvey leans back. Something’s not right about it. He highlights the main body of the prose, and then opens the Formatting Palette, and clicks on I. This happens:

      Film Idea

      Title: SHALLOW

       John Shallow is obsessed with looks. He is also an immigration officer at JFK. His obsession serves him well in his job because he always checks people’s – especially women’s – faces very thoroughly. But it doesn’t serve him so well in his marriage, which is falling apart.

       However, through a long and difficult process, involving much therapy and various epiphanies (? don’t know what these are – something profound/life-changing) he comes to terms with it, and saves his marriage. Just at that point, though, while at work, he spots – because he’s still got the skill (the skill at looking) even though he’s sorted out the problems that come with it – someone coming through immigration who turns out to be Osama bin Laden, incredibly well-disguised, using plastic surgery etc (a woman?). Osama is arrested and overnight Shallow becomes a national hero and a major celebrity.

       This leads to loads of sexual opportunities and wrecks his marriage.

      Yes, that feels better. But now – as ever, when he has done a bit of work – Harvey must grant himself some small reward. He turns away from the computer and takes from his pocket a small bottle of blue liquid. However bleak the journey, there were always consolations on coming to America: the Manhattan view was one, and here was another. While pushing his baggage, ill balanced on the trolley, through JFK’s anywhere-in-the-world airport mall, saliva had gathered in the corners of his mouth, sent up from his forever inflamed throat glands, and Harvey had realized that he was hungry. Not straightforwardly for food; there was something specific which was making his mouth water at that moment, something specific that his system was reminding him can only properly be got hold of in America, reminding him a split second before the words formed inside his damp, sleepless skull: sour sweets. Harvey loves sour sweets; he loves the taste contradiction, the sugar fighting the acid, his tongue a pair of apothecary’s scales holding these opposites in perfect