Название | The Explorer |
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Автор произведения | James Smythe |
Жанр | Приключения: прочее |
Серия | |
Издательство | Приключения: прочее |
Год выпуска | 0 |
isbn | 9780007456772 |
Arlen was First Pilot, from somewhere in the American Mid-west – Ohio, I think, but he spoke about the country as if he’d lived all over, throwing names of cities and towns into conversation, always with a tale to tell about them. He was a storyteller, one of those types, and older than the rest of us by a few years. When we all met he was clean-shaven, but he grew a beard for the trip, because he wanted to see what happened to it when we were in stasis.
‘When we get out,’ he said, ‘this sucker might have grown. I want to know just how frozen we actually are in those things.’ We were only in them for a fortnight, but he said that if it grew fast enough he’d be able to tell the difference. He thought that it would be hilarious if it grew so fast he would go from tidy to unkempt over the course of a single sleep. He was all about the joke, Arlen. He died in stasis, or just didn’t wake up, however you want to think of it. We all came out of the pods one by one, as we had in training: his was meant to be first, so that he could switch on everything, run diagnostics before the rest of us turned out; but, for some reason, his bed didn’t open. By the time we prised it open he was gone. Something must have happened to it during the launch period, because everything was fine when we got into them; we had run stress tests to make sure, and those things were meant to be idiot-proof. In a worst-case scenario, they were even meant to be our escape pods: the thought of one malfunctioning didn’t exactly fill us with confidence. We all came out of our pods soaking wet, because something about the sleep made you sweat, made your entire body lose its water. Arlen wasn’t wet: his skin was a filthy grey-blue, hard and crusty and starting to flake off in fingernail-sized chunks of dust. We tried using the defibrillator on him but nothing happened. The skin cracked, and his eyes were so dry they looked like marshmallows, and we realized that we were going to have to put him back and seal him off. We said some words, told Earth, a few of us cried; but that wasn’t a mission ending critical, as Ground Control called it. That was why we had more than one pilot.
‘Things can go wrong,’ Ground Control told us. ‘You have to be prepared.’
Second to die was Wanda. We jokingly called her Dogsbody, because she got all the awful jobs, and pretty much did whatever her superiors told her to do. That included me, for some reason; even though I had no official rank, she acted as if I did. Respect, maybe, or honour. Something. She had been recruited straight out of some Ivy League university, and she acted it. When she did what we asked, it was always grudgingly, and she was surly, sad. We speculated that she really missed home. She was American as well – she and Arlen, the American contingent, first into action, first to leave, like some old joke about one of the wars – and her accent was Southern, but she always said that she was from DC. We had something in common: headaches. I get bad headaches in low gravity, which I didn’t realize, of course, until we were up here. I think most people have the potential to get them, over long periods of time. It’s the pressure. I never had headaches before we came up here, and neither did Wanda. We were the worst to get them – or, maybe just the worst to feel them, at first, before we got used to them. Wanda died outside, in space. Her suit had a tear, or a crack, and we ran so many checks, over and over on all the suits, that when she died we couldn’t believe it. There was a routine maintenance scan on the hull every few days; we cut thrusters, made sure that the outside was holding up, that the hull’s integrity was normal. We were pushing ourselves into new parts of space; the first time that we had been here, manned, this far out. The hull could have developed issues, so we sent Dogsbody – Wanda – out to check it, on her wire, and we ate breakfast. She reached the apex of the craft and her line went taut, and she drifted off, her helmet filled with blood, thick enough that we couldn’t see her face. When we dragged her in her eyes had burst behind her eyelids. Her head had drowned, really, flooded the helmet like a bathysphere, like a goldfish bowl. She’d kept her mouth shut, squeezed her eyes shut like we were told in cases of depressurization, but her nostrils … We hadn’t even thought about the nostrils. Guy suggested that we all wear earplugs in our noses after that, when we went on walks, but we didn’t, because we knew that if the helmets failed us, no amount of plugging cavities was going to keep us alive.
Guy was third. He was German, and that wasn’t his real name. His real name was Gerhardt, but we had to prise that out of him, really bully him to tell us. He hadn’t used that name since he was a child, he said. To hear it made him angry. Guy suited him better. Gerhardt suggests a fat man, a chef, huge and mustachioed and swirling. That wasn’t Guy, who was thin and tall and bald, almost hairless. He was chief scientist and engineer. We debated turning around after Wanda died, head back to Earth whether Ground Control gave us permission to or not – could we even do that? The systems weren’t meant to put us in reverse until half the fuel had been depleted, but Guy helped develop the tech that made the ship run: he would almost definitely know the safe codes to reprogram the systems, to manipulate our journey, change the coordinates, change where we were heading. Everything was safe codes and protected routes that we weren’t able to change. We went silent as we put Wanda’s body back in her stasis pod, stopped – although, we never actually stopped, of course; we were always drifting, because that was the nature of space, no stopping, nothing ever ceasing – and we sent a message home, and waited for the reply. There was an eight-minute wait for messages to reach home at that point – four minutes to send it, four to get the reply, but we had to give them extra time for any anomalies. We sent the message a few times, to make sure, and waited and waited. Eventually, they told us we were carrying on; that we couldn’t afford to stay still, that we should turn the engines back on a.s.a.p. The life support in the ship is piezoelectric, charging itself from the vibrations that the hull makes as the engines rattle it, so as not to deplete the fuel supply; the longer the ship stays static, the less time life support has. The ship was built to keep us moving. We were told that we had to progress, that Wanda’s death wasn’t crucial, so we did, for a while. Quinn and Emmy didn’t like it: they argued, wanted to turn around. I supported them, and when they told Guy that they were turning the ship, it turned into a full-blown argument. Quinn was screaming at him, using nothing other than a sense of morality as his argument (people had died, we owed them something) and self-preservation (people had died, and there might be more), and Guy grabbed the walls suddenly and he had a heart attack, scrabbling at his chest with his hands, beating at it like he was fighting off another man, an actual physical attack. In zero gravity it was scarier than seeing it normally; normally you imagine people crumpling to the floor, but Guy was a cartoon version, a terrified and confused wolf plummeting down a ravine, clutching at his chest as he fell. As Emmy kept saying that night, consoling us, or trying to: it would have happened anyway. And Guy had been losing it: he accused me of things, started getting paranoid, seeing things. There’s no telling what this amount of pressure can do to the human body, let alone to the mind. We were past any point where anybody had been before, and we had to accept that, and move on. We were as fit as we could be; we would either cope or we wouldn’t.
Quinn was next to die; and with him, it became almost funny, or like a setup for some awful TV show, where you expect the presenter to reveal that it had all been an overly elaborate joke. He was the second pilot, though he always referred to himself as a caretaker.
‘I only push the occasional button,’ he told me in his first interview. I am a journalist. That’s why I’m here, that’s my motivation, to document this, to take film clips, to write about this. We live in a time of interest, of being able to remember this stuff forever: it’s not like when it was paper, which faded and peeled and tore. Data lives forever, and we’re in a new age of journalism: the age of permanence. I could win a Pulitzer for this, everybody said before we left. I was writing up the adventures of those who go further than anybody ever has before. This is the stuff of sci-fi movies and books, of dreams: it’s humanity exploring again, crossing