The Yips. Nicola Barker

hair at the nape of her neck which protrude – in irresistible wisps – from below her scarf.

      ‘Is that a ruby?’ she repeats, glancing up.

      ‘A ruby?’ Gene starts. ‘No. No, it’s actually a garnet. I believe it’s Persian. He apparently wore it on the little finger of his right hand to ward off evil spirits.’

      He smiles, drolly.

      ‘And the cigarette case? Do you have that, too?’ Valentine wonders (ignoring the drollery).

      ‘Pardon?’

      ‘The cigarette case. Wasn’t it the silver cigarette case that saved his life when he was stabbed by a disgruntled client in his New York apartment?’

      Gene looks bewildered.

      ‘There’s no official biography’ – Valentine shrugs – ‘but you can find out all about him on the internet. His books still sell in bucket-loads – they’re considered classics in the field. From what I can recollect, I’m pretty sure he was raised in Ireland, although he finished up in California, working as a screenwriter …’

      ‘I get the general impression,’ Gene interjects (somewhat dryly), ‘that his personal history probably always owed a certain debt to the screenwriter’s art.’

      ‘So there’s a powerful emotional connection with your mother, at the very least,’ Valentine ruminates.

      Gene frowns, not following her logic.

      ‘They both enjoyed spinning the odd yarn.’ She grins.

      He considers this for a second and then smiles himself.

      ‘Although if your mother’s story is to be considered credible,’ she reasons, ‘if the connection is biological, then you’d actually be his great-great-nephew or something …’ She raises a mildly satirical brow. ‘I never got the impression that Cheiro was “the marrying kind”.’

      ‘There was a sister,’ Gene muses, ‘a Mary Louise Warner, but I suspect our connection might’ve been by marriage alone.’

      Valentine continues to inspect the ring.

      ‘Anyhow …’ Gene draws a deep breath, struggling to re-focus. ‘I just didn’t feel it would be right to let the incident pass without at least drawing your attention to it in some way.’ He glances down the corridor and indicates (somewhat limply) towards the child.

      Valentine slips the ring on to her index finger, straightens out her arm and holds it at a distance (to admire it, in situ). ‘I’m really interested in palms,’ she murmurs, turning her hand over and inspecting her own, ‘I’m obsessed by the skin, in general, same as my dad was. Just how strong it is – how tough and soft and durable. The skin’s actually the largest organ of the body. Did you know that?’

      Gene doesn’t respond. He’s still peering over at Nessa who is currently having a loud, imaginary conversation on the heavy, black, Bakelite phone.

      ‘Just forget about the other thing.’ Valentine smiles (glancing over towards the child herself). ‘Sasha’s so uptight about that kind of stuff. Nessa’s still a baby. She’s a free spirit. She hates to feel confined – hemmed in – by clothes, walls, rules … And she’s the world’s worst exhibitionist. I’ve got no idea where …’

      Valentine pauses for a second, mid-sentence, then frowns. ‘I mean I’m sure she’ll grow out of it. It’s just this silly phase she’s going through.’

      ‘She’s certainly quite a character,’ Gene murmurs as Nessa lifts up the back of her dress, pulls the hem over her forehead and commences wearing it as a kind of half-veil, beaming all the while.

      ‘She’s completely brazen!’ Valentine chuckles. ‘Brimming with confidence! Life has a nasty habit of knocking the stuffing out of people …’ She gazes up at him, appealingly.

      ‘I take your point,’ Gene concedes, ‘although I do think that when girls reach a certain age …’ He pauses, cautiously. ‘And I have a daughter of my own, so I’m speaking from painful experience here … These things can occasionally start to develop – if you’re not extremely careful – into something rather more … uh … something rather more …’

      ‘But she’s still just a baby!’ Valentine repeats.

      ‘Yes. She is. Absolutely …’ Gene clears his throat. ‘It’s simply that the other children in the group – the boys, in particular …’

      Gene focuses, intently, on the aspidistra. He can’t quite believe he’s having this conversation.

      ‘The boys?’ Valentine’s brows rise.

      ‘Yeah. Yeah. The older boys,’ Gene murmurs. ‘It’s nothing explicit, nothing … just a … a particular kind of … well … a certain kind of … of atmosphere …’

      ‘An atmosphere?’ Valentine looks shocked. ‘An atmosphere?’ she repeats, lifting a tentative hand to the back of her head.

      ‘Yeah …’ Gene follows the progress of the hand from the corner of his eye (it’s an attractive hand – soft and graceful, with lean, tapering fingers. An artistic hand, he suddenly thinks, switching, automatically, into palm-reading mode, a conic hand …). ‘Yeah …’ he repeats, blinking. ‘I mean they’re certainly not doing anything … anything inappropriate, they’re just naturally … uh … inquisitive. Just registering an … an idle interest, so to speak. There’s nothing … nothing specifically wrong about it – not exactly … yet it still feels slightly … well …’ – he winces – ‘slightly … what’s the word? I don’t know … slightly, uh, well, unsavoury …’

      ‘Unsavoury?’ Valentine snorts, incredulous. ‘Bloody hell! They’re only kids, for heaven’s sake!’

      ‘Absolutely!’ Gene insists. ‘Completely!’ he reaffirms. ‘I mean it would be ridiculous – stupid, ludicrous – to blow this thing all out of –’

      ‘Wouldn’t it, though?’ Valentine interrupts, tartly.

      Gene winces, stung.

      ‘I’m sorry,’ she immediately apologizes.

      ‘No.’ Gene shakes his head. ‘It’s fine. I probably deserved that. I’ve overstepped the mark.’

      A strange pulse passes between them.

      ‘It just seems like a sad reflection of the modern world,’ Valentine finally volunteers, ‘if an innocent, little girl, a child, can’t just –’

      ‘If you’ll forgive me for saying so,’ Gene promptly interrupts her (his confidence burgeoning, exponentially, as the discussion moves from the personal to the generic), ‘this isn’t really about the relative goodness or badness of the world. It’s not a complex social or philosophical issue, it’s purely a pragmatic one – a practical one. It’s essentially about accepting our responsibility as adults. Children need protecting – as much from themselves as from other people – protecting from their own innocence, even …’

      As Gene speaks, a commotion becomes audible in the street outside. A vehicle pulls up at the kerb, the engine cuts out, car doors slam, the gate creaks, footsteps can be heard tramping up the garden path (and voices, engaged in lively conversation).

      Valentine gives no indication of having noticed, though. She continues to stare up at him, totally engrossed in what he’s saying, her lips moving as his lips move, her hands knitted together so tightly that the knuckles are whitening. On noticing her hands – the stress in them – Gene suddenly loses the strand of what he’s saying. He glances over towards the door. ‘I should probably … uh …’ he mutters, gesticulating.

      Valentine says nothing for a few seconds and then, ‘Yes,’ she murmurs, her voice unexpectedly flat and colourless. Gene turns and takes a small step forward.

      ‘Wait