Remarkable Creatures. Tracy Chevalier

him when he next came down from London. But that could be many months, and besides, I could not rely on my brother for everything. I was going to have to make my way in Lyme without the tradesmen laughing behind my back.

      It was clear to me from looking around his shop that Richard Anning needed the business. I should use that to my advantage. “It is a pity that you have suggested such an exorbitant sum,” I said, wrapping my fossils in muslin and placing them back in my basket. “I would have made your name prominent on each case, and everyone who looked at my collection would have seen it. Now, however, I shall have to go elsewhere, to someone more reasonable.”

      “You going to show them to others?” Richard Anning nodded at my basket, his incredulity deciding me: I would find someone in Axminster, or even Exeter if I had to, rather than give this man my business. I knew I would never like him.

      “Good day to you, sir,” I said, turning to sweep up the steps. I was thwarted in my dramatic departure, however, by Mary, standing square in the entrance and blocking my way. “What curies you got?” she demanded, her eyes on my basket.

      “Clearly nothing that would be of interest to you,” I muttered, pushing past her and out to the square. I hated being stung by Richard Anning’s tone. Why should I care for a cabinet maker’s opinion? In truth, I’d thought my bits and pieces rather fine, for someone new to finding fossils. I had found a complete ammonite, as well as parts of several others, and the long shaft of a belemnite, the pointed tip intact rather than broken, as they so often are. Now I could see, even as I passed the Annings’ table in my anger, that their fossils far exceeded mine in both variety and beauty. They were whole, polished, varied, and abundant. There were specimens displayed on the table I hadn’t even known were fossils: bivalves of sorts, a heart-shaped rock with a pattern on it, a creature with five long waving arms.

      Mary had ignored my rude remark and followed me out. “You got any verteberries?”

      I paused, my back to her, the table, the whole wretched workshop. “What is a verteberry?”

      I heard a rustling by the table, the clinking of stones knocked together. “From a crocodile’s back,” Mary said. “Some say they’re the teeth, but Pa and I know better. See?”

      I turned to look at the stone she held out. It was about the size of a twopence coin, though thicker, and round but with squared-off sides. Its surface was concave, the centre nipped in as if someone had pressed it between two fingers while it was soft. I recalled the skeleton of a lizard I’d seen at the British Museum.

      “A vertebra,” I corrected, holding the stone in my hand. “That is what you mean. But there are no crocodiles in England.”

      Mary shrugged. “Just not seen ’em. Perhaps they’ve gone somewhere else. Like to Scotland.”

      I could not help smiling.

      When I went to hand back the vertebra, Mary glanced around to see where her father was. “Keep it,” she whispered.

      “Thank you. What is your name?”

      “Mary.”

      “That is very kind of you, Mary Anning. I shall treasure it.”

      I did treasure it. It was the first fossil I put in my cabinet.

      It is funny now to think of that, our first meeting. I would never have guessed then that I would come to care about Mary more than anyone other than my sisters. How can a twenty-five-year-old middle-class lady think of friendship with a young working girl? Yet even then, there was something about her that drew me in. We shared an interest in fossils, of course, but it was more than that. Even when she was just a girl, Mary led with her eyes, and I wanted to learn how to do so myself.

      Mary came to see us a few days later, having discovered where we lived. It is not hard to find anyone in Lyme Regis – there are only a few streets. She appeared at the back door as Louise and I were in the kitchen, picking the stems off the elderflowers we’d just gathered to make into a cordial.

      Margaret was practising a dance step around the table while trying to convince us to make the flowers into champagne instead – though she did not offer to help, which might have made me more amenable to her suggestion. Because of her clatter and chatter we did not at first notice young Mary leaning against the door frame. It was Bessy, huffing into the kitchen with the sugar we’d sent her to get at the shops, who saw her first.

      “Who’s that, then? Get away from there, girl!” she cried, puffing out her doughy cheeks.

      Bessy had accompanied us from London, and relished complaining about her revised situation: the steep climb from the town to Morley Cottage, the sharp sea breeze that made her chesty, the impenetrable accent of the locals she met at the Shambles, the Lyme Bay crabs that brought her out in a rash. While Bessy had been a seemingly quiet, solid girl in Bloomsbury, Lyme brought out in her a bullishness she expressed with her cheeks. Behind her back we Philpots laughed at her complaints, though at times it brought us close to giving her notice as well, when she wasn’t threatening to leave.

      Mary didn’t budge from the door sill, Bessy’s temperament having no effect. “What you making?”

      “Elderflower cordial,” I replied.

      “Elderflower champagne,” Margaret corrected, with an accompanying flourish of her hand.

      “Never had that,” Mary said, eyeing the lacy flower heads and sniffing at the muscat bloom that filled the room.

      “There is such an abundance of elderflowers here in June,” Margaret said. “You should be making things out of them. Isn’t that what country folk do?”

      I winced at my sister’s patronising words. But Mary didn’t seem offended. Instead her eyes followed Margaret, who was now spinning about the room in a waltz, dipping her head over one shoulder, then the other, twisting her hands in time to her humming.

      Lord help her, I thought, the girl is going to admire the silliest of us. “What is it, Mary?” I did not mean to sound so short.

      Mary Anning turned to me, though her eyes kept darting back to Margaret. “Pa sent me to say he’ll make the cabinet for a pound.”

      “Will he, now?” I had gone off the idea of the cabinet if it was to be made by Richard Anning. “Tell him I will think on it.”

      “Who is our visitor, Elizabeth?” Louise asked, her fingers still in the elderflowers.

      “This is Mary Anning, the cabinet maker’s daughter.”

      At the name, Bessy turned from the table, where she was turning out a fruitcake she had left to cool. She gaped at Mary. “You the lightning girl?”

      Mary dropped her eyes and nodded.

      We all looked at her. Even Margaret stopped waltzing to stare. We had heard about the girl struck by lightning, for people still talked of it years later. It was one of those miracles small towns thrive on: children seeming drowned then spurting out water like a whale and reviving; men falling from cliffs and reappearing unscathed; boys run down by coaches and standing up with only a scratched cheek. Such everyday miracles knit communities together, giving them their legends to marvel at. It had never occurred to me when I first met her that Mary might be the lightning girl.

      “Do you remember being struck?” Margaret asked.

      Mary shrugged, clearly uncomfortable with our sudden interest.

      Louise never liked that sort of attention either, and made an effort to break up the scrutiny. “My name is Mary too. I was named after my grandmothers. But I didn’t like Grandmother Mary as much as Grandmother Louise.” She paused. “Would you like to help us?”

      “What do I do?” Mary stepped up to the table.

      “Wash your hands first,” I ordered. “Louise, look at her nails!” Mary’s nails were rimmed with grey clay, her blunt fingers puckered from limestone. It was a state I would become familiar with in my own fingers.

      Bessy