Losing It. Jane Asher

a full, squashy handful and pop them in my basket for Judy to use in one of her toad-in-the-holes.

      I shuffled forward as the young man finished packing his goods into a carrier bag and reached into his pocket to pay, but the elderly woman two in front of me moved in the way just as I tried to take a look at the owner of the sausage fingers, and I could see no more than the arm and hand I’d already studied. I looked down again at the latest load of shopping to make its way along the belt. Dog food; packets of sauce mix; frozen peas. I pictured the grey-haired woman at a dining table sitting next to a large dog, the two of them tucking into huge piles of peas and Pal respectively. Meanwhile, the sausage fingers waved to and fro as the goods were picked up one by one and passed across the magic eye, the huge hand moving heavily and slowly, pausing every now and then when the beep took an extra repetition or two to encourage it to respond. Chips, loo paper, tomatoes. All glided silently along the belt until grasped by the chipolatas. No – not chipolatas: the big ones. Bangers. As the arm moved, relentlessly and rhythmically, and the shopper shifted to the side of the till to reach over for a carrier, I lifted my eyes and for a moment felt confused between what I saw and the images of the food still passing across the bottom of my field of vision. Why was the vast packet of pink marshmallows wearing glasses? And why was it moving: squidging and undulating in sticky, sweaty ripples? When the eyes behind the glasses looked up into mine it shocked me, breaking the moment and forcing me to recognise what I’d been staring at unthinkingly. I dropped my gaze quickly from the face but I was even more unnerved at the sight of the shiny pink folds of flesh continuing downwards in vast Michelin-like coils towards the open neck of a green-checked overall.

      And that was just the beginning. I went on working my way down the overall in disbelieving fascination. From where the material began at the collar everything was tension: trussed, straining dollops of flesh, battling to burst free of the huge swathes of green-checked cotton encasing them, pulling at the poppers and oozing from the spaces in between in pale-pink polyester-covered bubbles. The entire human parcel was jammed into the space behind the counter, spilling over the edges in pleats of green-checked fat, as if the unfortunate girl had been crammed in there as forcefully as an ugly sister’s foot into the glass slipper.

      As I shifted forward towards the end of the belt, with just one young woman remaining in front of me, I glanced back up at the girl’s face. She was still looking at me while she continued her relentless scanning, and I realised – with a sudden jolt of guilt – that she was aware of me studying her, had probably been aware of it the whole time. I looked away quickly and began to unpack my shopping onto the belt, stopping to reach over and grab the plastic divider with NEXT SHOPPER on it and placing it hastily between my sliding packs of depressed-looking mince and the large box of Persil belonging to the woman in front of me. I arranged and rearranged my five rather pathetic items as they were carried towards the giant fingers, placing the baguette diagonally across the other things, carefully avoiding glancing up, and assuming what I hoped was a look of casual introspection. I removed the plastic divider as the Persil woman got out her purse, and placed it neatly behind my little assortment of goodies, separating them from the rest of the as yet empty belt. Out of the corner of my eye I could see the pink bangers reaching towards my baguette.

      ‘Bog off!’

      I was quite startled by the volume and confidence of her voice. There was such a ring of command in the tone of the incomprehensible words that I started guiltily, assuming I was being given some sort of large person’s reprimand, that she had seen me watching her and was giving me a justified insult in return.

      ‘I beg your pardon?’

      ‘Did you know it was a bogoff?’ she went on, looking straight at me through the slightly smeared lenses of her glasses

      I didn’t know how to answer this. While being more than a little relieved to discover that she had not, after all, been retaliating with a mysterious term of abuse for my uncharitable thoughts on her size, I was still at a loss as to the main drift of her communication. I hadn’t, in other words, the faintest idea what she was talking about, and, before I could decide if I knew it was a bogoff, it was clear I would have to establish not only to which object the ‘it’ in question referred, but also what exactly was the meaning of the term ‘bogoff.

      ‘What was a – I’m sorry,’ I ventured, ‘I still don’t quite –’

      ‘It’s a Buy One Get One Free – did you know? The baguette. We have to ask.’

      The resignation in her voice told me that I was probably not alone in my ignorance, and that she had had to translate the simple acronym many times before. I was glad to find myself alone at the checkout, unembarrassed by any smirking housewives behind me (the elderly woman I had supposedly pushed in front of having given up the wait and moved to another till).

      ‘Oh, I see!’ I smiled at her. ‘Sorry, I’m with you. Buy One Get One – yes, yes I see. Bogof! I had no idea. I mean I had no idea that bogof meant two for the price of thingummy and I had no idea that baguettes were – um – bogofs.’

      ‘Well?’

      She looked bored, but not impatient, I thought, and her eyes – a startlingly cat-like shade of yellowy brown – seemed surprisingly young behind the up-tilted spectacles amid the puffy cushioning of the cheeks around them.

      ‘Oh, I see. Well, yes, of course, I’d be a fool not to have the free one, wouldn’t I? Thanks for telling me – I’ll just pop over and get one.’

      I walked quickly back to the large cardboard stand that held the baguettes, grabbed one and brought it back to the till. As the girl grasped it in a large, sweaty hand, I was pleased to see that the fingers touched only the Cellophane.

      ‘Six pounds thirty.’

      As I handed over a twenty-pound note, I couldn’t help having another good look at this dumpling of a girl in front of me. Her hair was shoulder length, mousey and lank except for the ends, where it frizzed out into curls that seemed to have a life of their own and bear little relationship to the rest of the head. On her forehead, in particular, the tightly curled fringe looked completely out of place, as if it had been separately attached to her somewhere near the dead-straight, white parting that crossed her head in a scurfy furrow. I can never quite make out how women’s hairdos go, in any case. Judy winds hers up and clasps it back in one of those bulldog clip things with teeth – a croc, I think she calls it – in the most extraordinary, gravity-defying ways. But it does at least always look as if it belongs to her. This girl just didn’t come together physically in any rational sort of way: even the bright-pink lipstick that she wore, instead of emphasising her mouth – presumably the intention – just seemed to accentuate its lack of size against the huge background of her face. Her nose, too, was delicate and small, looking almost comically out of proportion to the rest of her. I guessed her to be in her early twenties – perhaps even younger. While she opened her till I quickly scanned the four checkouts behind her: the other assistants were of normal proportions. This mammoth young girl was one of a kind.

      The open drawer of the till was pressed into her abdomen and I wondered if it hurt. She took out my change with one hand and with the other burrowed into the soft folds of her body to find the edge of the drawer so she could push it shut, then passed the money into my hand. As she did so, she glanced up at me, and for a split second I found myself looking straight into those oddly mesmeric amber eyes. I think I must have been frowning slightly: I know I was wondering just how this poor creature coped with the physical difficulties she must surely face at every stage of her day.

      ‘Is there a problem?’ she asked half-heartedly, in the same tone of dreary boredom that her voice had had all along. It would be hard to imagine anyone sounding less as if they had the tiniest speck of interest in knowing if I had a problem. In an attempt to elicit some sort of response I briefly considered telling her that my leg had fallen off or that a man with a bloody axe was standing immediately behind her, but decided not to bother.

      ‘Is there a problem with your change?’

      ‘Oh, I see. No, no, not at all. It’s fine. Thank you. Good night.’ If I’d had a hat on, I think I’d have tipped it. That’s just the way it felt, somehow.